Tag Archives: Reboot.fm

Show 143: A Radiotale of 2 Walls by fran ilich

In “a Radiotale of 2 walls’, a Mexico city girl runs away with her boyfriend towards the North, but is stranded in faraway Tijuana where she explores the possibilties of crossing the border, making a strange friendship with a shady waiter at the trashy Avenida Revolución (the street of perpetual spring break), a woman of Juárez who reappears as a ‘ghost of internet past’. She’s trying to escape from her past life, her family and trying to start anew, but in the process discovers a new border world full of casualties, contradiction and stories. The character discovers slowly that the people whom she tought of as ‘criminals dealing in the border’ are humans, victims of nationalistic socioeconomical agendas, not unlike the people surrounding the drama of the Berlin Wall and the Germany of the Cold War years.

Radio-novela is the immediate antecessor of the latin-american soap opera (telenovela), and even though is a genre based on audio, it hasn’t completely disappeared, even if it’s not as strong as it used to be decades ago. Sagas would last for years, something which to this day, not even telenovelas are able to achieve. But latin american Telenovelas have crossed the borders and oceans not only into eastern europe, africa, and middle east, but into the us and europe, and in the case of Ugly Betty: a half-breed sitcom/telenovela, just the fact that is not a traditional melodrama inadvertently comments the fact of mexicans migrating into the u.s. become something else: a detail that major latin-american entertainment conglomerates haven’t been able to target with their nationalistic and traditional approaches.

This production was comissioned by Diana Mccarty for Berlin Backyard Radio and it’s a serialized fiction paying hommage to Charles Dickens “A tale of two cities’, which was originally published one chapter at a time in english newspapers. Directed by fran ilich, with several actors including Adriana Segura.

Show 108: ENIAC NOMOI by Joulia Strauss and Martin Carlé

Reboot.Fm presents:
ENIAC NOMOI
Length, 27:57
Languages: English, French, German, Greek

The acoustic results of the cooperation between artist, Joulia Strauss, and scientist, Martin Carlé: this work traces early computer sounds to ancient Greece. Additional scientific discoveries make the work all the more compelling.

The mathematical operations of the first calculation machine in history (ENIAC) to be called a ‘computer’ are differentiated through as yet unheard rhythms, frequencies, and melodies, which will be released as sound for the first time during THE ENIAC NOMOI. In so doing, the project seeks to prove the extent to which the epistemological existence of time-critical computer simulations are, in fact, rooted in ancient Greek dramaturgy and art. This sound perspective on cultural history becomes accessible by figuring it as successive knowledge structures with technical laws (NOMOI) governing their generation and culminating in simulation technology which moulds Being in contemporary life. Our choreography re-stages the diagrammatic notation of the historic ENIAC programmes in three acts and executes them in sound. This offers unique insight into the historicity of Being. In the clarifying environment of synthetic sculpture, the musical measures (NOMOI) of the first electronic computer (ENIAC) will provide a revelation: that the common origin of human beings and the poetic is a spring flowing at the foundation of technology. This fundament now ascends to regions of the living and divine nature from which it has heretofore been excluded. In contemplating the foundation of the evolution of Being, we do not seek a vanishing point in the past or bemoan “the forgotten Greek identity of art and craft in the concept of techné”. Rather, our thought must finally understand and commence with a recognition that the distinction between nature and art is rendered increasingly irrelevant by virtue of the processual entanglement of the symbolic with time.

http://www.medienwissenschaft.hu-berlin.de/~mc/ENIAC_NOMOI_eng.php

Show 097: Apocalypso – The Cosmic War Dance of Sun Ra’s Army

Apocalypso: The Cosmic War Dance of Sun Ra’s Army of Athropodial Transistors.

Peter Dennet, (UK), Darius James (USA/DE), Karl Heinz Jeron (DE)

When the composer and mystic, Sun Ra, returned to his native Saturn on May 30th, 1993, he left behind a vast and varied body of recorded musical works. Up until now, much of this music has been unavailable to the public. But, through a series of séances conducted in the studios of Radio 1:1, Mister Re informed us that on Sunday, July 30th, 2006, between the hours of 4-6 pm, he will be returning to this planet in astral form with a special message for the people of earth. And he will not be alone. He will be accompanied by his army of Athroploidal Transistors:

“We are going to invade Berlin!!!” he chuckled, “This is declaration
of war! Kreig, baby! Our first target is the TV Tower in Alexanderplatz!
My weapons?!! Two full hours of sonic assault—or acoustical magic–taken from my vast library of unreleased recordings. I and my Transistors will dance the cosmic dance. The cosmic WAR dance. It’s the Apocalypso!

–A direct spirit communication from Sun Ra on Saturn

Peter Dennet, Art Yard (UK) is sound artist based in London.
Darius James (USA/DE) is a writer and radio maker in Berlin.
Karl Heinz Jeron (DE) is an artist and programmer in Berlin.

Radio Vehicles:
The working environment of the radio vehicles is the urban public
space. Radio vehicles is an ephemeral urban intervention aiming to usurp urban space artistically. Twenty vehicles created from the
simplest and most affordable technical equipment will be let free into the wild. The swarm moves awkwardly while emitting sound into the public space.
http://khjeron.de/

Aliens Am Alex:
a radio.territories urban intervention that took place in Berlin in the short hot summer of 2006 at the TV tower….

Show 026: Gegen Die Bridge by Serhat Koksal

Serhat Köksal aka 2/5 BZ, a regular contributor to reboot.fm, performs with samplers, saz, tapes, electronics, darbouka and spoken word.
His style varies between traditional music via experimental electronic sounds to improvisation with elements of popular Turkish cinema. His visual works borrow from zine and poster aesthetics and are collages of 70s and 80s Turkish melodrama and action films, political propaganda and media imageries of social phenomena.