Tag Archives: Radio Campus Bruxelles

Show 1103 : “Learning AI How To Dream” by Sebastian Dingens (Radio Campus Bruxelles)

Dreaming is an essential activity in processing experiences and witnessed events. It helps us construct a sense of identity, reality and can (partly) help to process traumatic experiences.

Since AI is constantly confronted with the most violent content on the internet, the Sonic Research Kitchen thinks it is very important that we learn this new technology how to dream. How else can we expect it to process all the violence it encounters on the internet?

If we don’t act now, we’d better reserve the poor thing a spot on the waiting list for a decent psychotherapist.

This is our humble contribution in trying to learn AI to dream. With many thanks to the contributors who preferred to stay anonymous.

Yours truly,
Sebastian Dingens,
for the Sonic Research Kitchen.

About Sebastian Dingens

Sebastian Dingens plays around, and calls it research. He lets his mind drift and calls it improvisation. He makes drawings and calls them compositions. He turns knobs and calls it synthesis. He fiddles with recorded sounds and calls it radiophonic. But he is very serious about all of these things.

AI says that he works at the intersection of experimental music, listening practices, radio and sonic research.

He is fascinated by processes of geological erosion, processes of forgetting and the emergence of memories of never-lived experiences.

The truth, in the end, is one’s own perception of reality.

_________________

cardboard cartoon figures of board surfers on waves of distant ice ages publicity for pubic hair and wrinkled bellies
anorexic skeletons disguised as bones of dinosaurs
fascinating drawings of young children,

curiously smiling with white teeth of disillusion

In a state of introvert depression rage I go to war,
I go to fight my own anger
with the violence of my own blood
on the brown battlefield under a dessert of black clouds

I am seeing myself standing there
but I am looking inward with closed eyes
fatigued by useless attempts to stay human in a hopelessly sick world

________________________________

there’s an impenetrable forest,
a forest inside myself
and inside this forest, there’s a clearing. I am standing there,
in the middle of the clearing
of the forest
inside of myself
there’s no animals moving about.. except for insects
small little insects
crawling around
with the speed of light
….
segmented legs
weird flies

a thousand faceted eyes
observe me
I feel their gaze piercing
my own
harnass
….

through bark and bush
there’s only a slow peculation of light
a glimmering reflection
of what used to be hope
seeps through the leaveless branches of berches pale bodied
their skinns inscribed with badly healed wounds as if this groove remembers
a wound I have not yet spoken

But if we change perspective ….

I am sitting in front of the open window my legs are a curtain
through the open window
I see a field of refined flowers wheeping, still in the wind

there’s a lot of berchtrees.
my skinn is waving
it is a waving curtain
my skinn is a curtain, waving in the wind ….

the waving enlightens in me a burning desire
the waving enlightens in me an inseasable desire …

and through the open window I see

cardboard cartoon figures of board surfers on waves of distant ice ages publicity for pubic hair and wrinkled bellies
anorexic skeletons disguised as bones of dinosaurs
fascinating drawings of young children,

curiously smiling with white teeth of disillusion

In a state of introvert depression rage I go to war,
I go to fight my own anger
with the violence of my own blood
on the brown battlefield under a dessert of black clouds

I am seeing myself standing there
but I am looking inward with closed eyes
fatigued by useless attempts to stay human in a hopelessly sick world

– – –
Radia show curated by Carine Demange for Radio Campus Bruxelles.

Show 1080 : Cyborg Lullaby by Gwen Sainte-Rose – Radio Campus Bruxelles


« Cyborg Lullaby » from Gwen Sainte-Rose
(1st part of upcoming “Those who are not Mothers”)

« Est-ce que vous avez des enfants ? »
A cette question qui paraît anodine, celles qui ne sont pas mères peuvent apporter, chacune, une réponse et une histoire très différentes.
Gwen y répond ici à sa façon, dans ce premier geste sonore qui raconte son histoire et son rapport à la non-maternité. D’autres créations sur cette question suivront, présentant les univers singuliers de chacune autour du projet : « Celles qui ne sont pas mères ».

– –

“Do you have children?”
To this seemingly innocuous question, those who are not mothers can each give a very different answer and tell a very different story.
 Gwen responds in their own way, in this first sound piece that tells their story and their relationship with non-motherhood.

It’s also about what they feel on a sensory level. How they live in a binary and heterosexual system. What is “natural” or not. And how they find their way in there.
Other creations on this question will follow, presenting each person’s unique universe on this theme.

Gwen Sainte-Rose is a musician, composer and sound artist. Their creations are always guided by sensitive listening.
For cello and loopstation, they composed “Collines – Racines”, two soundscapes inspired by the Forêt de Soignes and the Gaume region in South Belgium.

They produced the radio documentary “Ne pleure pas !” (Don’t cry!), about child abuse.
Now they are also exploring links between videos they made with a microscope camera, sound and music, as in « Garden ».

Production, sound design and music : Gwen Sainte-Rose
Curation : Carine Demange

Guest Show 1078 : “Le Leman Mystérieux Merveilleux” par Eric Desjeux – Institut International de Recherche sur la Radio et la Magie

LE LEMAN MYSTERIEUX MERVEILLEUX
par Eric Desjeux

Ré-affirmer le merveilleux comme une manière de ré-enchanter le réel
Les rives du Léman ont toujours fasciné des artistes, écrivain·es et penseur·euses venu·es des quatre coins du monde.
Nous faisons l’hypothèse que vivre avec nos histoires, nos légendes et nos mythes fondateurs, est une manière de nous ancrer et de nous régénérer en tant que communautés, et que la transmission culturelle est un processus qui contribue à connecter les individus et à perpétuer des groupes humains.
Aux prémices de ce projet nous avons constitué une équipe de recherche pluridisciplinaire, réunissant des artistes et des scientifiques local·es ainsi qu’international·es et leur avons proposé un double temps de résidence croisée. Nous avons pensé que cette immersion offrirait un terreau fertile pour la compréhension, la réinterprétation et la création de récits liés au Léman.

avec Jean-Baptiste Molina, Federica Tamarozzi, Christian Baumann, Dalia Mauvis, Mathilde Tinturier, Jonathan Frigeri, Emmanuelle Nizou, Antoine Schaad, Maryne Lanaro, Henry Deletra, Benoit Grison, Diederik Peeters, Paul Courlet, Luca Schöpfer, Stéphanie Pfister, Eva Zornio, Vanessa Montero.
Une production de l’Institut International de Recherche sur la Radio et la Magie.
Curation : Jonathan Frigeri / Carine Demange.

Show 1057: martiensgohome – “I really should have seen through the airwaves” – Radio Campus Bruxelles

martiensgohome – I really should have seen through the airwaves
The inspiration for this piece came from the idea of treating the radiowaves as a living environment, a complex landscape just waiting to be explored. Applying field-recording methods to the shortwave signals of the radio highlights its various sceneries, and its diverse inhabitants. From radio amateurs to state propaganda, and from entertainers to religious freaks, all types of discourses can be found here competing for attention. Surrounding these voices is an equally fascinating ocean of electronic sounds : magnetic storms, carrier waves, interferences, radio-jamming, hum and buzz. The aether is an infinite synthesizer. The natural tones and human-made noises of the airwaves represent an inexhaustible source of sound material and inspiration.
This piece has been composed with the help of the scordinator, a computer program devised by martiensgohome during a residency in the Q-O2 workspace in 2023. The program generates a graphic score for multiple musicians to follow, suggesting dynamics, entry points and pauses for each performer. Designed for live performance as well as for decision making in the studio, it is both a game and a tool. It reconciles conducting and improvisation insofar as it doesn’t tell the musician what to play, or how, but lets him make creative choices within a timeframe.
martiensgohome is a radio-art collective based in Brussels and has been active on the air since 1996. They operate every week on Radio Campus 92.1 FM where they produce a one hour-long improvised show , using field-recordings, electronics, objects and guitar. They also perform live whenever possible, preferably in special settings, composing site-specific interventions or playing unconventional venues.
you can find and use the scordinator here: https://sublymediagonal.net/scoredinator/
(photo by fabonthemoon)
Curation : Carine Demange for Radio Campus Bruxelles

Show 1034 : “Hypercabane” from Radio Campus Bruxelles


Hypercabane is a collective project airing monthly on Radio Campus Bruxelles.
Our research explores the plastic forms of sound and radio, the potential of the voice and the distortion of reality.
Each month, we collaborate with guest artists on live experiments guided by creative protocols, challenging notions of the linearity of time and space, while travelling through a sound-designed universe with a dreamlike, retro-fantasy aesthetic.

In the manner of a cut-up, the recordings of these live broadcasts become the raw material for the editing and pasting process that we carry out alongside our work on the broadcasts themselves.
As we celebrate the third anniversary of the project, we’ve delved deep into our archives to blend our earliest and most recent shows into a brand new journey.

With the voices of :
Flavia, Maxime, Djeline, Paolo, Valentin, Jules, Eugène, Maria, Carla, Marie, Zélie, Mia, Eline, Elisa, Inès, Lilith, Ian, Orlane, Mathilde

With samples from :
Allergène – FunkyPastaBox
Irreversible Entanglements – Our Land Back
Mark Seibert – Conquests Of Camelot OST

Links :
https://www.instagram.com/hypercabane_officiel/
https://soundcloud.com/hypercabane
https://www.mixcloud.com/HYPERCABANE/stream/

Curated by Carine Demange for Radio Campus Bruxelles