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I wish our activities were more social, and social in an anarchic way.

– John Cage

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KIN by Usmaradio and Roberto Paci Dalò is a radiophonic city scale performative project that began the week before the performing arts Santarcangelo Festival (Italy) with a workshop session by The School of Radio, then continued throughout the official program with 120 non-stop hours of radio. Santarcangelo has been occupied with the airing of a programme which included artists present at the festival, the citizens themselves and original materials created by the working group. All this has been diffused throughout public and private spaces with listening points (including an outdoor large P.A.), improvisations, electronics, and collaborative radio performances with artists not physically present at the festival. Texts by Franco Bifo Berardi, Paolo Fabbri, Gabriele Frasca and Donna Haraway.
KIN is for Paolo Fabbri (1939-2020)

KIN team
Francesco Angelini, Teresa Chiauzzi,  Bárbara Ermeti, Sara Guazzarini, Irene Aurora Paci, Roberto Paci Dalo, Paolo Petrangolini, Alessandro Renzi, Margherita Wolenski.

participants / authors
Tobia Bandini, Gloria Barbanti, Claudio Basso, Davide Buglisi, Margherita Kay Budillon, Alessandra Cappelletti, Chiara Cecconello, Alice Citarella, Paolo Dellapiana, Elena Lunghi, Federica Marra, Alessandro Mazzoni, Mariagloria Posani, Roberto Scappin, Francesco Toscani

speakers
Franco Bifo Berardi, Andrea Borgnino, Tiziano Bonini, Anna Bromley, Janete El Haouli, Pinotto Fava, Gabriele Frasca, Anna Friz, Ilaria Gadenz, Lorenza Ghinelli, Gianni Gozzoli, Carola Haupt, Wissal Houbabi, Eleftherios Krysalis, Hardi Kurda, Federica Minzitti, Graciela Martínez Matías, Johann Merrich / L’Impero della Luce, Leonardo Montecchi, Iolanda Pensa, Oderso Rubini, Rodolfo Sacchettini, Nathalie Singer, Stefano Spada, Christiane Voss, Jonathan Zenti, Elisabeth Zimmermann

production Usmaradio, Giardini Pensili
in collaboration with Scuola di Radiofonia – The School of Radio, Santarcangelo Festival 2050, ImperfettoArt, Radio Lada, Galerie Mazzoli, Università degli Studi della Repubblica di San Marino, Centro Studi e Ricerche José Bleger, Radio Papesse, Scuola comunale di musica G. Faini – Associazione Banda Città di Santarcangelo, shift.fm – bauhaus.fm – Bauhaus-Universität Weimar.

radioworks for this radia programme (running order)
1. Respirare camminando – Federica Marra
2. Impero notturno part I – Gloria Barbanti
3. Futuro Fantastico – Alessandro Mazzoni
4. Avvistamenti ep I – Margherita Kay Budillon, Chiara Cecconello and Francesco Toscani
5. Il mondo è un bel posto – Alice Citarella and Davide Buglisi
6. Racconti dall’Apocalisse part VIII – Claudio Basso and Paolo Dellapiana
7. Messa per l’Apocalisse – Tobia Bandini
8. Respirare. Audioguida per post-umani – Alessandra Cappelletti
9. Manifesto per un futuro futuribile post queer – Maria Gloria Posani, Claudio Basso, Margherita Kay Budillon and Elena Lunghi


> Podcast area within radioworks in extended play
https://www.spreaker.com/show/santarcangelo-festival-2050

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Pictures by Chiara Bruschini, Claudia Borgia, Francesco Angelini, Alessandro Renzi

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Usmaradio – Centro di Ricerca Interdipartimentale per la Radiofonia (CRIR) / Interdepartmental Research Centre for Radio Studies, a workplace of The School of Radio to develop an innovative radio pedagogy. Workshops, work sessions, meetings, presentations of live performance as sections of the project. Produced by UNIRSM | Università degli Studi della Repubblica di San Marino.
usmaradio.org / theschoolofradio.org / unirsm.sm

Francesco Giomi | Kevlar

Musical Improvisation for one live performer (2019)

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Kevlar is an aramidic heat-resistant and strong synthetic fiber. Developed by Stephanie Kwolek at DuPont in 1965, this high-strength material was used first commercially in the early 1970s as a replacement for steel in racing tires.

Kevlar is not a composition but a process of “polarized” total improvisation, a sound performance where the model of kevlar allows a series of synthetic fibres and pulsations to born: a regular alternation between continuous distended textures and unrelenting rhythms. Kevlar has a structure that is constantly moving and iridescent, also thanks to the use of an analog radio device without presets. 

By deriving from a series of collaborations with the Italian coreographer Simona Bertozzi, the project is the last step of a path that moves from the dance universe to a completely musical expressive autonomy.

The piece was live recorded in March 2019 at Cango-Cantieri Goldonetta (Florence)

Francesco Giomi (Florence, 1963)

Composer and performer of electronic music. He has collaborated with Luciano Berio and other relevant composers, musicians, choreographers and directors besides orchestras and ensembles from Italy and abroad. He has lead the live electronics staff of Tempo Reale in theatres and festivals all over the world. His works are regularly performed all over the world in festivals and concerts while his music is selected for and awarded by italian and foreign festivals. In the last five years he has started new creative projects for the investigation of the relations between electroacoustic music and improvisation, conducting collective music performances in Florence, Bologna, Bremen, Bruxelles, Manchester. He is professor of Electroacoustic Music Composition at the Music Conservatory in Bologna and director of Tempo Reale in Florence.

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USMARADIO is a workplace of The School of Radio to develop an innovative radio pedagogy. Workshops, work sessions, meetings, presentations of live performance as sections of the project.
usmaradio.org

USMARADIO & The School of Radio present
Secondo John Cage | workshop & live performance

Theory – field recording – manipulation – live electronics – conduction – broadcasting

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USMARADIO is a workplace of The School of Radio to develop an innovative radio pedagogy. Workshops, work sessions, meetings, presentations of live performance as sections of the project.

During the White Night (Notte bianca) of the University of the Republic of San Marino, Alessandro Caccuri and Giulio Urbini – students of Unirsm Design – organized and directed the workshop event “Secondo John Cage (According to John Cage)”. This project is produced by USMARADIO and The School of Radio: based on the theory, field recording, live electronics and conduction. On the day of event, a group of participants (Unirsm students) recorded and post-produced sounds collected by exploring San Marino. The sounds became materials for this performance broadcasted live on USMARADIO’s stream, and the students have been faced – for the most of them was the first time in life – with microphones, sound machines, modular synths, controllers and radios. Even just taking a look to the images the fun and large involvement are showed: the project was such a special and exciting experience for everyone. Based on the success of event, many other workshop around sound and experimentation in the future are already planned. 

The participants: Lorenzo De Fazio, Valentina Toccaceli, Federico Giulioni, Sirya Cardone, Miriana Cerenzia, Alessia Principi, Daniele Trebbi, Damiano Gennari, Roberto Alesi, Marco Maria Lucidi, Gianluca Torcolacci, Grazia Pestillo, Nicola Colomboni, Elena Porreca.

Technical director: Alessandro Renzi

Photography: Nicole Marchi & Alberto Guerra

usmaradio.org

Roberto Paci Dalò
Space is the Place

Radiowork for radio telescope sounds and modular synth

Year: 2019
Duration: 29:30
Produced by Roberto Paci Dalò
Production: Usmaradio, Giardini Pensili
Created for Radia

Thanks to
INAF – Istituto di Radioastronomia
Medicina Radio Astronomical Station

Space is the Place works on radio signals collected at the Medicina Radio Astronomical Station – INAF National Institute for Astrophysics ‘Northern Cross’ (Italy). The signals are converted into audible sounds by human ear in order to create a data base which has been used in conjunction with live electronics for the performance presented in world prèmiere on 25th June 2018 at SciArt Summer School on Big Data. This radiowork is based on this original performance. The Summer School was a preparation for JRC Resonances Festival III, a project of the European Commission which will be presented during 2019.

Sun Ra
The project is a hommage to composer and poet Sun Ra and in particular his Space Is the Place film and album. Space Is the Place is an 85-minute Afrofuturist science fiction film made in 1972 and released in 1974. It was directed by John Coney, written by Sun Ra and Joshua Smith, and features Sun Ra and his Arkestra. During the late-1960s and early-1970s, Sun Ra and his ensemble made several forays to California. In 1971, Sun Ra taught a course, “The Black Man in the Cosmos”, at University of California, Berkeley. Over the course of these California visits, Sun Ra came to the attention of Jim Newman, who produced the film based, in part, on Sun Ra’s Berkeley lectures.

More about the Medicina Radio Astronomical Station
Several laboratories are present, dedicated to topics such as: radio frequency, electronics, time and frequency and RFI. A team of engineers, technicians and researchers is in charge of the design, development and test of all the aspects related to the radio telescopes, in particular as concerns their mechanics, radio frequency devices, digital systems and control software.

The Medicina radio astronomical station staff has gained deep know-how in many topics related to the construction of radio telescopes. Inside the station labs many technological solutions were designed, developed and tested. Examples of the achieved skills are provided by the making of: the active surface system for Noto and SRT, a new vertex room concept for “frequency agility” implemented in Medicina and Noto and an innovative rail solution developed for all the Italian dish antennas.

SKA (Square Kilometre Array) is an international project involving many countries: Italy, The Netherlands, Great Britain, Sweden, China, Australia, Canada and South Africa. Its goal is the production of a powerful new generation radio telescope: SKA will be up to one hundred times more sensitive than of any of the existing radio telescopes. This instrument will be based on a huge number of substations, deployed in 3,000-kilometer wide areas located in Australia and South Africa. It will allow a next generation of scientists to observe the radio sky with unprecedented performance. INAF-IRA is Work Package Leader for the receiving system – the one in charge of amplifying and filtering the signals between the LNA (Low Noise Amplifier) output and the ADC (Analog to Digital Converter) input. The Medicina station is studying all the problems related to the “antenna array implementation” using a prototype called MAD (Medicina Array Demonstrator). Experts are paying particular attention to the array calibration methodologies, testing new back-ends together with the software and algorithms in use.

JRC Resonances Festival
The Joint Research Centre (JRC) of the European Commission has a strong interest in working with the arts as part of its multi-disciplinary support to EU policy making. The JRC intends to activate rapprochement between the arts and the sciences of the last decades in its daily practice. To that end it established a project in art and science: SciArt. SciArt investigates this growing movement and to map these changes on a philosophical, scientific and artistic level.
The flagship initiative of the project is the Resonances Festival, which brings together artists, scientists and policymakers around themes central to the JRC and the European Commission.
The festival aims at fostering awareness and stimulating new thinking/sensing at the border between science, art and society through the production of corelated works by artists, nurtured by the dialogues with scientists. The upcoming 2019 edition “Resonances III” focuses on Big Data: the challenges of generating, storing, sharing, selling, analysing, using, misusing, hacking, etc., large data sets of all kinds.

www.med.ira.inaf.it
robertopacidalo.com
usmaradio.org
www.ec.europa.eu/jrc

Roberto Paci Dalò works with radio since 1989. Musician, director, and visual artist he has created a body of over 40 radioworks, founder and director of LADA L’Arte dell’Ascolto (radio festival 1991 –・1998 Rimini / San Marino), created the web radio Radio Lada in 1995 and he’s founder / director of Usmaradio, the radio station produced by UNIRSM. His work deals with art, science and nature interconnections and has won him international admiration from, among the others, John Cage and Aleksandr Sokurov. He leads the Giardini Pensili company, has been recipient of the Berliner Künstlerprogramm des DAAD Fellowship and the Premio Napoli 2015. Member of the Internationale Heiner Müller Gesellschaft and the British Cartographic Society. Founder in 1988 in Jerusalem of the ‘RPD Klezmer Orchestra’.
Collaborations include: Kronos Quartet, Fred Frith, Alvin Curran, Terry Riley, Tom Cora, David Moss, Robert Lippok, Hermann Nitsch, Stefano Boeri, Akio Suzuki, Philip Jeck, Yasuhiro Morinaga, Stefano Scodanibbio, Peter Courtemanche, Scanner, Adriana Borriello, Amelia Cuni, Joëlle Léandre, Maurizio Cattelan, Werner Durand, Mouse on Mars, Paolo Rosa, Gabriele Frasca, James Rosen, Mariangela Gualtieri, Leonardo Montecchi, Cesare Ronconi, Patrizia Valduga, Giorgio Agamben, Predrag Matvejevic’, Levon Zekiyan, a.o. His projects have been presented in such venues as Tonspur MQ Wien, Locarno Film Festival, MAXXI Roma, Venice Biennale, Fundaciò Joan Mirò Barcelona, Wien Modern, Ars Electronica Linz, Charlottenborg Copenhagen, ZKM Karlsruhe, Bienal de Radio México, Kunsthalle Wien, Power Station of Art Shanghai, SKIF St. Petersburg, MaerzMusik / Berliner Festspiele, Vienna Opera House, a.o. His galleries and museums’ work is presented internationally by Galerie Mazzoli Berlin. Professor of Interaction Design at UNIRSM Università degli Studi della Repubblica di San Marino, Roberto spent his childhood in Tremosine (Lake Garda) and has been living in Berlin, Rome and Naples with residencies in Vancouver BC. He currently lives and works on the Rimini’s hills and in Tremosine sul Garda.

Within The School of Radio, has been presented on 10 March 2018 Cagetown a concert that celebrated the 40 years of John Cage’s Train. Numerous artists took turns on the stage also confronting with unpublished images shot on the train in 1978 (black and white super8 films) from the Oderso Rubini archives. Some of the original sounds from the 1978 project were also part of Cagetown.

The School of Radio – radio art symposium took place in the Republic of San Marino from 9 to 11 March 2018. Three days of round tables, workshops, sound installations, photographic exhibitions and concerts.

At 40 years from John Cage’s Train and 20 years after the last edition of the Radio Art Festival, L’Arte dell’Ascolto, San Marino hosted a symposium/workshop – curated by Roberto Paci Dalò and Elisabeth Zimmermann – dedicated to Radio Art.

The experience of John Cage in 1978 also touched Rimini and Ravenna and you can hear the witnesses of those who were on the train to investigate this epochal project. L’Arte dell’Ascolto (LADA) was the festival that during the 1990s brought international artists to Rimini and San Marino working together on some of the pioneering projects between radio and internet. From the itinerant audio laboratory of Cage, a reflection is opened on the need (today as then) of the experimental sound laboratories of the radios.

The School of Radio: promoted by the University of the Republic of San Marino, Usmaradio and the Secretariat of State Education and Culture.

 

 

min 0:00
Andrea Borgnino –  “Radio Bari 1943 – 2018” – Sound bites from the first italian free radio station in WW2

min 10:01
Reni Hofmüller – “Acting Waves” (in reference to http://www.futureacoustic.com/silence/)

min 18:22
Oderso Rubini + ensemble – “Cage-Toy”

usmaradio.org

theschoolofradio.org