Show 751: Frog in Wild (Radio Grenouille – Euphonia)

De quel surface sommes-nous ?

Vers quel paysage nous projeter ?

Quels mots pour décrire l’extérieur ?

Des questions qui nous traversent. Une réflexion en chemin qui s’écoute ici. Par des instants captés au cours de différents projets portés par Radio Grenouille – Euphonia : Ateliers radiophoniques, enquête ethnographique, émissions, essais et  expérimentations.

La voix dans le paysage, les plantes qui poussent à nos pieds, les profondeurs sous-marines et l’avion qui passe…

** Situation des extraits :

La Martre : captations pour le Parc Régional du Verdon / Radio Blini – Workshop à l’Ecole d’Art et de Design Marseille-Méditerranée / La nature en ville : émission des étudiants en Master Environnement, Aix Marseille Université / Herbier sonore de la Friche Belle de Mai : Par ailleurs paysage / Ateliers radiophoniques : Swag FM – Fos sur Mer / Accorderie de Brignoles / Lo Paisan : les élèves de l’école de Correns / Test d’immersion dans la fontaine de Barjols pour une promenade sonore de Christophe Modica

Réalisation : Jean-Baptiste Imbert

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Frog in Wild

What surface are we from ?
What kind of landscape are we looking at ?
What words to describe the exterior ?


Questions that run through us.
A reflection on the road that can be heard here.
By moments captured during various projects carried out by
Radio Grenouille – Euphonia :
Radio workshops, ethnographic surveys, broadcasts, tests and experiments.

The voice in the landscape, the plants growing at our feet, the underwater depths and the passing plane…

** Status of extracts:

  • La Martre : captations pour le Parc Régional du Verdon
  • Radio Blini – Workshop à l’Ecole d’Art et de Design Marseille-Méditerranée
  • La nature en ville : émission des étudiants en Master Environnement, Aix Marseille Université
  • Herbier sonore de la Friche Belle de Mai : Par ailleurs paysage
  • Ateliers radiophoniques : Swag FM – Fos sur Mer
    Accorderie de Brignoles
  • Lo Paisan : les élèves de l’école de Correns
  • Test d’immersion dans la fontaine de Barjols pour une promenade sonore de Christophe Modica

Réalisation : Jean-Baptiste Imbert

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Show 750: enttäuschungen (disappointments) (Guest Slot: Radiofabrik)

by Peter Haas for Radiofabrik

Well – expectations of radio (seeing something?) and expectations of the arts (something beautiful?) and disappointments, respectively: such tight packages of overlays (the findings and the collected flotsam) so that it’s not that easy anymore….

But always those voices and these sounds and then something’s saying something….

From times when it was hard for an amateur to tinker with good mixtapes, an addiction salvaged into times where they’re easy to make, but hard to curb….

Peter Haas is an amateur in many fields

Fallen into this transmission where the voices of Ivor Cutler, Sabine Gizelt, Birgit Sattlecker, Richard Tuttle, forced entertainment, Johan Simons, Robert Gernhardt, Erik Hable, Meese, Hillary Clinton, my own, and so on.

Music by Ivor Cutler, Clemens Band Denk, Karine Polwart, 8orror, FSK, Robert Wyatt, The International Nothing, and so on.

With support by Peter Wetzelsberger, A, Didi Neidhart, Hans Pollhammer.

Missing (but maybe next time): Thomas Hirschorn, Gerhard Spring, Endo Anaconda, Ed and you.

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Show 749: Magic Sound Box (CKUT)

sound boxers brought beautiful sonic creations to the ears of many listeners. Sound artists:  Alanna McNevin, Alejandro Saravia, Antonella l.c. Giordano, Britt Wray, Courtney Kirkby, Dominique Ferraton, Elena Stoodley, Eugenie Brin, Jasmine Wilson, Jason Levine, Karen Robins, Marc Messier-Peet, Moe Clark, Miss Lamb, Neil Griffith, Nicolas Vigneau, Rae Dooley

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Show 748: A matter of water? (Radio ARA)

“A matter of water?” was born from the idea of ​​narrating the marine environment, in all its forms and changes on the occasion of the Nuit de la Culture, in Esch sur Alzette – Luxembourg. But can you imagine? Bringing the sea to Luxembourg? The country where the ocean just doesn’t exist except in the memories of those who live here.

I almost immediately realized that most of the images of the marine environment that I own in my mind, just stop at the surface, I never wondered if what is below is really as shown in museums, encyclopedias or scientific magazines that I was reading when I was a teenager. In fact, I had the same doubt that many of us have when we hear about global
warming
: “What exactly is going on? Why should we worry? And why should I feel guilty?”

With this feature I tried to give myself some answers, making a small journey through two of the hottest issues related to global warming and the oceans: the climate migrants and the destruction of marine fauna. I gathered some information from those who know more than me about it: media, literature, music and of course… the oceans.

Produced by Luca Piparo
Contributors: Sandra Laborier, Lars Schmitz, Ben Dratwicki, Stefanie Plank
Poem: Sea is History by Derek Walcott

Recorded in the studios of Radio ARA.
Sounds extracts used under CC regulation: Radio
Aporee
, The Guardian, La Repubblica, Discovery
of Sounds in The Oceans

University of Rhode Island, Listening
to the Deep Ocean Environment

Universitat Politécnica de Catalunya.

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Show 747: Secondo John Cage (Usmaradio)

USMARADIO & The School of Radio present
Secondo John Cage | workshop & live performance

Theory – field recording – manipulation – live electronics – conduction – broadcasting

USMARADIO is a workplace of The School of Radio to develop an innovative radio pedagogy. Workshops, work sessions, meetings, presentations of live performance as sections of the project.

During the White Night (Notte bianca) of the University of the Republic of San Marino, Alessandro Caccuri and Giulio Urbini – students of Unirsm Design – organized and directed the workshop event “Secondo John Cage (According to John Cage)”. This project is produced by USMARADIO and The School of Radio: based on the theory, field recording, live electronics and conduction. On the day of event, a group of participants (Unirsm students) recorded and post-produced sounds collected by exploring San Marino. The sounds became materials for this performance broadcasted live on USMARADIO’s stream, and the students have been faced – for the most of them was the first time in life – with microphones, sound machines, modular synths, controllers and radios. Even just taking a look to the images the fun and large involvement are showed: the project was such a special and exciting experience for everyone. Based on the success of event, many other workshop around sound and experimentation in the future are already planned. 

The participants: Lorenzo De Fazio, Valentina Toccaceli, Federico Giulioni, Sirya Cardone, Miriana Cerenzia, Alessia Principi, Daniele Trebbi, Damiano Gennari, Roberto Alesi, Marco Maria Lucidi, Gianluca Torcolacci, Grazia Pestillo, Nicola Colomboni, Elena Porreca.

Technical director: Alessandro Renzi

Photography: Nicole Marchi & Alberto Guerra

usmaradio.org

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Show 746: #poemontrial_next phase (radioart106)

Image by Dareen Tatour

Palestinian poet Dareen Tatour was convicted by an Israeli court in Nazareth of “incitement to violence” for a poem she wrote. She spent a total of THREE years under house arrest and in prison, between October 2015 and September 2018. On December 25th, 2018 she stood before the court once again, appealing against her verdict. 

Dareen’s appeal was partially successful, in having one of the multiple convictions quashed by the same Nazareth District Court which originally convicted her.  On July 1st 2019, The Israeli State has appealed against the verdict of Dareen’s appeal.

Voices and Sounds part of the solidarity album #poemontrial by Dareen Tatour / Isabel Nogueira / Anne-Line Drocourt / Monika Pich / Isa Stragliati / Ismael Gherzoul / Dror Feiler / Dalila Tehami / Selma Zghidi / Tavishi / FeralMind feat. Claudia Wegener / Dixie Treichel / Osea Merdis feat. Samira Deeb / Danielle Alma Ravitzki / AGF / Meira Asher feat. Young Thunder.

Produced by Meira Asher.

https://dareentatour.bandcamp.com

http://www.poemontrial.org

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Show 745: A Diary of a Billion “Nobodies” – A Document From Jean Modification (diffusionfm91.9)

Just a minute…can you show me this?… And that to?…and THAT….?.. I’m sorry I don’t like it.

A cup of tea, the light, the socket, the tap, a fork, a knife, a spoon, a plate, a glass, another chair, there’s no hot water, it’s too expensive, too big, too small – may I see the manager please – can you show me some more, where’s the gentleman’s convenience?

I’m hungry-during-I’m lost-and-it’s important perhaps-it’s urgent –very-not-hurry up!! There, it is-now none/it’s-soon-is it? Then it isn’t Ah/no/nothing at all. Is there– here there isn’t, there aren’t, right, there isn’t any,

I’d like a shampoo and set please

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Show 744: cancelled

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Show 743: Ma‘am, there is no such thing in reality by Nina Dragičević (Radio Student)

Ma‘am, there is no such thing in reality

Operetta for madams, violin and electronica by Nina Dragičević.

Nina Dragičević‘s composition “Ma‘am, there is no such thing in reality” opens up with a question. A question, or questioning, a doubt, this constitutive moment, this constitutive act of the enlightened subject, was in modern age marked with a genera-tion of new insights, with the search of new knowl-edge, with widening of intellectual cognition, with thinking. But the intonation of the introductory question – “No, I mean, do you understand me?” – uttered by one of the speakers from Nina‘s com-position, does not presuppose new knowledge, new cognition. Her question does not presuppose doubt; on the contrary, it presents the incantation of dogma, it presents non-thinking, it confirms the axiom, it strives to confirm the axiom, personal belief, in short, the ideologeme. The question does no longer express a questioning. It is no longer a search for new, but a persistent perpetuation and confirmation of stasis.

In this urban operetta, as Nina Dragičević marks her composition, many voices speak and “sing”. Here they are, here we are, contemporaries, sunk in mortgages, hungry, in constant deprivation, and here is theirs, ours, sonority.

That is how capitalism sounds like.

Extracts from the text accompanying the album written by Nataša Velikonja.

https://kamizdat.bandcamp.com/album/maam-there-is-no-such-thing-in-reality-gospa-tega-v-realnosti-ni

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Show 742: Programming Environments (Wave Farm WGXC 90.7-FM)

Programming Environments was a networked event May 25, 2019 featuring live coding artists interacting with Wave Farm’s 29-acre wooded campus through code and transmission. They rewrite the code and the radio. Participating artists include Paul Feitzinger, JohnLP.xYz, Messica Arson, and Sarah GHP. Programming Environments was organized by Jen Kutler. wavefarm.org

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