12 artists put themself, together with a ton of equipement, into a van and get on the trip on the mountain village Lazaropole at 1300 masl. They occupied a old village house, set the equipement and started workling on various fields of art, focusing on the sound. The sound of nature. they went there because they were isolated from the rush and noise from the city and the chaos of the urban life. Because they love soundscape and field recordings. They love to make music and perform together. Because in Lazaropole they were immersed in an inexhaustible source of sounds. Because the village is surrounded with breathtaking places. Because they love nature! What you’ll listen is the result of that stay.
Show 387: Latesummer_Night’s_Dream (diving for pearls) by Paulo Raposo , Radio Zero, PT
The perfect timing for shell hunting is immediately before and after low tide. At this timing, clandestine shell hunters suddenly come from the dunes and cross the low waters on foot. The small boats are stranded in the sand gently moving with the wind and soft south currents. The shell workers are now not only fisherman or related, but also people that have other activities or jobs, even lawyers, and they spend hours on the water to get 3 to 8 kg of clams to make a living.
This collected field-recordings from and near the sand banks are edited and overlap different places where the shell hunting persists as a clandestine way of life.
Show 386: Radio Dreaming by Anna Keleher and Claire Coté, Soundart Radio, UK
Radio Dreaming Episode 1: Dreams, Food and the Edible Landscape.
One year ago contemporary artists Anna Keleher (Devon, England) and Claire Coté (New Mexico, USA) were busy DREAMING PLACE at Marble Arch Caves Global Geopark in Éire and Northern Ireland. Now, an international audience can share their sonic adventures via a series of radio broadcasts woven from their experience. Based on an ancient Celtic tradition that the land remembers everything, Radio Dreaming explores how the land speaks through dreamers.
DREAMING PLACE is about deepening and illuminating our relationship with Place and we are excited to be sharing our project with audiences around the globe. Radio is an exciting medium that enables artists to reach people in their own homes or cars, in cities, small towns or very rural settings, says Claire Coté.
In this first Radio Dreaming episode, listeners are invited to join Anna and Claire wild camping, eating, drawing, walking and kayaking their way through the Geopark to meet its people, places, creatures and things. Episode 1 features stories, conversations and soundscapes of dreams, food, and edible geopark landscapes.
Our broadcast gives protagonism to the diverse voices of these Geopark homelands. We really hope that Radio Dreaming will inspire others to listen and share stories in their own homeplaces, says Anna Keleher. Anna began her successful international collaborative partnership with Claire in 2007 at Dartington College of Art on the innovative MA Arts and Ecology. Together they continue to make audio journeys, radio broadcasts, drawings, sculptural installations and performative events, transcending the miles through internet technologies. The only thing they can’t share is a pot of tea.
Soundart Radio http://www.soundartradio.org.uk/
For more information visit www.dreamingplace.eu/radio
Radio Dreaming Episode 1:
Dreams, Food and the Edible Landscape. One year ago contemporary artists Anna Keleher (English Riviera Geoopark, Devon, England) and Claire Coté (New Mexico, USA) were busy “DREAMING PLACE” at Marble Arch Caves Global Geopark in Éire and Northern Ireland. Now, an international audience can share their sonic adventures via a series of radio broadcasts woven from their experience. Based on an ancient Celtic tradition that the land remembers everything, Radio Dreaming explores how the land speaks through dreamers.“
DREAMING PLACE is about deepening and illuminating our relationship with Place and we are excited to be sharing our project with audiences around the globe. Radio is an exciting medium that enables artists to reach people in their own homes or cars, in cities, small towns or very rural settings,” says Claire Coté.
In this first Radio Dreaming episode, listeners are invited to join Anna and Claire wild camping, eating, drawing, walking and kayaking their way through the Geopark to meet its people, places, creatures and things. Episode 1, features stories, conversations and soundscapes of dreams, food, and edible geopark landscapes.
“Our broadcast gives protagonism to the diverse voices of these Geopark homelands. We really hope that Radio Dreaming will inspire others to listen and share stories in their own homeplaces,” says Anna Keleher. Anna began her successful international collaborative partnership with Claire in 2007 at Dartington College of Art on the innovative MA Arts and Ecology. Together they continue to make audio journeys, radio broadcasts, drawings, sculptural installations and performative events, transcending the miles through internet technologies. The only thing they can’t share is a pot of tea!
Soundart Radio http://www.soundartradio.org.uk/
For more information visit www.dreamingplace.eu/radio
Show 385: “Tanker” by François Martig from Radio Campus Bruxelles
“Tanker” de François Martig
FR/ Installation, installation sonore, documentaire radio ou photographique, le travail mouvant de François Martig trouve une forme qui s’adapte aux contextes, à la géographie et aux territoires rencontrés. Il s’agit toujours de sous-ligner ceux-ci plutôt que de s’y imposer. Ses préoccupations artistiques suivent un fil rouge qu’il appelle Robinsonhotel. Ce titre générique, pour un projet à long terme, interroge le paysage comme espace social, économique. François Martig a commencé à prendre des sons comme il capturait des images documentaires. L’usage intensif du médium sonore lui a permis de renforcer sa réflexion photographique sur la notion de parcours via la marche et d’opter pour une pratique active du paysage.
EN/ François Martig’s work uses a wide range of media, from sculptural and sound installations to radio documentaries and photography, in order to react on the specific social and geographical context in which it is shown. “Robinsonhotel”, the long-term project at the centre of Martig’s artistic practice, examines the landscape as a social, economical and political space which is subject to ongoing transformation. The artist is furthermore interested in site-specific sound broadcasting. In addition to his visual work, he produces live sound and music performances as well as soundtracks combining soundscapes, field recordings, electro-acoustic and noise music. Martig, who also works as a sound engineer for movies, has collaborated with numerous other sound artists such as Els Viaene, Philippe Petitgenet, Aymeric de Tapol and Mattin.
Show 384: Radio Grenouille : Mahayuga by Loise Bulot
Loïse Bulot, Mahayuga 28′
(english text below the image)
Une traversée souterraine et aérienne pour écouter des forêts luxuriantes, des déserts et des univers glacés… Entendre et survoler une succession de paysages intérieurs, des chrysalides vibrantes aux éclosions lumineuses, des cris d’animaux sauvages aux chants terrestres…
Loïse Bulot compose à partir d’assemblages de sons récoltés au fil du temps.
Sa pratique de la musique électroacoustique intègre les instruments du monde et le field-recording.
Sources:
Dilrouba, xylophone, piano, koto, udu, voix, synthétiseur analogique, traitements sonores et enregistrements divers
Merci à Serge Bulot pour les enregistrements de tablas, kaïza, udu, xylophone.
Citations: Musiques du Cameroun- Baka Pygmy music- et du Vietnam- Ca Tru & Quan Ho, traditional music-
Lien: www. soundcloud/loisebul.com
contact: lopeepoon@yahoo.fr
An underground and air crossing to listen luxuriant forests, deserts and frozen worlds.
To hear a succession of internal landscapes, of vibrating chrysalis in luminous hatchings,
of wild animals shouting towards singing of Earth…
Loïse Bulot makes music from gathering sounds harvested in the course of time.
Her practice of electroacoustic music inserts instruments of the world and field-recordind.
Sources:
Dilrouba, xylophone, piano, koto, udu, voix, analogic synthetisor, sound effects and diverses recordings.
Thanks to Serge Bulot for recording of tablas, kaïza, udu, xylophone.
Quotations: Musiques du Cameroun- Baka Pygmy music- et du Vietnam- Ca Tru & Quan Ho, traditional music-
Link: www. soundcloud/loisebul.com
contact: lopeepoon@yahoo.fr
Show 383: Dreams for Delia by Radio Valerie
In 1964 British composer Delia Derbyshire collaborated with the actor and director Barry Bermange collaborated on Inventions for Radio, a piece made from Bermange’s recordings of dreams. The dreams they collected were examined for common themes, and the sections relating to each theme were extracted from individual dreams and edited together into montages. The sections were Running, Falling, Land, Water and Colour. Derbyshire added eerie electronic drones.
Our piece, Dreams for Delia, is a re-staging of this piece, a kind of psychic group portrait. Radio Valerie’s listeners were invited to ring us and leave a voicemail message detailing one or more dreams. The themes which emerged from our listeners’ dreams were Friends, Families, Flying, Fear, Forgetting and Animals.
Melbourne composers who either had shows on Valerie or were otherwise connected with the station were then invited to compose music for one of the voice montages. The montages which – and composers who – made it into the episode were, in order:
Animals, Steven Harris
Fear, Byron Dean
Families, Jason Heller
and Flying, Marcus/Default Jamerson
Show 382: iT: “mouth sounds for heart beats”/”my two body are a buddy” by Radio Študent, Ljubljana
Photo: Nada Žgank
..it’s natural that every time the voice fades away with an exhale… that it disappears…it’s natural that the voices passes in and out of silence, that it holds onto, joins, disjoins with its opposite, that it exists with the opposite…its time exists and extends over the time of compressing the air out …when the air is pressed out, the voice is too…even when sipping air, it comes out as smothered creaking…the voice pushes itself against silence…its duration is between an inhale and an exhale…in between, it is cut off, interrupted, it breaks…it immerses itself in an inhale only to exhale… the unnatural is being born and is dying…
iT / Irena Tomažin is a dancer, performer and singer as well as being a postgraduate philosophy student at University of Ljubljana. Mostly working in dance and theater performances she collaborated with many different choreographers, directors and sound artist, performing in Slovenia as well as abroad in Europe and in Japan. In last 7 years she started to work more on voice – creating her own voice performances: “Hitchcock’s metamorphosis”, “Caprice”, “Caprice (re)lapsed”, “as a drop of rain into the mouth of silence”, “Splet okoliščin” with Josephine Evrard etc. With her solo project named “iT” for voice and dictaphones she works on her own experimental voice materials. As iT she has performed in Vienna, Berlin, Bratislava, Mostar, Belgrade (DisPatch), Budapest (UltraHang), Krakow, Koper, Ljubljana …
iT – Crying Games. »iT« is a large body of voices, intertwined into melodies, monologues, dialogues, taped and retaped into repeating loops, recorded over one another, blurred in noise or sharpened in isolation. There are voices from story fragments, torn from or placed into landscapes of songs and atmospheres. »Crying Games« are songs and spoken texts created since 2005, which have been reshaped through different improvisations and interpretations. Created from inspiration, drama texts, pop songs or mostly from »iT«’s experimenting with voices, they have gained independent acoustic worlds through dictaphones and tape recorders.
Radio Student. Based in Ljubljana, the capital of Slovenia, founded back in 1969 in ex-Yugoslavia, with 24 hours program and more than 200 regular contributors today, Radio Student is one of the oldest and the biggest independent and non-commercial radio stations in Europe, with a long tradition in radio art and the diverse field of contemporary investigative art practices, especially throug Ministry of Experiment project in 90’s and 00’s, and today through our Open radio art theory investigative platform RADAR.
Show 381: by Jeremy Kelley

Jeremy Kelly is a noise musician based in Hudson, New York. He uses
radio feedback to create psychedelic noise collages.
Show 380: Sounds of music by TEA FM
SOUNDS_OF_MUSIC_THE_MUSIC_OF_SOUND
What produces the music sounds?
What sounds are music to us?
In the next few minutes we will hear noises, voices, music …
All occurred as a result of musical creation, manufacture of instruments, vocal exercise.
We entered at the rehearsal room, the workshop of sounds coming out the pieces to be assembled in the assembly that is your head.
We talk with a luthier, maker and repairer of sounds. He tells us what it does and its noises betray him.
We went on tiptoe for the trial of a band of rock and roll and thus discover the sounds of music of the twentieth century.
Then, we will open the door of a composer of electronic music to listen and develop his work, the sound like his tools, which produce noise keyboards, synthesizers, computers …
Finally, we found that the sounds of music are intrinsically linked to the music itself.
Without these noises, music is not serious music.
Listen … and make noise.
Produced by Radio Creative School TEA FM.
Script and production sharing between Laura Romero, Daniel Canelo, Miguel Deza and Chuse Fernandez.
Postproduction by Chuse Fernandez.
Show 379 : O’tanzz Aairbus
O’tanzz Aairbus is a free improvisation trio based in Brussel. O tanzz aairbus is written o.t.a.n.z.z. a.a.i.r.b.u.s.
hope you’ll enjoy this live performance made in Nova Cinema.
O’tanzz Aairbus produces a very nice monthly improvised radio program for Panik, available as podcast on the website for those among you who would be interested : http://www.radiopanik.org/spip/-O-tANZZ-AIRBUS-





