Show 700: “We all emerge some hours later, baffled” by James Greer and Neil Luck (for Resonance FM)

Photograph by Keita Ikeda

Tokyo is a city in a continual state of performance, a panoply of lives compressed into a dense metropolis. Underneath all the glossy commerce, all the confronting pop culture, all the tourists, however, is the city’s strange and fascinating underbelly – a rich strata of human subcultures. Over one humid, woozy summer weekend James Greer and Neil Luck traverse the marginalia of Tokyo at night, negotiating its train lines, visiting deserted bubble-era ghost towns, underground jazz venues, salaryman drinking spots, and a tiny bar repurposed as a theatre. “We all emerge some hours later, baffled” is their disorienting mix of reconfigured field recordings and half remembered reflections.

James Greer: www.jamesagreer.com
Neil Luck: http://www.neilluck.com/about/about.html
Resonance FM: https://www.resonancefm.com/

Show 699: “What is existence?” by Martin Anastasovski (Kanal 103)

What is existence?
Existence is what?
Is existence what?

Martin_Anastasovski

A woman of errant composure trudges on a tiled walkway, head bowed forward, eyes peering down. She is looking for discarded, half-smoked cigarettes. She has to, in order to endure Existence.

The 35 year old skateboarder says, “this is the only thing I have,” and kicks his foot forward to send the wooden plank rolling on the platform.

The call to prayer resounds, cutting the blocks of stale air that have become lodged between the building blocks. To put thoughts into people’s heads is the meaning of existence for the navigator of the minaret.

The hot car rolls down the street. The bicycles hit the subtle bumps on the track, bells ringling involuntarily. The person in the doughnut and coffee store winks his eyes few times, at a long interval, while the droning of the machines is filling the ambiance with the stuff of sound frequencies.

The river of existence coils into a vortex, and uncoils again. Who is in the eye of the vortex? Do my eyes help move this thing or does it exist on its own.

Show 698: “Goats learning to swim” (Radio Zero)

Wherever the earth is crag and scrub, the goats are there—the black ones, girlishly skipping, leaping their little leaps from rock to rock. I’ve loved their nerve and frisk since I was small.

Once my grandfather gave me one of my own. He showed me how I could serve myself when I got hungry, from the full-feeling bags there like warmish wineskins, where I’d let my hands linger some before bringing my mouth close, so the milk wouldn’t go to waste on my face, my neck, even my naked chest, which did happen sometimes, who knows if on purpose, my mind dwelling all the while on the savory-smelling vulvazinha. I called her Maltesa; she was my horse; I could almost say she was my first woman.

TEXT BY EUGÉNIO DE ANDRADE
TRANSLATED FROM THE PORTUGUESE BY ATSURO RILEY
SHOW CURATED AND PRODUCED BY PAULO RAPOSO

Show 697: Assisi Machine by Kerry Priest (Soundart Radio)

If we could hear the voice of nature, what would it say? And could humans use technology to strengthen their connection with nature?

Starting with the music and letting this guide the story, the Assisi Machine is a thrilling murder mystery which puts electronic sound technology at the heart of the action.

The show features three drone music sound collages which help move the plot along.

Parts of the play are written in dramatic verse, a favourite form of Shakespeare and Goethe, which is almost unknown in recent times.

Script and poetry by Kerry Priest

Sound design by Tin Moth

Actors:

Dr Farley – Antonia Eastwood

2nd Academic & Dr Hamilton – Tom Eastwood

Seagull & Raven– Tom Eastwood

Reporter – Linsey Fryatt

Blackbird – Linsey Fryatt

Contact:
kerrypriest.com
@kes_priest