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Show 938: “Everything has changed already” by Isa Stragliati (for Radio Campus Bruxelles)

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Everything has changed already
A radio piece by Isa Stragliati

A close friend sent me a voicemail from afar during a difficult time. Improvised vinyl mix with music and sounds by Fripp & Eno, Multer, Reznicek, Pierre Henry, C-Schultz & Hajsch, Bergen, Institut Für Feinmotorik, Reuber, Eliane Radigue & more

Artistic support and curation for Radio Campus Bruxelles : Carine Demange

All my love and gratitude to Paulo Dantas


Isa Stragliati is sound artist, radio producer, composer and dj. Coming from the visual arts, she turned to the sound medium in 2002 through DJing, as an extension of her approach of the film editing (under the moniker Rescue). She then practiced numerous aspects of radio production before reconciling it with her creative work.
Her productions and live performances, involving field recording as much as documentary, concrete music or techno, are broadcasted on international networks and national radios, during international festivals and events and in contemporary art centres.
Her radio piece “Le feu qui ne s’arrête jamais” (The fire that never stops) won first prize in the international competition 60 Seconds Radio in 2019.
http://noearnosound.net/

#50

Show 937: Poekoe |Luminy’s students for Radio Grenouille-Euphonia

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Poekoe

Pièce collective réalisée par les étudiants de l’école des Beaux Arts de Marseille Luminy lors du workshop Grenouille-Euphonia “Sculpter la radio ?”

Instruments fabriqués avec des végétaux ou matériaux de récupération, jeux aux micros et recherche du geste qui fait son…
Sculpter la vibration comme une matière ?

Poekoe

Collective piece created by the students of the School of Fine Arts of Marseille Luminy during the workshop Grenouille-Euphonia “Sculpt the radio ?”

Instruments made with plants or reclaimed materials, playing with microphones and searching for the gesture that makes sound…
Sculpting vibration as a material ?

Home

 

#50

Show 936: disembodied paths by Joana de Sá (Rádiozero)

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Walking alone generates embodied comprehension through non-intentional encounters with the dynamics of specific places, especially remote conversations. This is a personal interpretation of sound and conversations in which, I non deliberately, solely, insert myself.

Credits
Cellos – Louis Wilkinson

~
Joana de Sá (2001) is a Portuguese sound artist from Viseu. In his work, she seeks to explore textural sounds, derived from field recordings, articulated with phrases made from guitar, synthesizer or voice.
After loose themes released on Soundcloud’s personal profile, in 2022 he released the album “Shatter” by the Portuguese Sirr-ecords, having presented and collaborated on sound pieces for the festival “Radio Art Zone” or at the Champalimaud Foundation, in collaboration with several artists about Metamersion II.

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Show 935: Can we talk, dear AI? (by Chuse Fernandez, TEA FM Radio Workshop)

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Artificial Intelligence is surrounding our lives almost without realizing it. Perhaps we are at that turning point and even of “no return”.

What we are going to listen to next is a simple experiment in which we are going to talk about train travel with an AI. Will we be able to engage in a real conversation or, on the contrary, will we be talking to a mirror or one of those talking dolls with engraved phrases?

We are watching the death of art take place before our eyes. If creative jobs are no longer safe from machines, even the most highly skilled jobs are in danger of becoming obsolete. What will we have left?

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Show 934: SONIC COLLECTIVITY by Trashkot (Guest Slot)

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Trashkot is the name under which artists Jo Caimo and Sjoerd Leijten have been making radio since 2018 on Radio Centraal 106.7 FM in Antwerp. SONIC COLLECTIVITY is a collage piece created from their extensive audio archive. The piece explores the invisible space in which we connect: the sonic. Artistic, activist, dadaistic, musical and other sonic collectives can be heard throughout this piece forming a massive community of resonance and resistance. The piece consists of fragments of interviews, works, music, field recordings and other hard-to-categorize audio material that could be heard earlier on Trashkot by Verena Barié, , Gerri Jäger, Jeanne-Marie Knops, Andreas Malm, numina_gneisspecker, Varkenshond, Stijn Verhoeff,  and different pieces from the radio makers themselves. The contributions by Peter Cusack, Davide Tidoni and Salomé Voegelin are fragments from the larger sonic essay RADICAL MURMUR by Trashlinie, which was published in Collateral.

Trashkot is a bi-weekly radio program by Jo Caimo and Sjoerd Leijten on Radio Centraal in Antwerp. A rancid tissue of sounds, conversations and garbage forms a shaky bridge between music and politics.

Every two weeks on Sunday from 3 pm to 4.30 pm. Radio Centraal broadcasts in and around Antwerp on 106.7 FM. Outside of Antwerp you can listen via tShhe stream: http://streaming.radiocentraal.org/

All archived episodes can be found down here

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Show 933: LOOP liminal (Wiener Radia Kollektiv, Radio Orange 94.0)

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Credits: Pixabay User wilhei (id 883152)

In our search for an acoustic equivalent of a liminal space, we found it in the sound aesthetics of waiting loops. The dissolution of time into emotion throws the listeners back on themselves, on their own acoustic equivalent of a liminal space in the sound aesthetics of a waiting loop. The dissolution of emotion into time does not take place. Press “0” if you want to be forwarded, press “1” if you like to wait in the queue. If there is no input, you are automatically forwarded.

Radio Show by:

Barbara Huber
Barbara Kaiser
Karl Schönswetter

Thanks to:

Lale Rodgarkia-Dara, Peter Wetzelsberger

Voices:

by google translate

Music:

Donauwalzer by Johann Strauss (Sohn) downloaded from wikimedia.org
All others by brrr

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Show 931: In and Out & In-Between by Elen Huynh for *Duuu

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Two pieces
 
In and Out 
What do we express alone in the face of silence and solitude in one small given moment?
Here, the voice rises, repeats, curves and stops.
In-Between 
In the morning,
Like a bird standing on the window sill, wondering:
Am I listening inside? Or am I listening outside?
When ambient sounds merge and form a symphony orchestra. 
(no editing)
Music : Jupiter Garden by Elen Huynh inspired by a poem of Anna Akhmatova and a field-recording of Baal & Mortimer.
Thanks to Lauriane Houbey and co-producers Phonurgia and CREADOC.
Elen Huynh’s practice spans pieces and installations on the border between documentary and sound creation. She also explores spoken word in all its forms in collaboration with various artists and releases cassettes on her record label Choses Contraires.
A program proposed by Elen Huynh for *Duuu.
#49

Show 930: Red Forest Radiogram – Runaway Noosphere by reboot.fm

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Runaway Noosphere
Oleksiy Radynski in conversation with Svitlana Matviyenko
Sonic Intervention by Sasha Dolgiy.

for radia.fm by reboot.fm Berlin.
excerpt from: Red Forest Radiograms- Nomadic Cosmology and Fugitive Power

In the interwar period, the Soviet geologist and philosopher Vladimir Vernadsky diagnosed the transformation of the scientific thought into a geological force that affects material processes on a planetary scale and one able to transform the planetary biosphere ‘according to the interests of freely thinking humanity as an organic whole’, and sublate it into the Noosphere – a highly networked sphere of unified human knowledge. Vernadsky claimed that the transition to the Noosphere went utterly unnoticed and unreflected by humanity itself, which led to devastating consequences in the form of two world wars. He passed away just before the Hiroshima bombing, a challenge to his cautious optimism regarding the Noosphere’s future. With cyberwar, this future has arrived and its shifting battlefield is now in Ukraine where the nexus of cyber and nuclear emerged as the symptomatic trace of the runaway Noosphere.

Oleksiy Radynski is a filmmaker and writer based in Kyiv. His award-winning short films have been screened at film festivals including DOK Leipzig, Oberhausen International Short Film Festival, Kurzfilmtage Winterthur, Docudays IFF, Artdocfest, Odesa IFF, Watch Docs, Molodist IFF, as well as at the Institute of Contemporary Arts (London), e-flux (New York), SAVVY Contemporary (Berlin), International Studio & Curatorial Program (New York) and others. He is a participant of VCRC, an initiative for art, knowledge, and politics founded in Kyiv, 2008. He was a 2019-2020 BAK Fellow at basis voor actuele kunst, Utrecht and a KONE Research Fellow in 2021. In 2020, he convened War and Cinema, a cycle of artist films for e-flux Video and Film.

Svitlana Matviyenko is an Assistant Professor of Critical Media Analysis in the School of Communication and Associate Director of the Digital Democracies Institute, Vancouver. Her research and teaching are focused on information and cyberwar, political economy of information, media and environment, and infrastructure studies.

Sasha Dolgiy is an artist, musician and innovator. In 2012-2018, he was an organiser of ЭFIR, a legendary artist run space in Kyiv. His work has been represented at a number of venues in Ukraine and internationally, including documenta 14.

Red Forest is mobilized by David Muñoz-Alcántara, Diana McCarty, Mijke van der Drift and Oleksiy Radynski, after their collectiv

e practices super collided during a 2019-2020 BAK Fellowship in Utrecht. It unfolds as a growing constellation of artists, activists, researchers, media producers, filmmakers, philosophers, educators and time travelers realizing interdisciplinary projects. In 2021, their ongoing research on Extractivism, Datafication, and Transformative Justice was supported by the Kone Foundation in Finland. They are producing an experimental social and durational performance series in Kyiv and Berlin titled Sambatas Stagings, supported by Goethe-Institut Co-Production Fund Kyiv and Haus der Kulturen der Welt, Berlin. In 2022, they convened Red Forest Radiograms -Nomadic Cosmologies and Fugitive Power  as the German Pavilion of the the 23rd Triennale Milano International Exhibition Unknown Unknowns. An Introduction to Mysteries.

The German Pavilion at the 23rd Triennale Milano International Exhibition is convened by Red Forest on a commission from the Goethe-Institut Mailand and supported by the German Federal Foreign Office. Media Partners: Radio Raheem Milan and reboot.fm Berlin

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Show 929: UNTIME THERAPY – THE ART OF DETUNING by TBC RADIO

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UNTIME THERAPY: THE ART OF DETUNING
by TIME BENDING CLOCK RADIO

There is a saying: Time heals all wounds. Which is not true anyway. But even worse: what if time itself makes you sick?

Indeed, there are many time-related illnesses with a broad spectrum of symptoms to suffer from: from paranoia to trauma, from mania to depression, from light vertigo over heavy nausea to complete breakdown under the massive pressures of time. So you feel unruly, sleepless, tired and still breathless? Or over-excited, stressed and still bored? And/or completely out of synch?
Well: this is probably due to some unhealthy intake and/or experience of time.

Perhaps you have already asked yourself: what can I do? Is there any remedy, a therapy for me? How can I tune in and synchronize again, to be in time and in harmony with time?

So what should you do? Or are these the wrong questions anyway? Let us find out…

Please note: This transmission is not to be confused with a therapy session or any other kind of therapy-related psychic or psychoanalytic treatment. It deals with alternate artistic perspectives on the subject matter.

TIME BENDING CLOCK RADIO
is radio on time. Since Summer 2010, a series of radio shows is being produced as part of the TIME BENDING CLOCK project, a transdisciplinary research in the fields of art, media, cultural history and the history of sciences on theories and practices of alternate methods and techniques of clocking time. TBC RADIO encompasses a variety of formats and shows in German and English language. TBC RADIO is produced by GUNSTradio.

Find out more about TIME BENDING CLOCK RADIO at www.gunst.info

credits:
The first edition of this TBC RADIO episode has been developed for the OSCILLATION FESTIVAL 2021, “Tuned Circuits : Attuning – Feedback – Detuning”, and more specifically for the festival’s focus section “Detuning”. Great many thanks to the folks from Q-O2 laboratory for experimental music and sound art for their invitation and for the inspiration!

metadata:
UNTIME THERAPY: THE ART OF DETUNING by TIME BENDING CLOCK RADIO
radia production: miss.gunst [GUNST + radiator x]
production date: january 2023
station: radio x, frankfurt am main (germany)
length: 28 min.
licence: (cc-by-nc-nd) TIME BENDING CLOCK RADIO
www.radiox.de – www.gunst.info – radia.fm

additional info:
includes radia jingles (in/out), station and program info/intro (english)

links:
radio x & radiator x: www.radiox.de – www.radiox.de/radiator-x
GUNSTradio & radiator x: www.gunst.info – www.gunst.info/radiator
TIME BENDING CLOCK RADIO: www.gunst.info
radia art radio network: radia.fm

pics:
TIME BENDING CLOCK RADIO cc-by-nc-nd