After a special birthday jingle of Barbara Kaiser you will hear the show by artist Stefan Roth invited by Radio Orange: Stiller Marktschrei – silent exclamation

Time-transformations are obliged to music and sonic reception. On July 19th 2008 the soundartist Stephan Roth, co-curator of the “Elektronik Teatime”, produced a sound-installation the SOHO-projektwerkstatt, a free artist-space near a grocery market in Vienna.

For 12hours he focussed his microphones soberly onto the Brunnenmarkt in Vienna, a local fruit- and vegetables market. He subverts gently the receptiveness of the listeners by transforming 12 hours recording footage into one slow dynamic wave of 27minutes. Transformation without reduction.

For the installation he and the artist Martin Roth filled the white space with found material: typical grocery market packaging. All kinds of packaging-cases and plastic bags. Pilled up cases were filled with plastic-bags, that where moving and breathing, hardly perceivable.

www.strohsound.com

Live-Radio-Drama on the occasion of the 70th anniversary of Orson Welles’ interpretation of H.G. Wells’ novel War of the Worlds on Oct 30th 1938.

Lange Beschreibung A scenic reading, electroacoustic performance, incl. live-streaming and live terrestrial broadcasting.

„When it comes to radio and audio we are much closer to the
subliminal text of our society.
Literature and audio open up a new reception onto the
vestiges of the accelerated world.“
Lale Rodgarkia-Dara

On Oct 30th 2008 Christine Ehardt (academic part) and Lale Rodgarkia-Dara (artistic part) organised a new production of war of the worlds based on the novell by H.G.Wells at the Planetarium in Vienna.

Within four weeks more then 20 artists (electroacoustic musicians, actors and visualists) joined the production, including live-streams from Cologne and three radiostations took over the live-stream and included the live-drama in their programme.

Radio walks towards its original immediacy.

The whole version (one hour) can be downloaded:
http://outofspace.at/daten/outofspace_waroftheworlds.mp3

Electro-and Speech-acoustic:
Caroline Profanter
Stephan Roth
Stefan Fraunberger
Pia Palme
Gina Mattiello
Lale Rodgarkia-Dara
Christian Friedrich
Monika Köteles
Elin Blakemore
James Walmsley
Wolfgang Pratl
Martina Spitzer
Daniel Jokesch
Sylvia Bra
Töchter der Kunst with
Nico Wind
Chantal Stummer
Iris Maria Stromberger

Electro-und Speech-acoustic live and prerecorded from Cologne:
Gregor Schwellenbach
Jonas Gruber http://www.jonasgruber.de

Dramaturgy:
Maria Fuchs

Sound engineering:
Martin Murauer

Analoge Visuals Live:
Basto Barbara Stöhr

Digitale Visuals und Streaming on the location:
Christoph Jokubonis

Film:
Ernst Pohn

Photos:
Ilya Akimov

Photos Vorort:
Stefan Schamberger

Website:
Christoph Jokubonis

DJ:
Florian Danhel

Digital Streaming:
Marius Schebella
Christoph Jokubonis

Soundinstallation:
Lale Rodgarkia-Dara
with academic papers by:
Christine Ehardt
Katja Rothe
Wolfgang Hagen
including music by Dominik Nostitz
Sprache

“fantasia en echo | they also serve who only stand and wait”
contributed by Gina Mattiello und Pia Palme
based on a performance at
ViennArt, 11-12 Oct, MUSEUM AUF ABRUF (MUSA)
/Pia Palme – Feedbacktubes, electronics, Yoshie Maruoka – Performance, Gina Mattiello – Voice./

“fantasia en echo | they also serve who only stand and wait”
Homage to Jacob van Eyck (ca. 1589 – 1657)

Jacob van Eyck was a remarkable composer of the florishing early baroque period in the Netherlands: born blind, of noble family, educated in music, he turned into a renowned organist, recorder-player, composer and carilloneur. He was famous for his ability to tune bells and carillons. Pia Palme, composing and playing modern recorders, uses contemporary means for her homage to her famous predecessor. A subbass-recorder without its headpiece is used to create sound by means of finely balanced inner microfones and feedback-techniques; sounds which remind of bells, including very deep basses. For the composition Palme plays and processes themes from Eyck’s recorder-pieces by means of electronics.

Texts by John Milton ((1608 – 1674), who turned blind in the course of his life, add another dimension. The title is a quotation from Milton’s poem: “On his Blindness”, describing the author’s willingness to just stand and wait instead of acting.
Palme has studied music and mathematics in Vienna and improvisation at the Naropa University in Boulder, Colorado. As a composer/interpreter she combines subbassrecorders (newly developed by the Swiss manufacturer Kueng) and electronics in a unique way, performing solo as well as in various ensembles, such as the trio “Subitized”.

http://www.piapalme.at
http://www.myspace.com/ginamattiellovoice
http://www.eop.at
http://www.musa.at

European soccer championship – an acoustic invasion of the city. Fearing the masses and the noise. Such were the expectations – wandering around the fanzone the days before the upcoming event.
No entry – closed – under construction: The fanzone is creating deserted spaces of silence. The noise ephemeral.
A story of expectations not being met. Imagine a fanzone and no one turns up.

Authors: Michael Fischer, Caroline Hofer, Barbara Kaiser, Lale Rodgarkia-Dara, Fiona Steinert

Giza é ruh is a music-/soundethnological project by kutin peter, lercher daniel & wilding barbara

the 3 artists travelled through various places of northern india for 3 months, doing field-recordings and were always seeking for native musicians. Alltogether they recorded around 70 hours of different material .
these recordings include religious music / ceremonies by buddhist, muslim, hindu and sikh culture
traditional music & instruments from tibet, ladakh & northern india
soundscapes of the natural enviromnment and it´s animals, or the massive collage of noises from india´s capital delhi, the silence that can be found in the himalayan mountain ranges, children singing, people praying, shouting, laughing, screaming, orakels healing or telling the future
sounds and instruments used by normads that travell through the vast deserts up in the himalayan mountains, and so much more…
the following radio play, which was created for radia, focuses on music & sounds that can be found in hinuduistic and buddhistic culture. So, while the first part consits only of
hindu-sounds & music , the second part is strictly buddhistic .
on the artist´s homepage www.dirac.cc you can find more information about “giza é ruh” and even download a pdf – file which includes detailed information about the sounds appearing in the following radio-play.

elffriede, a vienna-based visual artist, has sent drawings to 34 musicians in different countries all over the world and invited them to compose 2-minutes sound-pieces inspired by the drawing. the artists worked with various instruments (computer, field recordings, electroacoustic instruments, violin, saxophone, voice, typewriter and others) and thus the styles of the sound pieces are miscellaneous.
these 34 pieces are now published on the CD ‘soundrawing’ on www.transacoustic-research.com together with a booklet, which elffriede produced in cooperation with knust/extrapool (nijmegen).

to view the drawings see http://www.elffriede.net/soundrawing (scroll down)

as second part of the interdisciplinary dialogue elffriede is now working on internet animations of her drawings in relation to the sounds. the first sound-drawing-animation can be found at: http://www.elffriede.net/soundrawing/bernadette.html

this radia show presents the following sound pieces:

robot mein / jörg piringer
vungbo / verena brückner, florian kmet
blobb / arno splinks
ping-pong / hannes raffaseder
zeitverstreichquartett / nikolaus gansterer
lines of breath / murmer
ironing / incite / kera nagel, andré aspelmeier
melting dumpling / maksims shentelevs
remember grrr / edda strobl
per_e / billy roisz
kloster melk / sergej mohntau (jürgen berlakovich, thomas pfeffer)
glasrausch / ara (arno raffeiner)
i come from texas / audun eriksen
fragment 01 / bernadette reiter