Elektro Kultura is the solo project by Vladimir Muratovski Divo – a punk and social poet hailing from the streets of Skopje, Macedonia.
On Skopje’s Liberation Day (13.11.2022), he had his second, long awaited live performance at Kanal 103 radio. After he finished his repertoire, the packed crowd in the studio wanted for more. He briefly answered: “Real punks don’t do encore”.
This is the slightly edited recording of our little off programme afterparty.
The episode is an audio recording of the performance “Confutatis – What are the heroes made of?”, premiered on 28.10.2022 in Prishtina, Kosovo, as part of the Manifesta 14, the European Nomadic Biennial. It’s been slightly edited for the purposes of the radia.fm format.
“Why do some people become heroes and others not? What kind of shining lights do we need, and of what might they be made? Skopje-based artist Velimir Zernovski joins forces with the Physical Performative Theater ensemble to explore these and other questions around the politics of power, marginalization and belonging. Instigated by Biljana Dimitrova, the performance enacts rituals of mourning for the living beings we have lost and are losing, many of them through neglect.”
“Confutatis – what are heroes made of?” is a performance by Velimir Zernovski in collaboration with Kolektiv Veternica & Trisomija 21, both from Skopje.
Music by Joana Risteska & Filip Mitrov, based on the motifs of the Macedonian traditional folk song “I Was Born With Pain” (So maki sum se rodila).
Trashkot is the name under which artists Jo Caimo and Sjoerd Leijten have been making radio since 2018 on Radio Centraal 106.7 FM in Antwerp. SONIC COLLECTIVITY is a collage piece created from their extensive audio archive. The piece explores the invisible space in which we connect: the sonic. Artistic, activist, dadaistic, musical and other sonic collectives can be heard throughout this piece forming a massive community of resonance and resistance. The piece consists of fragments of interviews, works, music, field recordings and other hard-to-categorize audio material that could be heard earlier on Trashkot by Verena Barié, , Gerri Jäger, Jeanne-Marie Knops, Andreas Malm, numina_gneisspecker, Varkenshond, Stijn Verhoeff, and different pieces from the radio makers themselves. The contributions by Peter Cusack, Davide Tidoni and Salomé Voegelin are fragments from the larger sonic essay RADICAL MURMUR by Trashlinie, which was published in Collateral.
Trashkot is a bi-weekly radio program by Jo Caimo and Sjoerd Leijten on Radio Centraal in Antwerp. A rancid tissue of sounds, conversations and garbage forms a shaky bridge between music and politics.
Every two weeks on Sunday from 3 pm to 4.30 pm. Radio Centraal broadcasts in and around Antwerp on 106.7 FM. Outside of Antwerp you can listen via tShhe stream: http://streaming.radiocentraal.org/
The episode consists of an excerpt from the bootleg recording of Shentov, Simitchiev, Lukanov’s performance at the Museum Of Contemporary Art Skopje from July 2022. This was the second performance of the drone trio outside of their native Bulgaria (the first one was a day earlier at the Macedonian radio Kanal 103). The performance took place on the museum patio, with parts of Skopje and the sun setting behind the mountains.
It was part of the Amek Collective & Kontingent Records label showcase organized byKRIK – festival of critical culture in Skopje.
The program documents the first ever performance of the first Inclusive City Choir, founded by Trisomie 21 – Association for Support of People with Down Syndrome and created in collaboration and mentorship of the Kolektiv Veternica. It took place in Skopje’s City Walls residential area, on 22.10.2021.
Mario, Stefan, Ena, Matej, Filip, Ilina, Oli, Niki, Beti, Dare and Kosta are performing famous Macedonian folk and pop songs.
At one point a neighbor yells from a balcony: “Stop it, you are disturbing! Go to the National TV to do this.”
This piece is loosely based on the live performance Claire Rousay did at WORM. Many of the same texts, samples, and forms were used in both the live and recorded versions of this piece. The recorded version, which is being broadcasted, features synthesizers, guitars, and field recordings that the live performance did not. This is due to the abundant resources the studio at WORM has. Thematically, the composition revolves around the idea of friendship, what makes it good/bad/valid. Claire Rousay is based in San Antonio, Texas. Her music zeroes in on personal emotions and the minutiae of everyday life – voicemails, haptics, environmental recordings, stopwatches, whispers and conversations – exploring and maybe “exploding” their significance. Stylistically Rousay draws on domestic musique concrete, voice recordings, percussion and multi-instrumentalism. She has built up an extensive body of work in a relatively short time, proving herself to be a most intruiguing contemporary sound artist. WORM is delighted to welcome her for a residency and a gig.
Credits: Claire Rousay (BMI) – electronics, field recordings, guitar, synthesizer, voice. Emily Harper Scott (BMI) – piano. youtube samples from – Defying Odds Donnelly, CAMELOT331. Produced @ Worm, november 2021
Formed in Autumn 2020 RADIOM(e) is a network of radio artists from the Greater Region which is comprised of Luxembourg and the surrounding regions of France, Belgium and Germany. Throughout 2021 the artists from the network sent each other audio postcards from their local area and beyond. Their radio post was revisited by Natalie Rubchenko for this Radia episode. For more information on the artist network, please visit radiom-radiome.eu
Depleted soil, over-asi: dic seas, polluted atmospheres.
People are haunted by what they have suppressed. They can no longer escape the toxic.
In their long-term art project “Toxic Temple”, Anna Lerchbaumer and Kilian Jörg, approach the beauty of oil streaks, the grandeur of techno scrap, the sublimeness of radioactivity and the tran: scen: dence of extinction.
Building on their previous research for their project “Toxic Temple”, the two young artists acoustically and poetically explore the connections between spiritu: ality and tox: isi: ty.
Toxic Temple by Anna Lerchbaumer and Kilian Jörg
The piece in its whole length can be heard on kunstradio.at
A Grandmother marvels despite the virus she is able to continue gardening as she has always done and the birds will always keep singing. She listens to the distance sounds now. Isolated voices of people, a child next door. A fly. The garden is a sanctuary, vibrant of living and growing, death is not present. Occasionally she hears planes overhead, she wonders if they bring PPE. A long away siren. A conversation with a passing man, who tells her a women with the same name as her own was buried this week. Purerehua the roaring hovering stirs the final lament and farewell.
Well – expectations of radio (seeing something?) and
expectations of the arts (something beautiful?) and disappointments,
respectively: such tight packages of overlays (the findings and the collected
flotsam) so that it’s not that easy anymore….
But always those voices and these sounds and then
something’s saying something….
From times when it was hard for an amateur to tinker with
good mixtapes, an addiction salvaged into times where they’re easy to make, but
hard to curb….
Peter Haas is an amateur in many fields
Fallen into this transmission where the voices of Ivor
Cutler, Sabine Gizelt, Birgit Sattlecker, Richard Tuttle, forced entertainment,
Johan Simons, Robert Gernhardt, Erik Hable, Meese, Hillary Clinton, my own, and
so on.
Music by Ivor Cutler, Clemens Band Denk, Karine Polwart,
8orror, FSK, Robert Wyatt, The International Nothing, and so on.
With support by Peter Wetzelsberger, A, Didi Neidhart, Hans
Pollhammer.
Missing (but maybe next time): Thomas Hirschorn, Gerhard
Spring, Endo Anaconda, Ed and you.