Category Archives: #36

Show 571: Taxonomy of sonorous order (Radio Orange 94.0)

[archiveorg radia_s36_n571_RadioOrange_TaxonomiedersonorenOrdnung width=500 height=30 frameborder=0 webkitallowfullscreen=true mozallowfullscreen=true] Categorising, tagging, assigning and conducting research as a creative process. Where do art and order come together? How do artists use archives or archived material? Does the digital card index therefore need a … Continue reading

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Show 570: Come to Halle! (Radio Corax)

[archiveorg radia_s36_n570_RadioCorax_ComeToHalle width=500 height=30 frameborder=0 webkitallowfullscreen=true mozallowfullscreen=true] From 1st to 30th of October 2016 a great celebration of radio art will take place in Halle an der Saale in Germany: The Radio Revolten Festival. This Radia show is an invitation … Continue reading

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Show 569: Unintentional Autobiography By Michael McLaren

[archiveorg RadiaS36N569CFRCUntitled width=500 height=30 frameborder=0 webkitallowfullscreen=true mozallowfullscreen=true] I raced around my attic quarters, scavenging a textbook, an old high school essay, a favourite story. An autobiographical work told through readings chosen both with and without intent. The dice serve a dual … Continue reading

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Show 568: Back Again by Laura Morris ( Campus Paris)

The search for something new encompasses the search for a new you. Why travel? To see new places? Or for the chance to be or become someone else? Who are you in a new, anonymous crowd? But the further we … Continue reading

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Show 567: Werden Sie Mit Mir Tanzen …? by deadpeoplesrecords

[archiveorg RadiaS36N567WerdenSieMitMirTanzenEastside width=500 height=30 frameborder=0 webkitallowfullscreen=true mozallowfullscreen=true] One night a friend of mine played me some digitised 78’s of early 20th century Weimar Tangos. They cried out to played with! “The city had a jewel-like sparkle, the vast cafés reminded … Continue reading

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Show 566: TO THE LIMIT OF ENDURANCE by GABI SCHAFFNER for radio x

[archiveorg radia_s36_n566_radiox_schaffner_endurance_2834 width=500 height=30 frameborder=0 webkitallowfullscreen=true mozallowfullscreen=true] radia season 36 – show #566 (radio x) – TO THE LIMIT OF ENDURANCE by GABI SCHAFFNER – playing from february 1 to february 7, 2016 – TO THE LIMIT OF ENDURANCE by … Continue reading

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Radia Show 565: CHANT IV by Golem Mecanique for Jet FM

[archiveorg radia_s36_n565_jetfm_golem_mecanique_chant4 width=500 height=30 frameborder=0 webkitallowfullscreen=true mozallowfullscreen=true] (French below) CANTO IV Electro acoustic composition for radiophonic broadcast Golem Mecanique : Voice , magnetic tape recorders device, drone box Antoine Lang : Voice, reading Alexis Degrenier : Mixing and mastering I … Continue reading

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Radia Show 564 | Radio Papesse | RADIO création poétique contemporaine by Anne-James Chaton

[archiveorg radia_s36_n564_RADIO_AnneJamesChaton_RadioPapesse width=500 height=30 frameborder=0 webkitallowfullscreen=true mozallowfullscreen=true]   This show is a 28 minutes mix of RADIO a poetry live on air event, conceived and produced by Anne-James Chaton RADIO has been a 24-hour celebration of contemporary poetry broadcasted live … Continue reading

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Show 563: ‘At The Edge of the Emptiness of All Things’ by Dieter Sperl & Michael Fischer for Radio Helsinki

[archiveorg radia_s36_n563_At_The_Edge_of_the_Emptiness_of_All_Things_Radio_Helsinki width=500 height=30 frameborder=0 webkitallowfullscreen=true mozallowfullscreen=true] Photo: Sperl, Fischer At The Edge of the Emptiness of All Things For several years now, the saxophonist and instant composer Michael Fischer, founder and director of the Vienna Improvisers Orchestra, and the … Continue reading

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Show 562: ‘Impure Waves’ by Stefano Giannotti for Worm/Klangendum

[archiveorg radia_s36_n562_impure_waves_Worm_Klangendum width=500 height=30 frameborder=0 webkitallowfullscreen=true mozallowfullscreen=true] Impure Waves is a radio-piece for voice, harmonica, oscillators and mobile phones. It is entirely born during the author’s residency at the Worm Foundation in November 2015. The piece starts with a quotation … Continue reading

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