All posts by kika

Show 1080 : Cyborg Lullaby by Gwen Sainte-Rose – Radio Campus Bruxelles


« Cyborg Lullaby » from Gwen Sainte-Rose
(1st part of upcoming “Those who are not Mothers”)

« Est-ce que vous avez des enfants ? »
A cette question qui paraît anodine, celles qui ne sont pas mères peuvent apporter, chacune, une réponse et une histoire très différentes.
Gwen y répond ici à sa façon, dans ce premier geste sonore qui raconte son histoire et son rapport à la non-maternité. D’autres créations sur cette question suivront, présentant les univers singuliers de chacune autour du projet : « Celles qui ne sont pas mères ».

– –

“Do you have children?”
To this seemingly innocuous question, those who are not mothers can each give a very different answer and tell a very different story.
 Gwen responds in their own way, in this first sound piece that tells their story and their relationship with non-motherhood.

It’s also about what they feel on a sensory level. How they live in a binary and heterosexual system. What is “natural” or not. And how they find their way in there.
Other creations on this question will follow, presenting each person’s unique universe on this theme.

Gwen Sainte-Rose is a musician, composer and sound artist. Their creations are always guided by sensitive listening.
For cello and loopstation, they composed “Collines – Racines”, two soundscapes inspired by the Forêt de Soignes and the Gaume region in South Belgium.

They produced the radio documentary “Ne pleure pas !” (Don’t cry!), about child abuse.
Now they are also exploring links between videos they made with a microscope camera, sound and music, as in « Garden ».

Production, sound design and music : Gwen Sainte-Rose
Curation : Carine Demange

Guest Show 1078 : “Le Leman Mystérieux Merveilleux” par Eric Desjeux – Institut International de Recherche sur la Radio et la Magie

LE LEMAN MYSTERIEUX MERVEILLEUX
par Eric Desjeux

Ré-affirmer le merveilleux comme une manière de ré-enchanter le réel
Les rives du Léman ont toujours fasciné des artistes, écrivain·es et penseur·euses venu·es des quatre coins du monde.
Nous faisons l’hypothèse que vivre avec nos histoires, nos légendes et nos mythes fondateurs, est une manière de nous ancrer et de nous régénérer en tant que communautés, et que la transmission culturelle est un processus qui contribue à connecter les individus et à perpétuer des groupes humains.
Aux prémices de ce projet nous avons constitué une équipe de recherche pluridisciplinaire, réunissant des artistes et des scientifiques local·es ainsi qu’international·es et leur avons proposé un double temps de résidence croisée. Nous avons pensé que cette immersion offrirait un terreau fertile pour la compréhension, la réinterprétation et la création de récits liés au Léman.

avec Jean-Baptiste Molina, Federica Tamarozzi, Christian Baumann, Dalia Mauvis, Mathilde Tinturier, Jonathan Frigeri, Emmanuelle Nizou, Antoine Schaad, Maryne Lanaro, Henry Deletra, Benoit Grison, Diederik Peeters, Paul Courlet, Luca Schöpfer, Stéphanie Pfister, Eva Zornio, Vanessa Montero.
Une production de l’Institut International de Recherche sur la Radio et la Magie.
Curation : Jonathan Frigeri / Carine Demange.

Show 1057: martiensgohome – “I really should have seen through the airwaves” – Radio Campus Bruxelles

martiensgohome – I really should have seen through the airwaves
The inspiration for this piece came from the idea of treating the radiowaves as a living environment, a complex landscape just waiting to be explored. Applying field-recording methods to the shortwave signals of the radio highlights its various sceneries, and its diverse inhabitants. From radio amateurs to state propaganda, and from entertainers to religious freaks, all types of discourses can be found here competing for attention. Surrounding these voices is an equally fascinating ocean of electronic sounds : magnetic storms, carrier waves, interferences, radio-jamming, hum and buzz. The aether is an infinite synthesizer. The natural tones and human-made noises of the airwaves represent an inexhaustible source of sound material and inspiration.
This piece has been composed with the help of the scordinator, a computer program devised by martiensgohome during a residency in the Q-O2 workspace in 2023. The program generates a graphic score for multiple musicians to follow, suggesting dynamics, entry points and pauses for each performer. Designed for live performance as well as for decision making in the studio, it is both a game and a tool. It reconciles conducting and improvisation insofar as it doesn’t tell the musician what to play, or how, but lets him make creative choices within a timeframe.
martiensgohome is a radio-art collective based in Brussels and has been active on the air since 1996. They operate every week on Radio Campus 92.1 FM where they produce a one hour-long improvised show , using field-recordings, electronics, objects and guitar. They also perform live whenever possible, preferably in special settings, composing site-specific interventions or playing unconventional venues.
you can find and use the scordinator here: https://sublymediagonal.net/scoredinator/
(photo by fabonthemoon)
Curation : Carine Demange for Radio Campus Bruxelles

Show 1034 : “Hypercabane” from Radio Campus Bruxelles


Hypercabane is a collective project airing monthly on Radio Campus Bruxelles.
Our research explores the plastic forms of sound and radio, the potential of the voice and the distortion of reality.
Each month, we collaborate with guest artists on live experiments guided by creative protocols, challenging notions of the linearity of time and space, while travelling through a sound-designed universe with a dreamlike, retro-fantasy aesthetic.

In the manner of a cut-up, the recordings of these live broadcasts become the raw material for the editing and pasting process that we carry out alongside our work on the broadcasts themselves.
As we celebrate the third anniversary of the project, we’ve delved deep into our archives to blend our earliest and most recent shows into a brand new journey.

With the voices of :
Flavia, Maxime, Djeline, Paolo, Valentin, Jules, Eugène, Maria, Carla, Marie, Zélie, Mia, Eline, Elisa, Inès, Lilith, Ian, Orlane, Mathilde

With samples from :
Allergène – FunkyPastaBox
Irreversible Entanglements – Our Land Back
Mark Seibert – Conquests Of Camelot OST

Links :
https://www.instagram.com/hypercabane_officiel/
https://soundcloud.com/hypercabane
https://www.mixcloud.com/HYPERCABANE/stream/

Curated by Carine Demange for Radio Campus Bruxelles

Show 1011 – The revolution will not be digitalized (Radio Campus)

The tenth of may 2024 – Bodensee, a lake that seperates Germany from Switzerland. Above the dark and still waters, the majestuaous aurora borealis is visible in all it’s splendour. At the shoreline of the same lake, just a few hours before the electromagnetic solar storm carressed the earth, sound artists Gérald Wang and Sebastian Dingens gave the workshop The Revolution will not be digitalised, in which they returned to the roots of radio; analog technologie, live creation and electromagnetic communication.

In retrospect, the program sounds almost as a forecast of the upcoming events; With the use of any analog tools, we will explore the possibilities of the analog world, to make creative radio. From tape to vinyl, analog wireless transmission and echos from space. We will develop a setup, to perform together in a radio show. 25 radiopeople, professionals and amateurs, particpated. What you are about to hear is the almost intact registration of the final presentation, recorded on tape.

The revolution will not be digitalized – Learn how not to use a computer for making creative radio In this world, computers are everywhere.
It’s becoming very simple to broadcast from anywhere, using the tool everyone have in the pocket. But what if we try something else? With the use of any analog tools, we will enjoy the possibilities that offer the analog world to make creative radio. From tape to vinyl, to analog wireless transmission and echo from space. We will develop a setup, to perform together in a radio show.

Curation : Carine Demange for Radio Campus Bruxelles

Show 988: “Sheela-Na-Gig” by Carine Demange For Radio Campus Bruxelles

SHEELA-NA-GIG is an improvised and multiplied encounter on the banks of the Meavy river. An attempt to let the invisible invite itself and take its place in our daily practices.

Welcome to Dartmoor’s hidden rain forest, in the wooded valley of Dewerstone (Devon, England), inhabited by mossy rivers and welcoming faeries, tangled oaks and beech fruits, talking stones and spying sheeps, pagan radio fellows and Mabon cooking voices.

A idea from : Carine Demange, Gihan Marasingha, Kerry Priest & Maggi Shade
Editing : Carine Demange (Radio Campus Bruxelles)

With gratitude for the good vibes and voices of :
Alice Armstrong, Anne-Marie Bala, Premal Bhatt, George Brock, Stuart Crewes, Pauline Day, Hannah Drayson, Cat Guy, Lucinda Guy, Jess Langton, Sarah Lawrence, Mark Peacock, Roshani Ramass, the Meavy river, the sources of Plym and all Dartmoor energies and invisible inhabitants.

This creation is a collective work done in two days and broadcasted on ACCESS FM on the 17th of september 2023.
A collective radio piece produced during Dartmoor radio residential with Stellaria Media and supported by FUTURES on air project. Many thanks to them and to Soundart Radio.

Show 963 : “Between Me And You” from Katharina Smets (for Radio Campus Bruxelles)

Between Me And You

In this audio-essay, Katharina Smets illustrates her journey from an autobiographical narrator to an invisible director and back again. She is looking for an open and transformative dialogue between the ‘I’ of the maker and the ‘You’ of the interviewee, between the final work and the listener.

The essay is based on Katharina’s PhD research to the attitude of the audio documentary maker.

Links to more of her work:
https://on.soundcloud.com/jJqwj
https://vimeo.com/user198389709

A piece by Dr. Katharina Smets
Music: Inne Eysermans
Voices: Writer, John Biewen, Jonathan Goldstein, Kaitlin Prest,
Rikke Houd, Barbara Wazgird, Jerome Lemenu.
Illustration: Randall Casaer

Curation: Carine Demange for Radio Campus Bruxelles

Show 938: “Everything has changed already” by Isa Stragliati (for Radio Campus Bruxelles)

Everything has changed already
A radio piece by Isa Stragliati

A close friend sent me a voicemail from afar during a difficult time. Improvised vinyl mix with music and sounds by Fripp & Eno, Multer, Reznicek, Pierre Henry, C-Schultz & Hajsch, Bergen, Institut Für Feinmotorik, Reuber, Eliane Radigue & more

Artistic support and curation for Radio Campus Bruxelles : Carine Demange

All my love and gratitude to Paulo Dantas


Isa Stragliati is sound artist, radio producer, composer and dj. Coming from the visual arts, she turned to the sound medium in 2002 through DJing, as an extension of her approach of the film editing (under the moniker Rescue). She then practiced numerous aspects of radio production before reconciling it with her creative work.
Her productions and live performances, involving field recording as much as documentary, concrete music or techno, are broadcasted on international networks and national radios, during international festivals and events and in contemporary art centres.
Her radio piece “Le feu qui ne s’arrête jamais” (The fire that never stops) won first prize in the international competition 60 Seconds Radio in 2019.
http://noearnosound.net/

Show 911 : RADIO TOUT-LE-TEMPS by BNA-BBOT, for Radio Campus Bruxelles

RADIO TOUT-LE-TEMPS, BNA-BBOT

On February 24, 2022, the Brussels organization BNA-BBOT launched a new sound platform including, in addition to a set of artistic projects carried out on the territory of the city, a Database, a Sound Map and a Radio: Radio tout-le-temps. Radio tout-le-temps is a webradio that broadcast continuously random fragments of BNA-BBOT’s database, but can also be programmed or curated in a more specific way. It is an open platform in which citizens, artists and organisations can participate. Our database contains 26,000 sound fragments. No one has ever listened to the entire collection it houses. To listen to it all, an individual would have to devote 1,458 hours to it, or approximately 61 days and nights, without interruption. radio tout-le-temps offers this sound collection a place for sharing and spontaneous narratives, created from the random linking of isolated stories, which then form a new narrative. 

www.bna-bbot.be

info@bna-bbot.be

Show 886 : “Rituel radioactif de désenvoûtement de la finance” by Laboratoire sauvage de recherches expérimentales Désorceler la Finance – Radio Campus Bruxelles

Le Rituel radioactif de désenvoûtement de la finance is a radio performance halfway between a magical ritual and an act of resistance.

It engages the metamorphosis of our relationship to capitalist power. The audience, the listeners, are invited to cut the link we have with this power to free ourselves from its hold on our lives.

This rite of passage gives rise to a real and living collective, capable of resisting the stupefaction of disasters, and of making something new.
The health, economic, social and environmental crisis has exacerbated financial imbalances, inequalities and the dysfunction of the dominant mode of production. It has underlined the way in which our rights are flouted. It has shown that what is most important, what we value most, starting with our health and that of our loved ones, is worth no more than an accounting line: apart from applause, little or nothing has been done to change the health system, and commodification continues.
It is time to get rid of vertical management and austerity policies; it is time to get out of the emergency, out of the reign of experts, and to facilitate the appropriation by the population of the problems it encounters; to share our knowledge, our resources, our common actions.

The Radioactive Ritual of Unblinding of Finance relies on collective intelligence, opens up imaginations and gives us the power to bring forth alternatives to power and the economy. This radio piece was made on October 15th, at dusk, we unblessed ourselves from the sorcerous power of finance on our health, on the health professions.

By the Laboratoire sauvage de recherches expérimentales Désorceler la finance
With : Théo Bourgeron – Brune Campos – Aline Fares – Amandine Faugère – Maxime Lacôme – Arthur Lacomme – Camille Lamy – Vincent Matyn – Emmanuelle Nizou – Fabrice Sabatier – Emilie Siaut – Suzie Suptille

Language : French only

Curation for Radio Campus Bruxelles : Carine Demange & Jonathan Frigeri