Tag Archives: Resonance104.4fm

STRANGENESS: a documentary composition exploring everyday emergences of weirdness across both human and non-human lifeworlds – a combination of eld recordings, interviews and other sonic obscurities that voice perspectives on the absurdity of living. The broadcast is a contribution from … Continue reading →

A remix of the Resonance Radio Orchestra work commissioned by Radio Revolten featuring Ed Baxter (concept, texts, electronics), Adam Bushell (percussion), Marie Anne Fliegel (speech), Peter Lanceley (electric guitar, singing), Kim Moore (viola), Joe Qiu (bassoon), James Taylor (vibraphone), Milo … Continue reading →

In this piece, ‘Trajectory’, devised by Milo Thesiger-Meacham, he and Patryk Gierczak very simply explore miscommunication. Recorded simultaneously in two separate studios, without any communication or forethought, this experiment relied only on the musicians being able to hear each other’s … Continue reading →

From Darkness To Light was written by Johny Brown and produced by Chris Brierley with extra recording by James Stephen Finn. The main voice of the piece was taken by Tam Dean Burn, other voices taken were Inga Tillere and … Continue reading →

Poplar, East London: Erno Goldfinger’s Balfron Tower hums. Melanie Clifford & Howard Jacques are two of the artists living and working there with Bow Arts, while the tower awaits renovation. For this 28 minute portrait they recorded and played back … Continue reading →

ASMR is Auto Sensory Meridian Response. The ‘response’ is a pleasurable tingling sensation on and around the scalp, caused by certain ‘triggers’. More often than not ASMR has a strong connection to intimacy, although pleasant and intimate does not equate … Continue reading →

The Resonance Radio Orchestra was up in Scotland in August 2014 when Resonance104.4fm broadcast Remote Performances, live from Outlandia, Glen Nevis, in a collaboration between the radio station and artists London Fieldworks. This live radiophonic work is called Second Sketch … Continue reading →

Recorded in a single day, Dan Wilson introduces the possibilities of post-electronic music, taking the listener on a whistle-stop tour of trade waste bins with a view to discovering acoustic modules to electromagnetically scour for ‘miraculous agitations’: pleasing and unforeseen … Continue reading →

This weeks edition of Radia allows us to eavesdrop as a father and his 10-year-old son bond over a succession of increasingly fiddly electronic experiments – at the behest of the manual they connect wires, transistors, capacitors and diodes to … Continue reading →