Teddy Love by Hans Kristen Hyrve
for Radio Nova, Oslo
Teddy Love is a homage to modern urges. To your needs. To every listener’s distant longing. Do not resist interactivity; please answer when spoken to, please do as you’re told. That way our common pleasure will reach a modern kind of high.
Hans Kristen Hyrve makes short radio pieces for the National Norwegian Broadcasting (NRK) on a daily basis. Composes music weekly.
Recorded in a single day, Dan Wilson introduces the possibilities of post-electronic music, taking the listener on a whistle-stop tour of trade waste bins with a view to discovering acoustic modules to electromagnetically scour for ‘miraculous agitations’: pleasing and unforeseen acoustic flourishes.
Dan Wilson is an award-winning electroacoustic composer, sound designer, writer, broadcaster and instrument builder. Currently Resonance104.4fm/ Sound and Music Embedded Composer in Residence. Mediadropping theorist, author of ‘Dropping Out’ (all copies now sadly impounded), the force behind Meadow House and Ashfordaisyak, etc.
please allow me to introduce myself. my name is Kyo … O T to the E Ch and all you field recorders aint got nothing on me. my mids are non crispy my bass is deflated, in my ghetto foray i got all you wackstaz innundated. fuck all the species, my arc is riggedy, tell von mieses i only got in these crickets with no tickets. the corals are melting but so are my snickers, ghorals lick alkali salts while molten lava turns to basalt rock in a million years. alley kats in skopje city dont let me no sleep coz in the night they prowl the jungle deep, beep bleep i ride on a imaginary jeep while in the meantime human life is getting cheap. the marketplace is bustling with peppers and eggplants, wait until i bust these mushmulla in the cooler, counterfeit goods rock shutka like originals where the sun is beating down on the aboriginals, roma splendor galore tales of lore, lo and behold there is a wedding on a knoll. checking out, but theres no mic it went to record some workers on a strike. and out, but not so fast, the tao changed its mind and its ready for a fight, hold on tight, while you plug in deep, in the sounds of the ground where the slopes are steep and the dogs are belligerent like an action movie that is featuring, obliterating the face of the mind shazam wide open eye self esteem grind in a meat press like no free press get the fuck outa world this is spirits under duress. keep on hold on but dont put a condom on your head bcoz you cant see the glitter of the litter of this hydroponic transmitter.
https://soundcloud.com/kyotech
This soundscape composition is divided in two parts and is part of my sound research at the Faculty of Fine Arts in Lisbon during 2013.
Undercurrent is about water sounds and is taken from an audiovisual installation shooting in a river showing a journey between two points A to B, after a deep dive inside an undercurrent river.
InLand is a piece about earth sounds space and matter but also about internal and external space. A representation of different acoustic layers and sound environments. In this piece i processed different noises and samples taken from the interior of the earth. Many recordings with a real buried microphone and other substances like stone collisions, river undercurrents, sea waters, sand, fire, ashes, organic debris, frozen microphones and other deep acoustic phenomenas. It’s also a live improvisation and noise modulation of a boiling experience taken from a portable laboratory set up on stage. For sound processing i used Laptop, Ableton Live, Max/Msp, analog circuits and synthesizers like Mute Synth and Korg Monotron Delay. Premiered at EMS13, Electroacoustic Music in the Context of Interactive Approaches and Networks at CGD-Culturgest, Lisbon 2013.
Fernando Fadigas is an audiovisual artist and noise musician. With preferences for collective works, site-specific projects and sound improvisation, their individual works lie in the relationship of sonic arts and image with exploitation of minimal soundscapes, noise, field recordings and the acoustic properties of certain spacesMember of the art collective “Pogo” since 1998 producing and developing soundtracks for Theatre, Multimedia Performances or Interactive Installations and also curating music and art events.
