Nostalgia for the Androgynous unfolds an ethereal-telluric space for voices and concrete sound, generative drones creating arcane sounds, lo-fi recordings, lyrical witchcraft, high-hovering voices, dazed and processed in glossolalic harmonies progressively embodied in organic and mineral scenarios. Occult soundscapes melt alternative listening paths in a cathartic collision, haunting and refreshing at a time, an atmosphere of ascent and intimacy, ambiguous, nostalgic, and visceral.
Serena Dibiase is an experimental vocalist, sound artist, performer, poet. She identifies her artistic and sound productions with the androgynous name Kratu. She carries out her artistic investigation starting from intense physical/respiratory practices and through analogue and not-analogue devices, to listen to radical phonic geographies, choral happenings, interventions on biophonies and geophonies extracted from explorations in abandoned, wild, industrial spaces, in a horizontal treatment of the sources. She collaborates as a sound dramaturg and performer with independent theatre companies, and also working for Biennale Teatro ’22-’23 and disseminating her research in Italian and international festivals. She collaborates as artistic consultant in contexts of social hardship (jale, community outreach centre for addicts), considering these incursions into her broader spectrum of anthro-poetic research. He has been leading Mouth of the landscape, a transversal vocal training and listening workshop. Her EP Nostalgia for the Androgynous released by Oceani Label.
Usmaradio – Centro di Ricerca Interdipartimentale per la Radiofonia (CRIR) / Interdepartmental Research Centre for Radio Studies, is a workplace of The School of Radio to develop an innovative radio pedagogy. Workshops, work sessions, meetings, presentations of live performance as sections of the project. Produced by UNIRSM | Università degli Studi della Repubblica di San Marino. usmaradio.org / theschoolofradio.org / unirsm.sm
Vittoria Assembri is an experimental sound artist and independent researcher in sonic arts and public architecture. Her sound research is about field recording, sound objects, experimental music that reflect on the theme of marginal and liminal territory, in close relationship with urban plans and its crossing (human and non-human).
Her practice develops from site-specific deep listening, focusing on urban dynamics, sociocultural processes and public sphere, with which to rewrite an affective and political landscape of resistance.
Vittoria is currently in Japan since the beginning of May, where she is doing a live performance tour and working on a few artistic residencies’ projects (Kyoto Kinugasa Art Residence for Community in Kyoto, Aomori Contemporary Art Center, Lake Haruna Artist Residence).
This track is a cut-up of her analog and digital recordings around Japan: Haruna and Fuji-san volcanoes, Kinugasa district in Kyoto, tatami’s and bonsai’s artisans in Okayama, izakayas in Shinjuku-Tokyo, Taka-san cellist, nightingale flooring of the Ryōn-ji Temple, shishi odoshi, radio fm-am interferences, jingles and alerts from megaphone loudspeaker, Aomori forest’s fauna, memorial songs from inhabitants and fishermen of the Haruna cadera, etc.
Usmaradio – Centro di Ricerca Interdipartimentale per la Radiofonia (CRIR) / Interdepartmental Research Centre for Radio Studies, is a workplace of The School of Radio to develop an innovative radio pedagogy. Workshops, work sessions, meetings, presentations of live performance as sections of the project. Produced by UNIRSM | Università degli Studi della Repubblica di San Marino. usmaradio.org / theschoolofradio.org / unirsm.sm
CONTINUUM collaborative network radio performance TACTUS Radio Festival Republic of San Marino and worldwide 2.12.2023 CONTINUUM a collaborative radio performance conceived by Roberto Paci Dalò for TACTUS Radio Festival on the 2nd of December 2023 between 19:00 and 20:00 CET, it was broadcast on Usmaradio together with a global network of radio stations.
The challenge was to work on radical improvisation without any conduction and prior rules, giving a maximum of freedom to the participants. Most of the artists, performing from different locations, didn’t know each other and actually never talked to each other before the performance. Obviously the key of the project was an extreme attention during the performance from any single artist: “the art of listening” with 18 people performing together on-site in the Republic of San Marino and remotely from the USA, Germany, and Austria.
The result was surprising: a subtle texture of sounds with an amazing quantity of moments of silence despite the massive use of live electronics. The performance somehow proved that the planned lack of conduction can be balanced by the level of attention and involvement from the performers. It was a mesmerizing immersion in an acoustical world where electronics graciously merged with acoustical instruments and voices; a nocturnal winterreise across galaxies.
CONTINUUM intended to develop the praxis of the “telematic performance” which developed in the beginning of the 1990s. Especially around activators such as the programme ORF Kunstradio in Austria, the Ars Electronica Festival and L’Arte dell’Ascolto radio festival, seminal projects such as Cheap Radio, Horizontal Radio, Rivers&Bridges, and Realtime , designed an innovative use of telecommunication technologies including the nascent Internet in conjunction with the broadcast and telephone networks. The artist Robert Adrian was one of the major inspirations for many artists in the field.
The arrival of the Internet obviously greatly expanded the possibilities for global interaction between artists who could now participate from their personal spaces and with minimal need for financial support. But at the same time this provoked national broadcasting corporations to step back and reduce their involvement in such experimental projects. Let’s think of the infrastructure, technologies and the great professionals working in radio stations. The role of the engineers and their inspiring relationship with the artists has always been crucially important in such projects. CONTINUUM wanted to link these practices from the past by bringing together both independent and broadcasting corporations in order to act in our present and investigate the possibilities of today’s technologies. À suivre…
Continuum Idea: Roberto Paci Dalò Station manager and general coordination: Alessandro Renzi Mixing board: Lorenzo Ricci Post-production and mastering: Alessandro Renzi Live performers: From the Republic of San Marino: Gaia Ginevra Giorgi, L’Impero della Luce, NicoNote, Roberto Paci Dalò, Tobia Bandini, Vittoria Assembri From Santa Cruz, California: Anna Friz From Vienna: alien productions (Andrea Sodomka and Robert Math) From Weimar: Bauhaus Radio Ensemble (Tilman Böhnke, Fritzi Buhtz, Adrian Ciesielski, Lefteris Krysalis, Finn Röhmer-Litzmann, João Afonso Soares Leiria Parreira Ticão, Amir Shokati, Karlotta Sperling) Broadcasted live on: Usmaradio, San Marino RTV, bauhaus.fm (Weimar), Wave Farm (New York’s Upper Hudson Valley), ARTxFM / WXOX 97.1 FM (Louisville, Kentucky), Beware The Radio (United Kingdom), Radio Tsonami (Chile), diffusion FM (Australia), Radio Bloc ORAL (Canada) and in Italy: Fango Radio, Radio Raheem, and NEU Radio. CONTINUUM has been heard globally through streaming, satellite (Eutelsat Hotbird 13B, channels 520, 93) and Digitale Terrestre 831 (Italy) with the collaboration of San Marino RTV (the National Broadcasting Corporation of the Republic of San Marino) In Europe and the USA has been heard locally via FM: bauhaus.fm UKW 106.6 MHz (Weimar), Republic of San Marino RTV 98.90 MHz (Romagna/Marche), WGXC 90.7-FM (New York’s Upper Hudson Valley), ARTxFM / WXOX 97.1 FM (Louisville, Kentucky)
TACTUS Radio Festival Republic of San Marino, 1-3 December 2023 TACTUS Radio Festival is an international Radio Art project promoted by Usmaradio. Within the spaces of the Antico Monastero Santa Chiara, the festival offered three days of art of listening open to the public: narrations, round tables, performances, listening, live radio broadcasts and podcasts.
Artistic direction: Roberto Paci Dalò Curatorial team: Gianni Gozzoli, Roberto Paci Dalò, Alessandro Renzi General coordination: Alessandro Renzi Head of production and organization: Anna Guerra Communication: Sara Seu, Maria Chiara Romano Graphic design: Davide Di Gennaro (Tomo Tomo) Collaboration to the graphic design: Sara Seu Mixing board: Lorenzo Ricci Journal: Natalia Soldati Documentation photographs and video: Emanuele Lumini Press office: Jeffrey Zani Setting-up spaces: CoseMatte (Alessio Abdolahian, Matteo Giustozzi, Orsetta Rocchetto) Hosting: Natalia Soldati, Rebecca Rizzo Website: Alessandro Renzi
A project of Usmaradio – Research Centre for Radiophonic Studies Production: Università degli Studi della Repubblica di San Marino Support: Segreteria di Stato alla Cultura della Repubblica di San Marino, Transcultures/City Sonic 20 years and Pépinières Européennes de Création Patronage: Segreteria di Stato per l’Istruzione e la Cultura, l’Università e la Ricerca Scientifica, le Politiche Giovanili; Segreteria di Stato per il Turismo, le Poste, la Cooperazione ed Expo Partners: Experimentelles Radio an der Bauhaus-Universität Weimar, ORF Kunstradio, RaiPlay Sound, RTV San Marino, Giardini Pensili, Sentire le voci – festa del podcast, Wave Farm, Congerie, Smagliature Urbane, Radia, Arci Servizio Civile Rimini APS, Farmhouse Rimini,CUE Press, Tempo Reale, Radio Papesse, Fango Radio, Neu Radio,Radioimmaginaria, Radio Raheem, ARTxFM / WXOX 97.1 FM, Radio Tsonami, Beware The Radio, Transcultures/City Sonic 20 years and Pépinières Européennes de Création, Radio Campus Paris 93.9 FM, diffusionFM, Radio Bloc ORAL Media partners: Altre Velocità,Gagarin Orbite Culturali Sound Exhibition: Morse Mountain (2022) Absolute Value of Noise and Anna Friz A generative radio art piece Transmitting on radiolada.net from the 1st December 2023 Visit: usmaradio.org/tactusfestival
Pictures by Emanuele Lumini
Usmaradio – Centro di Ricerca Interdipartimentale per la Radiofonia (CRIR) / Interdepartmental Research Centre for Radio Studies, is a workplace of The School of Radio to develop an innovative radio pedagogy. Workshops, work sessions, meetings, presentations of live performance as sections of the project. Produced by UNIRSM | Università degli Studi della Repubblica di San Marino. usmaradio.org / theschoolofradio.org / unirsm.sm
A reflection on the community approach of music research, waiving together different methodologies in the making of sound, from improvisation to structured compositions, passing through live set and A\V performance and any kind of other related attitudes.
Radio and technology have always been related each others, as long as the broad of a growing non-real and immaterial space as this media represents its arial forms.
Physical, social, human, collaborative – left free in the sonic flux’s ether, layered of real time samplings, transformations, overdubbing and stratifications.
‘Dialogue’ meant through a vast array of non-similar sound’s applications reaching and sharing a network, a platform for conceiving and creating a peaceful listening zone, dreams and oscillations.
–
Jacopo Buda: no-input mixer, trumpet, organ, radio, live electronics;
THE CAVE is an artistic project active in the field of electronic and electroacoustic research music since 2021 and based in Rimini, Italy. The journey started during the pandemic time where selected artists’s pieces, coming from the Italian underground music scene, have been streaming live on Usmaradio which also collected them in its archive reachable at the link below. Then, after covid peaked, the project came back on site through different venues and across almost 30 performances in less than two years offering different layers of listening experience to the audience.
Usmaradio – Centro di Ricerca Interdipartimentale per la Radiofonia (CRIR) / Interdepartmental Research Centre for Radio Studies, is a workplace of The School of Radio to develop an innovative radio pedagogy. Workshops, work sessions, meetings, presentations of live performance as sections of the project. Produced by UNIRSM | Università degli Studi della Repubblica di San Marino. usmaradio.org / theschoolofradio.org / unirsm.sm
IOLANDA MI NANT DE NÒMINI (audio documentary, 31 minutes, written and directed by STUDIOLANDA, co-produced by Radio Papesse)
➤ LINK HEREto subtitled version (sardinian dialect / italian – english)
SYNOPSIS Orlanda Sassu, a Sardinian poet and ecologist (1924-2015), carried on a lifelong practice of audio recording to archive the memory of her country and language that she feared to lose. Her voice transcends time barriers and accompanies us to the pivotal places of her existence: the river, the village, the sea, the hut she built around a centuries-old juniper tree on the sand dunes at Pistis, together with her companion Efisio, himself a poet. Iolanda, thus known to the community, has entrusted the magnetic tapes she used to record on, with the power to make her travel through time, to the future, coming down to us as a living, present voice.
BIOGRAPHY Multidisciplinary duo STUDIOLANDA is based in Sardinia: Giorgia Cadeddu and Vittoria Soddu focus their projects on re-use practices with a specific interest in audiovisual, graphic and textual archives.Coming from design and the visual arts, Giorgia and Vittoria bring different technical skills into play: they imagine narrative forms that exceed the rigidity of recognisable categories, combining apparently distant practices of drawing, translation, self-construction and listening.
BROADCAST/FESTIVALS After the premiere held at Lucia Festival in December 2021, Iolanda mi nant de nòmini was broadcasted on Rai Radio 3 within the programme Zazà – meridione, cultura società in April 2022. It was selected to be included in the International Feature Conference held at BBC Wales in May 2022, at Prix Europa in the documentary competition and at Phonurgia Nova for the section “Archives de la parole”.
Iolanda under her juniper tree, ca. 1980, Italy
Usmaradio – Centro di Ricerca Interdipartimentale per la Radiofonia (CRIR) / Interdepartmental Research Centre for Radio Studies, is a workplace of The School of Radio to develop an innovative radio pedagogy. Workshops, work sessions, meetings, presentations of live performance as sections of the project. Produced by UNIRSM | Università degli Studi della Repubblica di San Marino. usmaradio.org / theschoolofradio.org / unirsm.sm
Crown Quartet Croatia: Zahra Mani – double bass, bass & electric guitars, field recordings, live electronics Italy: Roberto Paci Dalò – clarinet, bass clarinet, voice, live electronics Hungary: Tibor Szemző – voice, bass flute, flute Austria: Mia Zabelka – electric violin, vocals, live electronics
Station Manager and sound engineer: Alessandro Renzi Technical direction at JRC: Denis Novello and Andreas Aschberger
We are pleased to announce the new sound art project A Natural Contract by the Crown Quartet. The project is supported by the festival Resonances IV – NaturArchy: Towards a Natural Contract.
To know the world is to breathe, to breathe is to savour the world. An interspecies dialogue where you find yourself human, vegetable, animal and mineral, in the name of fusion. A world composed not of objects but of streams that penetrate us and that we penetrate, of waves of varying intensity and in perpetual movement. We can no longer perceive the world as a simple collection of objects or as a universal space containing all things, but as the site of a veritable metaphysical mixture. Towards a “multispecies storytelling” (Donna Haraway).
A Natural Contract is created for Resonances IV and it crosses borders through the simultaneity of music and language in a musical exchange between four different European countries. The four countries in the Alps-Adriatic-Region have been barely accessible due to the Corona pandemic. The idea of this live sound art concert at a distance is to invoke notions of memory, a discourse, a call to the most basic elements of humanity and society.
A Natural Contract is a new project for the Crown Quartet, conceived and directed by Usmaradio. In addition to the rich instrumentation of the quartet, A Natural Contract has a textual layer embedded in the compositional structure (which leaves room for spontaneous improvised exchange). As with field recordings in music, the linguistic elements are subjected to selection, processing, reproduction and abstraction of text fragments that acquire new significances in connection with the sounds and the music.The multilingualism of the text fragments reflects the diversity of the musical languages and approaches of the four musicians. Hungarian, Italian, various German accents, English and Croatian meet the abstract vocal sound art of Zabelka and Szemző. Thus vocal modes of expression are explored and contrasted in their diversity. There is a musical transformation of semantics, reflecting the absurdity that arises when you repeat a word for a long time, highlighting the transitions between language and sound, from noise to music. These processes in turn reflect the shifting meanings of terms such as borders and freedom in theCorona-shaped cultural-political landscape.
All four ensemble members have been working in the field of radio art for many years and have participated in diverse live stream project formats. So far, due to the technical challenges and complexity, these projects have always been implemented in cooperation with public institutions.
The radio as an artistic stage or platform is a unique performance and communication space. It is always a special moment to play live on the radio and to come into intimate contact with listeners in their own four walls. In times of physical distancing, the radio in connection with the internet offers a new enhanced platform for communicative exchange.
A Natural Contract is about overcoming borders through music and language. A Natural Contract overcomes boundaries that have closed at an astonishing speed due to Covid-19. The long-term social, economic, socio-political implications of the events of the last few months are not yet foreseeable – just as little as we know how the virus and its mutations will affect our futures. In this respect, A Natural Contract is also a memory, a discourse, a reflexion of the most fundamental elements of humanity and society.
The four artists have been connected via internet stream from their studios in Austria, Hungary, Italy and Croatia in an acoustic exchange consisting of music, language and sound. The piece revolves around questioning acoustic materials, their manipulation, meaning, application and aesthetics.
within Resonances IV – “NaturArchy: Towards a Natural Contract “ A Natural Contract is produced by Resonances IV in collaboration with Usmaradio and Giardini Pensili.
In 2020 Usmaradio created the series Crown – fighting the lockdown through radio. An international tea time live concerts radio series. 33 daily collaborative telematic performances with the remote participation of artists from all over the world. CROWN PODCAST CHANNEL IS AVAILABLE HERE Later on, this experience contributed to the creation of the Crown Quartet project.
Crown Quartet ➥ Zahra Mani (UK, PK, resident in Austria) is a musician, composer and curator. She performs live in various constellations and creates multi-channel installations and radio art. Her work combines field recordings, instruments and voices in an ongoing exploration of sound and music, investigating and revealing the spaces between. ➥ Roberto Paci Dalò is an Italian clarinetist, composer, visual and sound artist. He performs worldwide in the usual and most unusual places. ➥ Tibor Szemző Composer, performer, media artist, lives in Hungary. Oriented by his diverse lines of interest towards the borderline areas of the various genres. His works are present across Europe and beyond. ➥ Austrian violinist, vocalist, improviser and composer Mia Zabelka is at the forefront of international electro-acoustic performance art. She developed a unique musical language she calls “automatic playing”, where the music grows out of her body and gestures and finds its expression in her acoustic/electric violin, electronic devices, alien objects and voice. The violin itself becomes a sound machine.
Usmaradio – Centro di Ricerca Interdipartimentale per la Radiofonia (CRIR) / Interdepartmental Research Centre for Radio Studies, is a workplace of The School of Radio to develop an innovative radio pedagogy. Workshops, work sessions, meetings, presentations of live performance as sections of the project. Produced by UNIRSM | Università degli Studi della Repubblica di San Marino. usmaradio.org / theschoolofradio.org / unirsm.sm
Usmaradio – Research Centre for Radiophonic Studies presents a new session of The School of Radio: during December 2021 at Arena del Sole theater in Bologna (Italy), it’s been aired live on Usmaradio the radio performance “Senta, Pasolini” – freely inspired by texts of the italian writer and intellectual Pier Paolo Pasolini – by and with Anita Barbi, Francesco Cecchi Aglietti, Virginia Cimmino, Dario Fini, Inés García – Pertierra García, Francesca Lepiane, Dino Lopardo, Giulia Mento, Stefano Moretti, Lea Paiella, Andrea Pelliccia, Emanuele Regi and Francesca Miranda Rossi.
This is the result of the session – conducted by Roberto Paci Dalò – of the School of Radio within the course “Theories and practices of new forms of theatrical writing” promoted by the Iolanda Gazzerro Theater School – permanent laboratory for the actor as part of ERT – Emilia Romagna Teatro Foundation.
The participants worked for a week on the theory and practice of radio dramaturgy with particular attention to voice, vocality, technologies and performative radio.
The guest of honor was Andrea Borgnino, director of the new RAI RaiPlay Sound platform which it’s been launched on 8 December 2021 where its genesis and objectives were been exposed in Bologna.
This is a special Radia edit, the complete performance it’s available at this link.
partner ERT Emilia Romagna Teatro, Scuola di Teatro Iolanda Gazzerro – Laboratorio permanente per l’attore, RAI RaiPlay Sound, Arena del Sole di Bologna, Usmaradio, Giardini Pensili
Usmaradio – Centro di Ricerca Interdipartimentale per la Radiofonia (CRIR) / Interdepartmental Research Centre for Radio Studies, a workplace of The School of Radio to develop an innovative radio pedagogy. Workshops, work sessions, meetings, presentations of live performance as sections of the project. Produced by UNIRSM | Università degli Studi della Repubblica di San Marino. usmaradio.org / theschoolofradio.org / unirsm.sm
The air is full of inaudible sounds that become so thanks to radio receivers.
– John Cage
KIN by Usmaradio / Roberto Paci Dalò is a radio and performative project with workshop sessions of The School of Radio guided by talented and professional radio-makers. The italian town of Santarcangelo di Romagna is “occupied” with the broadcasting of a schedule composed of materials related to Santarcangelo Festival (the 51 years old festival devoted to experimental performing arts), citizens’s voices and original materials created by the working group. All spread in public and private spaces with listening spots, improvisations, electronics, remote collaborative radio activities.
“The undifferentiated mass is expressed with a single voice, with slogans repeated in unison, so that the individualities blend vocally. Plurality, on the other hand, is expressed in a plurisonic way, producing not a single voice and not even a cacophony, but what I call a pluriphony, where each singular voice retains its uniqueness and reverberates with each other. ” (Adriana Cavarero). Texts and guiding voices are those of John Cage and Donna Haraway.
KIN team Benedetta Bronzetti, Teresa Chiauzzi, Irene Dani, Bárbara Ermeti, Sara Guazzarini, Alessandro Mazzoni, Domenico Martinese, Alice Molari, Roberto Paci Dalo, Paolo Petrangolini, Alessandro Renzi, Lorenzo Salvatori, Margherita Wolenski
production Usmaradio, Giardini Pensili in collaboration with Università degli Studi della Repubblica di San Marino, Comune di Pesaro, Radio Papesse, ImperfettoArt , Radio Lada, Scuola comunale di musica G. Faini – Associazione Banda Musicale Città di Santarcangelo, TeamBòta, Ven èulta Santarcangelo, Centro studi e ricerche José Bleger, Fablab Romagna media partner RAI Radio Techete’
radioworks’s excerpts for this Radia programme (running order) 1. “Nino” a live session dedicated to the Italian poet Nino Pedretti (1923-1981); sounds by Riccardo Santalucia, Luca Gallio, Alessandro Mazzoni with the voice of Nicoletta Fabbri joined by Santarcangelo’s citizens 2. “Respiro” (on background) 3. “Chiroptera FM”; voices and sounds by Riccardo Santalucia, Luca Gallio, Dania Grechi, Domenico Martinese, Irene Dani, Alessandro Mazzoni, Vittoria Assembri 4. “Final Jam Session” within all “Kinners”
Pictures by Claudia Borgia, Lisa Capasso, Alice Molari, Domenico Martinese, Roberto Paci Dalò, Alessandro Renzi
Usmaradio – Centro di Ricerca Interdipartimentale per la Radiofonia (CRIR) / Interdepartmental Research Centre for Radio Studies, a workplace of The School of Radio to develop an innovative radio pedagogy. Workshops, work sessions, meetings, presentations of live performance as sections of the project. Produced by UNIRSM | Università degli Studi della Repubblica di San Marino. usmaradio.org / theschoolofradio.org / unirsm.sm
Artist: L’Impero della Luce Submitted soundwork: Into the Gray forest
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L’Impero della Luce / The Empire of Light is an Italian experimental music duo that explores the sounds of electric current by using the technique of electromagnetic induction. This particular approach to music allows the listener to get closer to the sound of the electron, the physical and historical source of electronic music. “Il Mare di Dirac ” / The Dirac Sea (2020) is their first album. From 2020, L’Impero della Luce is part of Key Change European Project and endorser of SOMA Laboratory. L’Impero della Luce is: Johann Merrich and eeviac.
SOUNDWORK Into the Gray forest This oniric improvisation was recorded in 2018 and published in July 2020 by Obsolete Capitalism and Stefano Oliva as supplement of La Deleuziana: Rhythm, Chaos and Nonpulsed Man magazine (10th volume celebration).
Usmaradio – Centro di Ricerca Interdipartimentale per la Radiofonia (CRIR) / Interdepartmental Research Centre for Radio Studies, a workplace of The School of Radio to develop an innovative radio pedagogy. Workshops, work sessions, meetings, presentations of live performance as sections of the project. Produced by UNIRSM | Università degli Studi della Repubblica di San Marino. usmaradio.org / theschoolofradio.org / unirsm.sm
I wish our activities were more social, and social in an anarchic way.
– John Cage
KIN by Usmaradio and Roberto Paci Dalò is a radiophonic city scale performative project that began the week before the performing arts Santarcangelo Festival (Italy) with a workshop session by The School of Radio, then continued throughout the official program with 120 non-stop hours of radio. Santarcangelo has been occupied with the airing of a programme which included artists present at the festival, the citizens themselves and original materials created by the working group. All this has been diffused throughout public and private spaces with listening points (including an outdoor large P.A.), improvisations, electronics, and collaborative radio performances with artists not physically present at the festival. Texts by Franco Bifo Berardi, Paolo Fabbri, Gabriele Frasca and Donna Haraway. KIN is for Paolo Fabbri (1939-2020)
KIN team Francesco Angelini, Teresa Chiauzzi, Bárbara Ermeti, Sara Guazzarini, Irene Aurora Paci, Roberto Paci Dalo, Paolo Petrangolini, Alessandro Renzi, Margherita Wolenski.
participants / authors Tobia Bandini, Gloria Barbanti, Claudio Basso, Davide Buglisi, Margherita Kay Budillon, Alessandra Cappelletti, Chiara Cecconello, Alice Citarella, Paolo Dellapiana, Elena Lunghi, Federica Marra, Alessandro Mazzoni, Mariagloria Posani, Roberto Scappin, Francesco Toscani
speakers Franco Bifo Berardi, Andrea Borgnino, Tiziano Bonini, Anna Bromley, Janete El Haouli, Pinotto Fava, Gabriele Frasca, Anna Friz, Ilaria Gadenz, Lorenza Ghinelli, Gianni Gozzoli, Carola Haupt, Wissal Houbabi, Eleftherios Krysalis, Hardi Kurda, Federica Minzitti, Graciela Martínez Matías, Johann Merrich / L’Impero della Luce, Leonardo Montecchi, Iolanda Pensa, Oderso Rubini, Rodolfo Sacchettini, Nathalie Singer, Stefano Spada, Christiane Voss, Jonathan Zenti, Elisabeth Zimmermann
production Usmaradio, Giardini Pensili in collaboration with Scuola di Radiofonia – The School of Radio, Santarcangelo Festival 2050, ImperfettoArt, Radio Lada, Galerie Mazzoli, Università degli Studi della Repubblica di San Marino, Centro Studi e Ricerche José Bleger, Radio Papesse, Scuola comunale di musica G. Faini – Associazione Banda Città di Santarcangelo, shift.fm – bauhaus.fm – Bauhaus-Universität Weimar.
radioworks for this radia programme (running order) 1. Respirare camminando – Federica Marra 2. Impero notturno part I – Gloria Barbanti 3. Futuro Fantastico – Alessandro Mazzoni 4. Avvistamenti ep I – Margherita Kay Budillon, Chiara Cecconello and Francesco Toscani 5. Il mondo è un bel posto – Alice Citarella and Davide Buglisi 6. Racconti dall’Apocalisse part VIII – Claudio Basso and Paolo Dellapiana 7. Messa per l’Apocalisse – Tobia Bandini 8. Respirare. Audioguida per post-umani – Alessandra Cappelletti 9. Manifesto per un futuro futuribile post queer – Maria Gloria Posani, Claudio Basso, Margherita Kay Budillon and Elena Lunghi
Pictures by Chiara Bruschini, Claudia Borgia, Francesco Angelini, Alessandro Renzi
Usmaradio – Centro di Ricerca Interdipartimentale per la Radiofonia (CRIR) / Interdepartmental Research Centre for Radio Studies, a workplace of The School of Radio to develop an innovative radio pedagogy. Workshops, work sessions, meetings, presentations of live performance as sections of the project. Produced by UNIRSM | Università degli Studi della Repubblica di San Marino. usmaradio.org / theschoolofradio.org / unirsm.sm
Serena Dibiase is an experimental vocalist, sound artist, performer, poet. She identifies her artistic and sound productions with the androgynous name Kratu. She carries out her artistic investigation starting from intense physical/respiratory practices and through analogue and not-analogue devices, to listen to radical phonic geographies, choral happenings, interventions on biophonies and geophonies extracted from explorations in abandoned, wild, industrial spaces, in a horizontal treatment of the sources. She collaborates as a sound dramaturg and performer with independent theatre companies, and also working for Biennale Teatro ’22-’23 and disseminating her research in Italian and international festivals. She collaborates as artistic consultant in contexts of social hardship (jale, community outreach centre for addicts), considering these incursions into her broader spectrum of anthro-poetic research. He has been leading Mouth of the landscape, a transversal vocal training and listening workshop. Her EP Nostalgia for the Androgynous released by Oceani Label.
Usmaradio – Centro di Ricerca Interdipartimentale per la Radiofonia (CRIR) / Interdepartmental Research Centre for Radio Studies, is a workplace of The School of Radio to develop an innovative radio pedagogy. Workshops, work sessions, meetings, presentations of live performance as sections of the project. Produced by UNIRSM | Università degli Studi della Repubblica di San Marino. usmaradio.org / theschoolofradio.org / unirsm.sm
