Show 1065 : Echoes of a Promenade. Presque rien, tout à côté. (for Radio Panik)

Echoes of a Promenade. Presque rien, tout à côté.

Non-linear fragments from an afternoon tracing the northern coastline of Tenerife.
Casual conversations between two friends — about everything and nothing — dissolve into echoes of an impromptu jam session from later that same week. Layered throughout are scattered field recordings: wind, footsteps, passing voices, and the distant roar of La Palma’s Cumbre Vieja volcano, captured during its 2021 eruption and interwoven with snippets of local radio.

What emerges is a strangely coherent dérive — a collage of conversation, environmental textures, and informal improvisation. A radio piece that doesn’t tell a story so much as wander through one.
Echoes of a promenade. Presque rien, tout à côté.

Recorded in Tenerife, May 2025.All music by Paskali and Gonçalo, except a short loop sampled from “Montes Caucasus” by Andreas Tilliander & Goran Kajfeš.Edited by Gonçalo F. Cardoso, Tenerife 2025.

Pascal Van Leemput, a.k.a. Paskali Wonderful, presents his radio show Sub Culture every Friday afternoon on Radio Panik

www.radiopanik.org/emissions/sub-culture

Gonçalo F Cardoso is the founder of the label Discrepant, and presents his show Discrépances every third Saturdays of the month on Radio Panik

www.discrepant.net

www.radiopanik.org/emissions/discrepances

show # 1064 Echo Chamber Of The Woosphere By Aja Ireland (Radio Worm)

Echo Chamber of the Woosphere

by Aja Ireland for Radio WORM

Aja Ireland is an award-winning sound and performance artist making deconstructed club and industrial techno. This radio piece explores the evolution from the Noosphere (the 20th-century vision of a unified global consciousnes() to the fragmented, chaotic Woosphere of today.
100 years ago, scientists imagined a world where human intellect would merge into a divine, collective intelligence. But instead of enlightenment, we’ve entered a gamified reality of chaosmosis—where misinformation moves faster than light, truth bends to algorithmic influence, and quantum woo shapes belief systems.
Through an immersive sound composition, Aja sonified the Woosphere—capturing the dissonance between utopian aspiration and digital-era confusion. Much of the material was recorded in the WORM electronic studio.

Show 1063: Brouillon Jardin, Jardin Brouillon by Sophie Courge-Pinna for Jet fm.

Jardin Brouillon est un pièce-recueil d’un temps passé à arpenter les jardins, à tourner
autour des pots, à les dessiner ; inventer son jardin-croquis, le planifier pour l’explorer.
Ajouter un élément un par un, minutieusement fabriquer son paysage. L’autrice nous fait
découvrir ce qui l’obsède dans son jardin secret : les petits être qui l’habitent, les mondes
cachées sous les feuilles. Ballade musicale, improvisations, poèmes et journaux sonores.

Sketchbook Garden is a sound-collection spent wandering through gardens, drawing them;
inventing your sketch-garden, planning it to explore it. Adding elements one by one,
meticulously crafting your landscape. The author lets us discover what obsesses her in her
secret garden: the little beings that inhabit it, the worlds hidden beneath the leaves.
Musical ballad, improvisations, poems and audio journals.

Sophie Courge-Pinna est autrice sonore, poétesse et dessinatrice. Son univers artistique est
peuplé de créatures étranges, qui poussent ou rampent dans des paysages lointains.
Puisant sa force dans la fiction et le fantastique, elle n’hésite pas à brouiller les réalités
dans ses créations, à laisser parler les voix du merveilleux ou de l’inquiétant. Ses œuvres
sont des micro-histoires, des temps d’immersion dans des univers sans codes et
profondément rebelles

Show 1062: Nocturnal By Kersten Glandien (Resonance)

“An audio montage evoking the sound experiences of my night excursions into the Australian Outback in October 2024, accompanying the zoomusicologist Hollis Taylor on her night recording sessions with the pied butcherbird. In six chapters we are inducted into an alien nocturnal world, populated by creatures, humans and their mysterious activities.” – Kersten Glandien

Concept & Script: Kersten Glandien
Recordings: Kersten Glandien & Hollis Taylor in Alice Springs, Central Australia, October 2024.
Composition except: Hollis Taylor: Green Park, Georgetown 2016 for bass clarinet und field recording, Ros Dunlop – bass clarinet.
From: Hollis Taylor, double album: Absolute Bird, 2017.
Production: Elsen Studio Berlin, 2025. Postproduction: Gisela Studio Berlin, 2025.
Duration: 25:10