All posts by Sandra Laborier

Show 851: RADIOMe (Radio ARA)

Radiom-Radiôme, the network of radio artists from the Greater Region located in between France, Belgium, Germany and Luxembourg, formed in Autumn 2020 and started off with two improvised radio concerts in Saarbrücken (Germany) and Luxembourg in Spring 2021, as well as with producing a series of short radio pieces based on recordings made available in a common pool by all the artists involved in the network.

You will now hear a selection of these miniatures. For more information on the network and the complete set of miniatures, please visit https://radiom-radiome.eu/

Artists involved:

Knut Aufermann (DE)
Karim Ait Gacem (BE)
Katharina Bihler (DE)
Elodie Brochier (FR)
Sam Erpelding (LU)
Sandra Laborier (LU)
François Martig (FR)
Martha Regueiro (BE)
Stefan Scheib (DE)
Claire Thill (LU)
Sarah Washington (DE)

The launching of the radio art network Radiom-Radiôme has been made possible by the financial support of the European program INTERREG.

Show 826: Winter Shades – Eco Sons Etude 2: Ecological Radio Artwork by Sam Erpelding / Dankwart (Radio ARA)

via archive.org

Winter shades – Ecosons Étude II: Ecological Radio Artwork

Director, Field Recordings and Sound Design: Sam Erpelding
Speaker: Katrin (MacBook Pro – British english voice)
Performers: different Soundscapes around Luxembourg
[Pétange, Lasauvage, Prënzebierg, Garnich, Grass, Clemency, Bauschleiden]


Concept:
In a visually shaped world, little attention is often paid to the acoustic environment. However, hearing is a vital sense that serves not only for recognition, categorization, monitoring, and surviving, but also for the perception of sound-aesthetic phenomena and eco-sensitive obstacles
in real space. Thus, with the help of sound art, abstractions can be guided into real space and certain focal points can be reformulated from the real to the abstract world.
With the help of a directional and a contact microphone, various soundscapes in south- and northwestern Luxembourg were recorded in December 2020 and January 2021, and the sound signature unique to each location was crystallized. In essence, it seeks to examine the correlation between biodiversity quality and soundscape quality, as well as to highlight the essential characteristics of naturally left and human-modified spaces. In this way, the listener is left to draw his or her own conclusions and is thus made to think and listen.
Sam Erpelding is a sound-artist and sound-engineer based in Luxembourg and in Vienna. He studied computermusic, digital media technologies and sound-engineering in Austria. Under the pseudonym ´Dankwart`, Sam produces electroacoustic and electronic music as well as radio-art.
His compositions are based on soundscape research, field recordings, and computermusic strategies.

https://dankwart.bandcamp.com/
https://soundcloud.com/dankwart
https://www.facebook.com/SamErpeldingDankwart/
https://www.instagram.com/sam_dankwart_erpelding/

Show 801: Control (Radio ARA)

Control – stories of epilepsy

+++ Warning: THIS AUDIO CONTAINS HIGH-PITCHED FREQUENCIES! If you suffer from musicogenic seizures, you may find this content disturbing. +++

Control is a sonic journey through stories of people living with epilepsy. The composition was created in collaboration with the multimedia project A Life Electric, from which few stories were chosen and re-interpreted.

The composition is an artistic exploration of the world that surrounds epilepsy, a world often made up of silence, indifference and fears, but also of pure energy, inexplicable phenomena, and still today enveloped in charm and mystery.

Dedicated to all those people who don’t have a voice.

Produced by Luca Piparo
Texts and arrangements by
Fraser Morton, Luca Piparo
Music by
Domenico Scjaino, Luca Piparo
Voices b
y Damara, Fraser, Sandra, Shameek, Steffi, Suki, Veronika, Zelah
Copyrights CC-BY-NC -@ Luca Piparo

In collaboration with Far Features Ltd:

A Life Electric is a multimedia documentary project exploring epilepsy experiences globally with the goal of bringing humankind’s most misunderstood brain condition out of the shadows through art and education. 
The project draws upon a hybrid of multimedia techniques to connect people, communities and society to the “lives of epilepsy”.

We enter epilepsy through doorways of personal experiences via interviews, letters, free-writing, biographical filmmaking, documentary techniques, abstract photography, typographical design, sound design, audio storytelling, digital media, print books, magazines and exhibitions to create a multimedia project accessible to all. 

The A Life Electric project is personal for writer-director Fraser Morton, which started in his notebook, inspired by the life of his older brother, Blair. Since beginning the project in 2018, Fraser has held more than 100 interviews in person and over the phone. Along with his partner Eszter Papp, the pair have also collected a series of portraits, which will be displayed in photo exhibitions. The A Life Electric feature film is in development and book also coming soon in 2020. Please write to Fraser about book enquiries here: fraser@farfeatures.com

Book release 2020
Photo Exhibitions coming 2020
Feature Film in development
Creator/Writer/Director: Fraser Morton
Photographer/Producer: Eszter Papp
Editor: Sadiq Mansor
Designer: Ali Kelly
Mentor/Writing Editor: Jade Richardson
IT: Mike Cashin
Additional Reporting: Risyiana Muthia, Rob Bain
Produced by: Far Features Ltd

PROJECT LINKS 
Experimental Online Magazine
Project Info
Instagram
Facebook

NGO PARTNERS 
SUDEP Action UK 
International Bureau For Epilepsy

Show 748: A matter of water? (Radio ARA)

via archive.org

“A matter of water?” was born from the idea of ​​narrating the marine environment, in all its forms and changes on the occasion of the Nuit de la Culture, in Esch sur Alzette – Luxembourg. But can you imagine? Bringing the sea to Luxembourg? The country where the ocean just doesn’t exist except in the memories of those who live here.

I almost immediately realized that most of the images of the marine environment that I own in my mind, just stop at the surface, I never wondered if what is below is really as shown in museums, encyclopedias or scientific magazines that I was reading when I was a teenager. In fact, I had the same doubt that many of us have when we hear about global
warming
: “What exactly is going on? Why should we worry? And why should I feel guilty?”

With this feature I tried to give myself some answers, making a small journey through two of the hottest issues related to global warming and the oceans: the climate migrants and the destruction of marine fauna. I gathered some information from those who know more than me about it: media, literature, music and of course… the oceans.

Produced by Luca Piparo
Contributors: Sandra Laborier, Lars Schmitz, Ben Dratwicki, Stefanie Plank
Poem: Sea is History by Derek Walcott

Recorded in the studios of Radio ARA.
Sounds extracts used under CC regulation: Radio
Aporee
, The Guardian, La Repubblica, Discovery
of Sounds in The Oceans

University of Rhode Island, Listening
to the Deep Ocean Environment

Universitat Politécnica de Catalunya.