Monthly Archives: January 2025

#54

Show 1034 : “Hypercabane” from Radio Campus Bruxelles

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Hypercabane is a collective project airing monthly on Radio Campus Bruxelles.
Our research explores the plastic forms of sound and radio, the potential of the voice and the distortion of reality.
Each month, we collaborate with guest artists on live experiments guided by creative protocols, challenging notions of the linearity of time and space, while travelling through a sound-designed universe with a dreamlike, retro-fantasy aesthetic.

In the manner of a cut-up, the recordings of these live broadcasts become the raw material for the editing and pasting process that we carry out alongside our work on the broadcasts themselves.
As we celebrate the third anniversary of the project, we’ve delved deep into our archives to blend our earliest and most recent shows into a brand new journey.

With the voices of :
Flavia, Maxime, Djeline, Paolo, Valentin, Jules, Eugène, Maria, Carla, Marie, Zélie, Mia, Eline, Elisa, Inès, Lilith, Ian, Orlane, Mathilde

With samples from :
Allergène – FunkyPastaBox
Irreversible Entanglements – Our Land Back
Mark Seibert – Conquests Of Camelot OST

Links :
https://www.instagram.com/hypercabane_officiel/
https://soundcloud.com/hypercabane
https://www.mixcloud.com/HYPERCABANE/stream/

Curated by Carine Demange for Radio Campus Bruxelles

#54

Show 1033 : Do you hear the animal locked up ? (Radio Grenouille-Euphonia)

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Do you hear the animal locked up ?

An attempt to tell one another through stories, memories, animal memories.
Autobiography on the microphone, sound effects, vocal performances and sound experiments are called to bring out the animal locked in…

Arnaud Théval : writing, artistic device
Jean-Baptiste Imbert : writing, sound recording, editing & mixing
Animal et prison, les pistes du vivant,
by Radio Grenouille et Lieux Fictifs.

The detainees who participated in this sound creation are trainees of the audiovisual training provided by Lieux Fictifs and financed by the South Provence-Alpes-Côte d’Azur regional council. Project developed in the framework of reintegration actions carried out in partnership with the prison administration.

Entends-tu l’animal enfermé ?

 Une tentative de se raconter, à travers des récits, des souvenirs, des mémoires animales.
Autobiographie au micro, bruitages, performances vocale et expérimentations sonores sont convoquées pour faire émerger l’animal enfermé…

Arnaud Théval : écriture, dispositif
Jean-Baptiste Imbert : écriture, prise de son, montage & mixage

Animal et prison, les pistes du vivant,
 une proposition de Radio Grenouille et Lieux Fictifs.

Les personnes détenues qui ont participé à cette création sonore sont stagiaires de la formation audiovisuelle dispensée par Lieux Fictifs et financée par le Conseil régional Sud Provence-Alpes-Côte d’Azur.
Projet développé dans le cadre des actions de réinsertion portées en partenariat avec l’administration pénitentiaire.

#54

Show 1032: IUrDi by Darius Čiuta (Rádio Zero)

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surround texture as text.

Radio work recorded, composed and mastered by  Darius Čiuta in Kaunas Lithuania. Further demixed redux by Paulo Raposo in Lisbon

Darius Čiuta, Lithuanian architect, sound artist, born 1966, is an artist that definitely can not be pigeonholed for the marketing
purposes of narrative and aesthetic unidirectional coherence, although if you stand between and shuffle through his work you will find a labyrinth of communicating vessels. His works  explore continuously new alphabets spectrums, building an intricate vocabulary of frequencies and densities as translations and transformations (exchange between sound and spaces). Structured architectural approaches with a clear perspective not only invites to what is beyond stritctly personal music but rather emtwines a evershifting method of researching a singular plunge into sound itself.

He self-released many cassettes in Lithuania during the 1990s under the Naj moniker, and was included in the ‘500 Lock Grooves by Artists’ LP on RRR in 1998. While Čiuta is known for his noise music during the 1990s, he turned to a very particular electro-acoustic music later on, exploring approaches to musique concrète made from found objects, radio, turntable, tapes and found sounds.

some of his recent works can be found here on Sirr label.

sirr-ecords.bandcamp.com/album/23-t-2
sirr-ecords.bandcamp.com/album/tekstai-2
sirr-ecords.bandcamp.com/album/alt-iu-kb
sirr-ecords.bandcamp.com/album/in-the-middle-of-1234