CKUT’s Radia collective have gathered and distilled the essence of wintertime in Montreal – a far cry from the sugarshacks and Carnival bliss of the stereotypical Quebec winter wonderland.
Neil Griffith, Caroline Kunzle and Cathy Inouye locked themselves in a tiny overheated studio for four nights, incubated by the light of the city’s sodium vapour lamps…this is what transpired.
you are cordially invited to join the first day of a whole week with 24hrs a day: radio on.
for about 28 minutes at least.
more soon.*
enjoy!
radio on with adrian shephard and rinus van alebeek.
discussions and opinions and bewonderments and bewilderments
on every question possible that doesn’t affect
our economical and philo-exitical state of mind and skin immediately,
but maybe yes.
no playlist, no preperation, no animal tests.
make radio not iq tests.
www.myspace.com/radio0n
* forthcoming in spring 2009:
radio on hours on radio x / GUNST & radiator x
more info & dates of transmission via www.gunst.info
metadata:
radiophonic first day
by radio on / adrian shephard and rinus van alebeek
production: miss.gunst / GUNST + radiator x
date: january 2009
station: radio x, frankfurt am main (germany)
duration: 28 min.
www.radiox.de/radiator-x – www.gunst.info
Johannes Krause and Claus Störmer are working together as IT, a project in the context of live electronic and electroacoustic music. Choosing radio corax as a platform to present their live improvised work, IT is about experimenting with sounds and the development of methods of playing, depending on the material. IT use live recordings to process them as well as mix them up with synthetic sounds, with the intention of creating a coherent sonic field, fusing abstract and representational aspects of these sounds. The state varies in time through which the association on a specific sound is not fixed. The attempt is to figure out an open acoustic situation without a definite link to music…
For our radio-work we made field-recordings which had an artificial sound. We brought them together with synthetic material, which in the contrary, sound natural. These very distinguished aspects in our source material were set as close as and as far as possible in correlation. Therefore movement, space, mimesis, presence, auditory threshold, and rhythm where important parameters.
A composition made from the imagined and actual intercepted fields of electro-magnetic and acoustic signals in and around my apartment in Toronto, Canada. This piece seeks to express some of the wireless action surging daily on site. I am particularly interested in the relative flatness and depth perceivable in both acoustic and Hertzian space, and in the diminishing horizon in the city as a result of urban design and an exponential increase in wireless infrastructure (or electro-magnetic clutter). Additional filters include mason jars, theremin, ring modulator, staged interference, and delay. This show is best enjoyed on headphones, for those listening online.
Live-Radio-Drama on the occasion of the 70th anniversary of Orson Welles’ interpretation of H.G. Wells’ novel War of the Worlds on Oct 30th 1938.
Lange Beschreibung A scenic reading, electroacoustic performance, incl. live-streaming and live terrestrial broadcasting.
„When it comes to radio and audio we are much closer to the
subliminal text of our society.
Literature and audio open up a new reception onto the
vestiges of the accelerated world.“
Lale Rodgarkia-Dara
On Oct 30th 2008 Christine Ehardt (academic part) and Lale Rodgarkia-Dara (artistic part) organised a new production of war of the worlds based on the novell by H.G.Wells at the Planetarium in Vienna.
Within four weeks more then 20 artists (electroacoustic musicians, actors and visualists) joined the production, including live-streams from Cologne and three radiostations took over the live-stream and included the live-drama in their programme.
Radio walks towards its original immediacy.
The whole version (one hour) can be downloaded:
http://outofspace.at/daten/outofspace_waroftheworlds.mp3
Electro-and Speech-acoustic:
Caroline Profanter
Stephan Roth
Stefan Fraunberger
Pia Palme
Gina Mattiello
Lale Rodgarkia-Dara
Christian Friedrich
Monika Köteles
Elin Blakemore
James Walmsley
Wolfgang Pratl
Martina Spitzer
Daniel Jokesch
Sylvia Bra
Töchter der Kunst with
Nico Wind
Chantal Stummer
Iris Maria Stromberger
Electro-und Speech-acoustic live and prerecorded from Cologne:
Gregor Schwellenbach
Jonas Gruber http://www.jonasgruber.de
Dramaturgy:
Maria Fuchs
Sound engineering:
Martin Murauer
Analoge Visuals Live:
Basto Barbara Stöhr
Digitale Visuals und Streaming on the location:
Christoph Jokubonis
Film:
Ernst Pohn
Photos:
Ilya Akimov
Photos Vorort:
Stefan Schamberger
Website:
Christoph Jokubonis
DJ:
Florian Danhel
Digital Streaming:
Marius Schebella
Christoph Jokubonis
Soundinstallation:
Lale Rodgarkia-Dara
with academic papers by:
Christine Ehardt
Katja Rothe
Wolfgang Hagen
including music by Dominik Nostitz
Sprache
It’s been made by DJP, an inventor of several new electro-acoustical instruments and devices.
The piece is a kind of pseudo scientific conference about Fmajor, a
surrealistic, pata-conference. The talking part is in french, but anyone can get his point very quickly.
How occidental music could have been much different if it was not for this Fmajor obsession.
Une bonne écoute
In this episode, we will take a listen to 3 audio pieces, created by radiostudents from RITS, Brussels. Tom Van Gysegem, Hanne De Nil and Jeroen Uyttendaele all created an artistic oriented audio piece during their time as a student at RITS. More info can be found at www.rits.be or at www.xlair.be.
35 minutes to highlight the production for the whole year of 2008 of the Radia network would compress the 44 radio programs (1232 minutes), in a 0.028 ratio…
The 2008 review mix for Kunstradio represents a personal choice (compiled by Ricardo Reis and João Bacalhau) of the amazingly large spectrum of material that was produced throughout 2008. A list identifying the shows that were plundered for this work is given bellow (no special order). We hope it entices listeners’ curiosity to listen to more Radia shows and check the descriptions on http://www.radia.fm. And, YES, if you are an artist, send an email to the station nearer you and propose a program to Radia.
“The Dispatcher” by Kristin Lucas, show #146, from free103point9 “
radioradar_x” by Marold Langer-Philippsen, show #147, from Radio Corax
radiophonic, show #148 from Radio Grenouille
“Canticles of the First Floor” by Pedro Coelho, show #152 from Rádio Zero
“Learning Tibetan” by earweego (Echo Ho and Hannes Hoelzl), show #153, from Resonance104.4FM
“I was listening wind of Himalaya in My former life…” by Lasonick, show #156, from Lemurie Prague
“wolves in Greenland” by Ralf Wendt, show #158, from Radio Corax
“Silent Zone” by Michael Fischer, Caroline Hofer, Barbara Kaiser, Lale Rodgarkia-Dara, Fiona Steinert, show #169, from Radio Orange “
lisbon underground” by Amadeu, show #169, from Radio Zero
“Northern relationships”, show #173 (from CKUT)
“Mechanical water” by Aymeric de Tapol, show #177, from Radio Campus
“Blackbox, Sounds of a Society”, show #179 from Kanal 103
“state of radio”, show #181 from XL Air
“autophones rlxtended” by Michael Gambacurta and Matthias S. Krüger, show #186, from RadioX
It’s a Money Party – A global youtube election redux” by Berlin Backyard Radio, show #188, from Reboot
“Black Water Brown Water” by David Prior, show #190, from Soundart
“mixing borders”, show #195 from Resonance104.4fm
Listening to the radio is like traveling and when you travel you cross borders. How does it sound when you mix borders? Borders on your map, borders in your head. Enjoy a cup of tea, or a good cognac, while listening to Mixing Borders.
Produced by Selma Gültoprak, Keiko Takahashi, David Hahlbrock, Franziska Windisch, Julia Weißenberg and Oliver Salkic.
This show is one of the outcomes of the Airtime seminar at the Academy of Media Arts in Cologne. http://www2.khm.de/airtime/
Another dada collage by yours truly. An I tell you the truth, the is a Tommy pilot in the end.
Backup show for Kanal103 slot