Show 1087: Pins by Richard Foster (for RadioWorm)

PINS is a game for all anonymous egos, everywhere, made through repositioning and reproducing old dreams and documents. PINS is a game that rejects the word “practice”, a ponderous barrage balloon of a word, one with a thin skin that can be undone with a pin prick, revealing an awful lot of hot air. Leave it for the doctors and lawyers. Or call it “praccy”. PINS favours the word “process”. Process can mean the slow deconstructing of making art. Process also means something that can be tracked. It means repeated and unglamourous toil, uncertainty, silence, private actions with no hope of public validation, multiple failures and misunderstandings, and – eventually – something or other. In the 1960s you could enact “death by Process”. There is rarely a plan, just an idea. Chance, whim, accident and other people play a role in the end result.
What does Richard think about PINS?
Richard often feels between worlds. He remembers the congealed boredom of the analogue industrial past. He is often wary of the earnest, yet fly-by-night present with its assumed importances and digital fevers. Like Syd Barrett, he is “much obliged” to contemporary life for regularly “making it clear that he’s not here”. Richard realises that being between these worlds is both his natural state and his opportunity to act. Between 1840 and 2023 he spent an incalculable amount of time looking out of bedroom windows, or sitting in pubs listening to builders, plumbers and middle managers telling him what real art is. Now he wants to bring those worlds he saw together, somehow. He feels he has a lot to do, even if his work may not make much sense.
Back in 2004, Richard painted out all the images he didn’t like in hundreds of 12” record covers. Only those that momentarily interested him stayed. The record covers are still more interesting than Richard’s actions. They are now under the spare bed. One day he may photocopy them. Now for the RULES, and ILLUSTRATIONS: both here and at the Museum of Photocopies.

Mix & Edit by Lukas Simonis
Text & voice by Richard Foster

Production by Ash Kilmartin
a RadioWORM/Dr Klangendum/Concertzender production

This is nr 4 of a series of pins, you want more pins? check; Concertzender.nl

 

 

Show 1086: La Couleur des Rêves by Izabela Matos (for Jet FM)

https://archive.org/details/radia_s56_n1086_jetfm_LaCouleurDesReves-by-IzabelaMatost

La Couleur Des Rêves est un documentaire sur le parcours d’une créatrice textile Jacqueline Vrbica (1933-2024) mais aussi sur une femme et artiste engagée. Son travail est basé sur la “décréation”: découdre pour transcender dans une énergie créatrice.

“Sublimer une douleur permanente en quelqu’un qui veut contredire tout cela dans une explosion de joie et d’espoir.” La rencontre entre les deux artistes Izabela Matos et Jacqueline Vrbica était forte, délicate et onirique.

En décembre 2025 à l’occasion de l’exposition qui mettait à l’honneur le travail de Jacqueline à St Marc (44, France), Izabela Matoš a décidé d’ouvrir une nouvelle fenêtre pour son amie disparue en lui rendant hommage avec cette création sonore.

Avec les témoignages de: Laurent Vrbica, Stéphanie Triscos, Catherine Gaucher et Fabienne Swiatly.

Idées, montage, réalisation, voix, musique, bruitage, field recordings par Izabela Matoš

oppo

Izabela Matos est artiste, plasticienne, créatrice sonore et musicienne. Tout ce qu’elle touche devient art avec une évidence déconcertante. Elle vit à Saint-Nazaire.

https://www.izabelamatos.com/accueil

Show 1085: When We Bow Down Our Heads by John Roach (Radia edit, Rádio Zero)

This 27 minute radio version of When We Bow Down Our Heads was created by John Roach specifically for radia.fm. The work celebrates the resonance of wind and its promiscuous and borderless nature by combining 10 years of spatialized field recordings, live intervention of performers Wolf Robert Stratmann (double bass) and Inbal Hever (voice), and fragments of interviews that provide contextual turbulence. Two voices are heard in this edit, the interdisciplinary artist and composer Raven Chacon and the Geophysical Scientist Joonsuk Kang.

A graphic score that places the various field recordings temporally, and guided Strattman and Hever’s performance, can be found here:

via johnroach.net

John Roach is an interdisciplinary artist with a particular interest in sound and multisensory experience who builds environments that blur the line between what we see and what we hear. His work moves fluidly between intermedia installation, radio transmission, performance, object-making, and image-making. It is guided by a playful embrace of uncertainty – something that is often fully activated through collaboration. Many projects focus on themes related to ecological systems, biodiversity, and climate, such as the installation Scorched Honey Archive about the complex interconnections between humans and pollinators that was exhibited at NARS and BioBAT galleries in Brooklyn, NY.

Show 1084: “Silver Epiphany” by Irrflug (Mark Kanak), featuring Jarboe and Blixa Bargeld (for Radio Helsinki)

“Silver Epiphany” 
by Irrflug (Mark Kanak), featuring Jarboe and Blixa Bargeld
It is a combination of texts taken from the 2023 book Lügendetektor/Lie Detector and new texts from a work called “Silver”.
Credits:
Voice: Blixa Bargeld
Voice: Jarboe
Musik, sounddesign, noise, chaos: Irrflug (Mark Kanak)
An undulating journey into the cosmos, featuring shattering, incessant and metallic soundscapes. Drawn from Mark Kanak’s 2023 book “Lie Detector” as well as 2025’s “Silver” (by Irrflug), much of the material moves in the silver and grey register, where surfaces hint at coherence without actually achieving it; a slow treading to an inevitable end.  The voices of Blixa Bargeld and Jarboe interact in what is almost cold contempt while the piece revolves around questions of falsehoods and truth, what is not really known or can be, and the “epiphany” moment of realizing that in the end, the world wants to deceive and be deceived…and always will be.

Listen:

Listen at archive.org