Liminaria is a research field project set to create cultural, social and economic sustainable networks in the Fortore Area, a micro region in the province of Benevento, Italy.

At Liminaria, artists and researchers are invited to work together with local communities in building “actions” within the territory; and “actions” is what Maurizio Chiantone, Fernando Godoy, Miguel Isaza and David Velez set in place during their residency in Summer 2016.

Rural Futurism is an open ear towards their encounters in Fortore: field recordings, candid conversations, manipulated sounds, voices and noises from the villages of Ginestra and Montefalcone.
Performances, concerts and wind all merge into a 28 minutes voyage between past and present; old traditions are renewed into public performances and artists David Velez and Fernando Godoy question themselves on the importance of giving back to the local communities that have welcomed them, meanwhile a 84 years old woman recounts her history and the villages transformation.

The last part of the show takes us in the middle of the joyous cacophony that has been an itinerant bell-concert devised by David Velez and Fernando Godoy which saw the participation of the whole community of Montefalcone.
From the children to the elderly people, dozens crossed the village streets and made the them resonate once again with the rural sounds of animal bells and traditional instruments; a procession guided by the sounds of the village church-bells and a single horse-rider, a girl whom, like a modern Don Quixote, defies the present and looks at the future.

liminaria.org
radiopapesse.org

Valencia Vanessa Ramos, former member of RadioDialnet.com and member of the Group of Sonora Research Peru, presents Musica Experimental en el Peru, a radio documentary that sheds light onto the experimental music scene in Peru, by bringing together the testimonies of some of its authors – from Lima, Barranco, Miraflores, Los Olivos to Jesu Maria, Independence, El Rimac and Cusco – their comments and thoughts about the many ways their music have sought to break the established parameters of Peruvian society by using noise and dissonance.

The documentary is part of A Blind Date, a quite original sound cycle of eight documentaries presented at the Alliance Francaise de Miraflores. The project is led by journalist and sound researcher Alejandro Cornejo Montibeller.

Musica Experimental en el Perù is produced in collaboration with ​Cinthya Robles Rodríguez, Alfredo García Burga, Rosa Dávila López​ – now part of radiodialment.com – and Alejandro Cornejo Montibeller.

 
This show is a 28 minutes mix of RADIO a poetry live on air event, conceived and produced by Anne-James Chaton

RADIO has been a 24-hour celebration of contemporary poetry broadcasted live from the Fondation Luis Vuitton in Paris on Dec. 11th and 12th, 2015.

The live programme explored all aspects of contemporary poetry in the form of debates, readings, concerts, performances, interviews, narrative films and documentaries. With contributions from poets and performers from all over the world, RADIO was not limited by borders.
The mix produced for the Radia Show includes (in order of appearance):

_Antoine Boute – Modern Poetry magazine – Horoscopes
In his books, readings and events, Belgian artist Antoine Boute seeks out crossovers between written, sound and visual poetry, philosophy, performance and experimental music.
_Brigitte Fontaine – Interview
Brigitte Fontaine, born in 1939 in Morlaix in the Brittany region of France, is a singer of avant-garde music.[1][2] During the course of her career she has employed numerous unusual musical styles such melding rock and roll, folk, jazz, electronica, spoken word poetry and world rhythms. She is also a novelist, writer, actress, playwright, and poet.
_Rudy Ricciotti – Studio guest on Modern Poetry magazine
Rudy Ricciotti, an architect and engineer who has won the Grand Prix National d’Architecture (2006), the Gold Medal from the Académie d’Architecture, and is a member of the Académie des technologies, combines creative flair with an appetite for construction.
_Xavier Veilhan – Studio guest on Modern Poetry magazine
In a broad-ranging body of work that dates back to the mid-1980s, Xavier Veilhan crafts contemporary interpretations of the motifs of modernity and classical statuary. His Architectones series of exhibitions (2012-2014) illustrated the ongoing dialogue between art and architecture in seven modernist buildings around the world.
_Gérard Pesson – Modern Poetry magazine – Gardening
One of the most talented and popular composers of his generation, Gérard Pesson creates playful and dreamy that flits tastefully between genres. His work is characterised by a pared-down sound and his incessant probing of the musical tradition. A gifted writer, he has also published a journal, Cran d’arrêt du beau temps.
_Anna Holveck
Student of Ecole des Beaux-Arts de Lyon invited for School on the Air
_Jaap Blonk – The Big Live Show
Jaap Blonk is a Dutch self-taught composer, performer and poet. From his roots as an unforgettable vocal performer, he began experimenting with synthesisers and sampling his own voice around the turn of the millennium. Since 2006 he has been tweaking algorithms to compose music, poetry and multimedia shows.
_Tarwater – The Big Live Show
Berlin-based electronica group Tarwater was founded in the 1990s by Bernd Jestram and Ronald Lippok, two figureheads of the alternative scene in the East Berlin’s legendary Prenzlauer Berg neighbourhood.
_Vladislav Delay – The Big Live Show
Vladislav Delay, born Sasu Ripatti, is an internationally-acclaimed electronica artist, jazz drummer, composer of minimal and ambient techno, and maestro of glitch music. His stage names – depending on the genre – include Luomo, Uusitalo, Vladislav Delay, Sistol and Conoco.
_Charles Pennequin – Poetry in the Home
Widely published French poet Charles Pennequin also dabbles in drawings, videos and performance readings. In 2007 he co-founded L’Armée noire, a multi-faceted collective of artists which organises performances, readings and publications.
_Pierre Hermé – On the Tip of the Tongue
The fourth generation in an Alsace family of bakers and pastry chefs, Pierre Hermé began his career at the age of 14 under Gaston Lenôtre. Feted in the US, France and Japan, the man who Vogue has dubbed the “Picasso of Pastry” has brought a taste of originality to pâtisserie. Unafraid to challenge pastry-making conventions, he strips his creations of unnecessary embellishment and seasons with sugar to explore new dimensions of flavour.
_Movies extracts of Si j’avais quatre dromadaires (If I Had Four Dromedaries) by Chris Marker, Le Mythe dans le ville (Myth in the city) by Jacques Villeglé
_Mathieu Amalric – Poetry on Screen – Audio description of a narrative film of Guy Gilles Le clair de terre (Earth Light)
_Jacques Villeglé – The Big Interview
Painter, mixed-media and graphic artist Jacques Villeglé is known for his ripped posters and ‘socio-political alphabet’. He and letterist poet François Dufrêne are thought to have coined the term “poésie sonore” (sound poetry) in a text on Henri Chopin which they co-authored in 1958. Jacques Villeglé was one of the signatories of the Nouveau Réalisme manifesto in 1960.

RADIO production team: Thomas Baumgartner, Laurence Bossé, Anne-James Chaton, Jean-Michel Espitallier, Bastien Gallet, Françoise Lebeau, Emmanuelle de Montgazon, David Sanson, Claire Staebler.

Presenters: Thomas Baumgartner, Anne-James Chaton, Hubert Colas, Thomas Corlin, Jean-Michel Espitallier, Bastien Gallet, Philippe Langlois, Françoise Lebeau, David Sanson, Emmanuel Rabu and Nathalie Viot

With the participation of Radio On, the radio station of the Ecole Supérieure des Beaux-Arts du Mans (ESBA TALM)
Station controller: Mathilde Faist
Reporters: Wendie Autrique, Thomas Becka, Solal Boutoux, Jeanne Minier
Station branding/sound design: Arnaud Ouin, Benoît Villemont, Thomas Rotureau
Teaching supervisor: Diane Debuisser
Coordinator: Philippe Langlois

This weekly Radia Show introduces a brand new collaboration between Radio Papesse and the Fondation Luis Vuitton in Paris…more sound poetry to come!

A closed circuit formed by a loop that exploits the digital technology in VHS and a magnetic field, activated by the magnets of a powered speaker for the diffusion of audio. This system ensures the maintenance of an onanistic process that leads to constant and progressive disruption of the audio and video signal supported by the magnetic tape of the VHS. The residual audio, which gradually loses quality, is channeled into a mixing system and spread through the same audio speakers that degenerate the sound source itself.

This show was produced for Radio Papesse from the recordings of a performance held at xenos arte contemporanea (Firenze) in October 2014

Bio:
Eddie Spanier
b. 50 ° 53 ‘34.66’ ‘N, 136 ° 50’ 12:38 ” E 50 ° 53 ‘34.66’ ‘N, 136 ° 50’ 12:38 ” E
He is an auto-generated intelligence swarm, a dense team of highly-trained space monkeys, skilled and ontologically devoted to artistic do-it-yourself processes, obsolete technologies and retrogaming, technological onanism and hypertrophic mechanical systems, pseudo-scientific dogma, subculture science, conspiracy theories and the former life of L. Ron Hubbard, the Day of Judgment, and popular culture. Eddie Spanier is a gray area, a gray eminence that often conspires against itself, a machine of propaganda and a parasite of free information.

Black Monk
It is a new moniker concealing the other half of the duo Alpin Folks, a musical project that blends the literary references and visual arts related to mountains.
Immersed in electronic listenings he gives space to the compositions of Steve Reich, Terrence Dixon and Helm. His records are a valuable asset for use as connective or degenerative material. Fascinated by the triptych word, sound, images, he works for the first time with Eddie Spanier, making four hands.

This week show come no where else than form our very own recorders.
It is a non-linear walk recorded during the opening days of the 2014 Marrakech Biennale.





It all started from a terrace during the 2014 Bienniale opening days, then moved into the streets; among the crowd, the tourists, people wandering into new territories, just to find unexpected sounds and stories.
A quest that brought us into a misused theatre, then back to the streets, into the old town, where the ancient and the modern mix.
To hop into a taxi, where the outside noises slowly faded into soundart and migration stories; then back to where history meet the contemporary, in the frequencies of Marrakech cranes, into a lost flock, and the Muezzins’ prayers.
After days of wanderings and getting lost into the Marrakech dedalus, came an unexpected and healing encounter; but then, it is inevitable to end back again into the crowd until, just turning the corner, everything is relaxed and almost silent.
Just time for a mint tea and the birds come back in, so does the music, and the radios and the car horns.
The new birds of Marrkech.

This show only uses raw field recordings, without any effect, and it is an invite to take your time and be taken into thin noises as well as deep drones, different languages and unreadable soundbites.

Among other things the field recordings include:
_ fragments of the preview-press-tour by Hicham Khalidi and Alya Sebti
_ live recordings of Clara Meister’s ‘Singing Maps and Underlying Melodies’ performed by Kamarstudios, Choeur des Maman Douées de Dar Bellarj and Si Mohamed Soudani
_ Shezad Dawood’s ‘In Towards the Possible Film’ (2014)
_ car recordings of Saout Radio ‘Ici.Maintenant.Où?’
_ Freq_out 10 soundcheck at Theatre Royal

This week show is a special cutandslice produced by WJM for Radio Papesse coming as series of outtakes form her album NO

Roberta WJM Andreucci is a percussionist, an experimental producer and DJ, and on air personality. She has more than twenty year of experience organizing and promoting alternative music events. She practices plagiarism and the cutting and mixing of musical and ambiental aural sources. Early in her career she started focusing on the use of voices and on vocal metalinguism, focalizing on her personal practice of “cuttingandslicing” and on rhythm patterns obtained through an improper use of her tools of the trade (cdjs, cd
player, md, mics, mixer).
Through the years her percussion set morphed into a hybrid encompassing a dj booth, a radio dj one, a microphone station for electroacustic experiments, and a mnemonic butcher’s slab.
She is a founding member of performing music units such as Jealousy Party, Semerssuaq, The Secretaries and Sistemi Audiofobici Burp.
She is the director of the music label Burp Publications.

Q05 ::: ROBERTA WJM ::: 12.07.2013 ::: BERLIN

Taking cue from Gianmarco Del Re’s column on Fluid Radio, which profiles the most interesting sound artists and musicians currently operating within the Italian electroacoustic scene, musicians Giulio Aldinucci and Attilio Novellino have launched the Postcard from Italy project.
They invited the Aips collective artists to take parte in the project asking them to take field recordings in their own respective cities and areas, which were then redistributed amongst the group on an anonymous basis in order to be reworked and processed.
The resulting sounds ended up being a multifaceted sonic snapshot of the Italian peninsula, articulated into an album to be released this September, a live event that took place in London July21st, 2013 at Café OTO and an installation at SoundFjord.

This Radia Show was then produced by the original inspirator of the whole project, Gianmarco Del Re. He assembled fragments of the compositions included the Aips album, mixed them together with the original field recordings, excerpts from the installation sounds and recordings form the live shows of the Aips collective at CaféOTO and Power Lunches.
The result is a 28minutes compendium of processed sketches from Italy.

This week RADIA show is presented by Radio Papesse and produced by Italian composer and sound artist Giulio Aldinucci

You can listen to and download the show from here

“In your second album as Obsil, Distances, out on Disasters by Choice, you have also included field recordings from Bagno Vignoni. Did you specifically choose it because it was also the location for a famous sequence in Andrei Tarkovsky’s Nostalghia?I chose this location for two reasons: Nostalghia is one of my favourite films, and also, I hold very fond memories of Bagno Vignoni from many years ago. In both cases, the sounds of the thermal baths are associated with tender and intangible images: on the one hand there’s the film, therefore fiction, on the other, there are my memories that become further and further removed from the present with the passing of time and are destined to repeat themselves “statically” as if they were scenes from a movie.”

Viandanti (Nostalghia paths, homage to Andrei Tarkovsky) was built using:
• field recordings taken in Bagno Vignoni (Siena – Italy) in September 2012. This little Tuscan town is one of the most peculiar Tarkovsky’s Nostalghia location and it’s characterized by a rectangular tank in place of the main square, which contains water that comes from the underground hot springs
• recordings from the Nostalghia’s set.
• various field recordings taken in Val di Merse (Siena – Italy) the area where Giulio was born and where he actually lives. In Val di Merse is also located the Abbey of San Galgano, another Tarkovsky’s Nostalghia location. The field recordings comprise sounds from a procession, the melting snow, the small river Merse flowing…
• granulized fragments of the Symphony No. 9 in D minor, Op. 125 by Ludwig van Beethoven. The symphony is the preeminent composition of the Nostalghia’s soundtrack.

The recordings of the hot springs taken in Bagno Vignoni some days ago slowly merge with sounds coming from a set of 30 years ago, like following eyes from a middle ‘800 daguerreotype portrait with one’s eyes.
The aquatic sounds flow like a tale with the other different sounds coming on their path like wayfarers, sometimes they follow the movie narration and mood.
The granulized fragments of Beethoven’s Ninth Symphony come like a soundtrack that suspend the time.
Giulio Aldinucci was born in Siena (Italy) in 1981.
He is active in the field of electroacoustic music for year now, working in various research fields: from the soundscape to the musical composition for traditional instruments.
From 2006 to 2011, under his project name Obsil (OBserving SILence), he has published three album on CD. A composition from his album Vicino, released by the Irish label Psychonavigation, was chosen from the Wire for the The Wire Tapper 25 CD, enclosed to the April 2011 issue.
The Obsil project ended in 2011; after that he release an ep for Laverna and in August 2012 the Japanese labelNomadic Kids Republic released on CD Tarsia, his first album published with his real name.
He also wrote music for theatrical performances, video art, short movies and he has also contributed to some installation, like Sounding Doors (part of the Talking Doors project by Julijonas Urbonas. This work won the Award of Distinction in Interactive Art at Prix Ars Electronica 2010).