By Emeka Ogboh for reboot.fm

RADIO 0-3-0 combines a vast array of recorded audio materials such as news reports, interviews and music into a radio program, which examines the refugees’ situation in Berlin. He thus inquires how the city as such is reacting to the situation. The sound installation RADIO 0-3-0 invited the visitors to stay and listen during a local mini-fm broadcast at the Gorki Theatre in Berlin as part of the Herbstsalon in October, 2015. This radia.fm compilation is extracted from over ten hours of radio material.

EMEKA OGBOH, lives and works in Berlin. His works have been presented in the Museum of Contemporary Art Kiasma, Helsinki (2011), DAK‘ART 2014, Dakar (2014), in the Louisiana Museum of Modern Art, Humlebæk (2015), and the 56. Biennale di Venzia (2015).

Artistic assistant: Daniela Sellen
Programming Radio: Pit Schultz
radia.fm edit with Diana McCarty

Special Thanks to: Alpha, Deutschlandradio, Ditte Haarlov Johnsen, Carrie Hampel, Hla Al Hourani, Muhammed Lamin Jadama, REM TV Produktion, Reboot FM, Refugee ClubImpulse, Refugees Revolution Band, REM TV, Schaubühne Berlin, Sissi FM –feministisches Stadtmagazin „We never speak the truth!“, Sudan Papol Music (SPM), The Voice, Voice Refugee Forum and Die Karawane. Alpha, Deutschlandradio, Ditte Haarlov Johnsen, Carrie Hampel, Hla Al Hourani, Yango González, Andrea Gordillo, Muhammed Lamin Jadama, René Kaur, Lola Lustosa, REM TV Produktion, Reboot FM, Refugee Club Impulse, Refugees Revolution Band, REM TV,Schaubühne Berlin, Sissi FM – feministisches Stadtmagazin „We never speak the truth!“, Sudan Papol Music (SPM), The Voice, Voice Refugee Forum and Die Karawane.

What comes to your mind if you think of a hidden place? Of a lost place? Of a place you found for yourself alone in the utmost wilderness. Four people share their stories. Mountain walks lead to Ice Elf City across rivers with a strange irridescent blue.

A combination of interviews and fieldrecordings, a rough edit done high up in the sky at night, in an airplace heading back to Berlin, 30.000 feet above the sea.

Speakers:
Jónìna Marta Arnasdóttir, IS
‘Susan Beattie, UK
Halldór Heiðar Bjarnason, IS
Charlotte Law, UK

Poem “Failed walk” and organ snippet by Charlotte Law. Martian language bit originally by Helene Smith (1861-1929).

My greatest thanks to Fljótstunga Residency and to the Goethe-Institut, Munich.

Field recordings & production: Gabi Schaffner/raw audio 2015

From a 100 days broadcast on the Landesgartenschau Gießen, datscharadio brought back an archive with audiofiles in a state of digital decomposition. the show takes three different depositories of audio material and traverses them to present an impossible algorithmic summary, a auto-montage of an already diverse ethnopoetic collection of todays garden cultures in an average mid size town in Germany. By Pit Schultz (with Gabi Schaffner) for reboot.fm

http://datscharadio.de

Jingled Jungle by Sara Lehn

for reboot.fm, Berlin

You’re listening to an investigation, no heavy manifesto. More than just radiolovers know about the potent entanglement of real stuff,
radio and play. This piece is meant to be a massage to all immaterial workers out there, including free ear hair conditioner and a jodeling crash course.

slehnova.wordpress.com
peoplezapping.com/places/radiovisionary

Excerpts from productions in and for
Radio de la Culture Visuelle / Radio 226 (University of Art, Berlin;
June 2012), Émissions de l’Art Visionnaire/ KofferRadio (Neuer
Berliner Kunstverein; January – May 2014) & ‘ÖR Schnecke (Kunstraum
Kreuzberg / Bethanien; May-July 2014)

Festival Curator JD Zazie has compiled this selection of works by Felicity Ford, Heidrun Schramm & Stini Arn for radia.fm.

MuseRuole is a festival dedicated to experimental music and puts contemporary female musicians and performers at its centre. It is a journey of discovery into the wide world of current musical research, looking for specifically female modes of expression, with its own grammar and personal style. This year (2013) we focus on the theme of radio as a space for musical research and a medium of technological innovation, including  notions of sending and receiving in equal measure.
Even today radio is an important method of communication: it remains one of the most powerful, cheapest, accessible and world spanning of media. Despite its long history and being one of the first mass media of the last century, radio has always been able to renew     itself, adapting to changing realities and remaining in step with the future. And so radio is an instrument of disseminating knowledge as well as a research space for new technologies and formats: as a global platform it offers the possibility to develop innovative networks and ways to connect.

http://museruole.tumblr.com/

http://reboot.fm

ISTANBUL COURTHOUSTEP
by 2/5BZ for reboot.fm

With support from Europe’s and the world’s biggest palaces of justice, and with a vision of solving the problems of unemployment and using F- and T-type prisons as for-profit companies with cheap labor, “Advanced Justice” is surging towards becoming a global brand: The world’s largest palace of justice (courthouse) is under construction in Istanbul’s Kartal district .

2/5BZ,  (Istanbul), works in a range of media, with releases in video, music and literary formats. His work is characterized by a balancing on the verge of trash and the ongoing production of collages of music, cinema, web caches, speech and field recordings. 2/5BZ has put on live audiovisual performances in 19 countries and 91 cities, at clubs, festivals, squats and exhibitions. He concentrates on concepts such as cultural pipeline, energy dialogue, Turkish pop cinema, deconstruction, exotic tourism, anti-city myths, copy culture and remakes, investigating cultural clichés and Recent ( New-Age ) scientific discoveries; hardcore ultra modernism’s new strategies of future developments and their effects on the economic and political situation of individuals. In his audiovisual performances he has focused on new security measures and the indisputable acceptance of volunteering and is currently working on “New Age Toolerance Vampirism”, “ DNA Fascism”, ”Hologram Doctrine”, “Avatar Liberalism”, in “Palaverel” and Parallel Universes as well as  ” Cosmic Nottoman NOptimism ” and recent performance ” Istanbul Courthoustep.”.

Between live mix, sound collage and scientific experiment, “The Time Machine” explores the many dimensions of past and present day electronic dance music, quantum-jumping the barriers within the genre, blurring the lines between past, present and future, with its search-lights focused on the rare and unusual.

The test-pilot is Daze Dasen aka Plastique de Rêve, a swiss deejay and producer with releases on labels such as Gigolo, Turbo, DFA, Supersoul Recordings, Mental Groove or Space Factory Disques. Originally from Geneva but now a long-time Berlin resident, Plastique De Rêve’s fascination for electronic sounds goes back to his childhood in the 70s, and he has studied, produced and collected electronic music since 1984 up to this day.

http://listn.to/PlastiqueDeReve