Korhan Erel’s work “We’re all alike” created for the group exhibition “Hacktivate Yourself!”curated by Tuçe Erel at 1a Space in Hong Kong in March 2019 revisits and reinterprets “The Hacker Manifesto”, an essay written by The Mentor (born Loyd Blankenship) on January 8, 1986.
Korhan Erel made three computer voices spread over two speakers read this essay in parts. In between these parts, they inserted short sound compositions reminiscent of the computer sounds of the era, found-sound collages, snippets from Michel Foucault’s “The Culture of the Self” lectures at Berkeley (1983), and glitched versions of the manifesto in an effort to dig up and shine a new light on one of the first computer-era manifestos. The viewer experiences this sound piece by standing between two speakers pointed at each ear and in front of the printed manifesto.
There were many Dada’s. They have inhabited different cities, were named with many names, some were left unknown, others nameless. Borderlessness is written all over Dada’s body. She is not offended and she makes offenses. Directing infinity back to its own beginnings makes Dada capable of recurrently establishing clarity. Crossing and dismantling sense out of borders and limits – we know them as obstacles, as constraints, as objects to walk over, dodge and evade. For its destruction and digestion we need Dada that takes the principle of “kakortedragost” (“asyouplease” – the concept of Dragan Aleksić) to break through the ingrained structures of power.
RADADAR: a multimedia digestive circuit performative installation took place on 17th December 2020 in Ljubljana, Slovenia as an annual event of Radio Student’s open radio (art-theory) investigative platform RADAR (www.radiostudent.si/radar), hosted by Cirkulacija2, a basement echo chamber residing below the city’s main street. Trespassing the hours of the official curfew that the residents of the city must obey, the circuit comes to life. It is being fed by a messy archive of photo slides. Memories from another time are being chewed, consumed, processed, transformed and mutated. Humans along with analog and digital machines intervene into the past. Artefacts are being dragged out of the abyss of oblivion. Their materiality serves as a point of departure, the exit strategy is a creation of an experience for everyone and everything involved. The comment section of the website was being read by a synthetic voice, directly feeding comments into the circuit. The audience intervened and dadaised. The memories were calling for a situated reconfiguration.
In the RADIA show #821 you can hear only a snippet of the whole circuitry. At the time of the event was streamed live on air (FM 89,3MHz) and online (see archive here: https://www.youtube.com/watch?v=eMr0MyFzND4).
Concept was created by Mojca Zupančič and Tisa Neža Herlecin collaboration with Urška Savič, Sašo Puckovski, Luka Seliškar, Anja Hrovatič, Borut Savski, Stefan Doepner, Ana Lorger, Saša Hajzler, Kristina Pranjić and Matej Kavčič. (Arte)facts were given by mommy Annie, daddy Urosh and dear godmother, scenocollages by Matija Drobne – Maco. Tehnical support was provided by Jurij Podgoršek, Linč and the RTVŠ crew. Special thanks to Cirkulacija2, Blaž Božič and Bojan Anđelković!
A homage to the 100 years of the Dada Fair (Berlin, 1920) and to Modri kot.
Radio Študent Radia.fm programme curated by Urška Savič.
Useful Radio is a new radio mix focused on radio voices, citizen listening, and the intimacy of signals. Featuring collaborations with Joe Jeffers, Anna Friz, and Zeena Parkins. Track listing in order or appearance: Untitled by Jeff Kolar; Creepy Tipi by Joe Jeffers and Jeff Kolar; Far Gone by Jeff Kolar; Useful Radio by Anna Friz and Jeff Kolar; Hooking by Zeena Parkins and Jeff Kolar; and Prologue by Zeena Parkins and Jeff Kolar.
This work was commissioned by Wave Farm for the durational broadcast event Christof Migone’s You- taking place on December 12, 2020.
Smell UK:*/ˈsmɛl/US:/smɛl/ ,(smel)verb (used with object), smelled or smelt, smell·ing. The past form “smelt” is mainly used in UK English. It is correct in US English, but rare.
to perceive the odor or scent of through the nose by means of the olfactory nerves; inhale the odor of: I smell something burning.
to test by the sense of smell: She smelled the meat to see if it was fresh.
verb (used without object), smelled or smelt, smell·ing.
to perceive something by its odor or scent.
to search or investigate (followed by around or about).
noun
the sense of smell; faculty of smelling.
the quality of a thing that is or may be smelled; odor; scent.
smells v 3rd person singular smelling v pres p smelled v past (US & UK) smelt v past (Mainly UK) smelled v past p (US & UK) smelt v past p (Mainly UK)
RADIO BROADCASTING. It is a transmission of audio (sound), sometimes with related metadata, by radio waves intended to reach a wide audience. … Stations are often affiliated with a radio network which provides content in a common radio format, either in broadcast syndication or simulcast or both.
FRAGRANCE – a sweet or pleasant odour. heady – strongly aromatic, pungent, rich, intoxicating, spicy, piquant – not a mild smell. heavy – a sweet and strong smell. intoxicating – A smell that exhilarates, disorients, or excites. laden – a literary word that describes a strong smell.
This is a radio show produced in the Creative Radio Production and Broadcast Course at TEA FM Radio Workshop in November 2020.
