Show 1044: To kar zvok dvomu vzame / Sound that doubt takes” by Mrtvo Rođena Živa Lešina (Radio Študent)

Show 1044: To kar zvok dvomu vzame / Sound that doubt takes” by Mrtvo Rođena Živa Lešina (Radio Študent)

Radio Študent this time presents a sound collage “To kar zvok dvomu vzame / Sound that doubt takes” by Mrtvo Rođena Živa Lešina. MRŽL is an artistic performance that exists in the in-between spaces of poetry, music, and photography. It explores the fear of death—silenced in modern society—and how, through apathy and nihilism, one arrives at a creative process where anonymity becomes an integral part of identity. Regarding this piece, they state the following: “Radio collage is a way of processing sound. It emerged out of necessity, due to the inaccessibility of smartphones and the internet. A push-button phone, which picks up radio signals and has the function of recording radio waves, serves as both a means of retrieving audio messages and an archive. The storage space is limited to 25 minutes of audio recordings before they are transferred to a larger archive, allowing the phone’s memory to be cleared for new recordings. The final composition is built from these recordings, using contrasts between them to reveal meanings that were previously hidden within their original contexts. The recordings range from 3 to 60 seconds in length. Each captures the most essential part of a song, an interview, or a news report. Only fragments of songs are recorded—preserving the emotions of the listening moment rather than the song itself. Similarly, in interviews, while a half-hour conversation may convey a great deal of information, it is equally important to capture the dynamics between the speakers. A ten-second clip can reveal moments of conflict and confrontation with another person’s thinking. With news, the understanding works in reverse. Short clips of current political affairs isolate pieces of information that might otherwise be lost in the flood of daily news—seemingly less urgent yet still significant. By removing these fragments from their original context, archiving them, and reintroducing them in a new framework, the collage plays with the perceived relevance of information. What might seem trivial in one setting can carry weight in another. At the same time, it also exposes the emptiness of certain information—what in one context signifies authority, professionalism, or intelligence may, in another, reveal itself as mere empty rhetoric, a hollow interpretation of new laws and state actions.”

Radia.fm program by Radio Študent, curated by Urška Savič.

Show 1042 : Alignement des.astre.s / Astralignment (Radio Panik)

On the evening of Friday February 28, 2025, 7 planets offered us an astonishing astronomical phenomenon. Mars, Jupiter, Uranus, Venus, Neptune, Mercury and Saturn aligned. We were able to observe them in the sky, some with the naked eye, others through a telescope. Next rendezvous: May 19… 2161! The same day, during the day, a Radio Panik team searched the shelves of the Médiathèque Nouvelle in Brussels. All these sounds have been arranged to take you on a sonic voyage we hope will be extra-planetary (and even more spatial if you listen through headphones).
https://www.mediatheque.be/

 


Le soir du vendredi 28 février 2025, 7 planètes nous ont offert un étonnant phénomène astronomiques. Mars, Jupiter, Uranus, Vénus, Neptune, Mercure et Saturne se sont aligné·es. À l’œil nu pour certaines et au télescope pour d’autres, nous avons pu les observer dans le ciel. Prochain rendez-vous le 19 mai… 2161! Le même jour, en journée, une équipe de Radio Panik a fouillé les étagères de la Médiathèque Nouvelle (ex Point Culture) dans ses locaux à Bruxelles. Toutes ces pépites sonores ont été agencées pour vous faire vivre un voyage sonore qu’on espère extra-planétaire (et encore plus spatial si vous écoutez au casque).
/www.mediatheque.be/


playlist galactique / galactic music by:_Jeff Mills, David Elfman, Laibach, Pierre Schaeffer, Rob Mazurek
Pulsar Quartet, Desmond Leslie The Orb, Ippu-Do, The
Psychophysicist, Rubin Steiner, Nobukazu Takemura, George Delerue,
Laurie Spiegel, Tomorrowland, Acid Mother Temple, Kris Davis, Oval,
KLF, Sufjan Stevens_

Collage par / by Patricia Gélise
https://www.instagram.com/patriciagelise/

Radio Panik Crew Production

avec le soutien de www.mediatheque.be

 

show 1041: The voices are burning by Gerarda Evenbeen, Radio Worm

Gerarda Monster grew up in the hamlet of Mookhoek in a liberal Christian family of 12 children. A dominant, cigar-smoking mother and a father whose fervent nudism did not go down well in the small Mookhoek community, not to mention his tendency to sometimes disguise himself as a woman. Mother had a clothing repair service in Strijen, father worked at the office of Piet Klerkx in Waalwijk. In his spare time he supported refugee work in the Netherlands and was conductor of the choir ‘De Zevende Hemel’ (a project of Humanitas for mildly handicapped children). Gerarda went to study law in Leiden where she met her future husband, Gert Evenbeen at the law firm where she did an internship. Gert played an important role in her decision to hang up her robe and devote herself to creating avant-garde compositions for a very select audience, acting as a kind of manager and generating some interest in her work, despite the fact that Gerarda was self-taught and was driven more by an inner urge than by a desire to show her work to an audience.

After her divorce she barely left her house in the north of Rotterdam, but continued to write & record music until her premature death of malnutrition in 2017.

Gerarda made the mixture of a collage and electronic composition ‘The Voices Are Burning’ not long before she died, it could have been the last big piece she was working on. It was made on her only electronic device, an Arp 2600, recorded and overdubbed on 4 old Uher taperecorders, using all available tapes about voice related subjects that she collected through the years. It has never been released or broadcasted before.

This is part of an ongoing project called SHADOWSIDE OF SOUND, dedicated to works by Rotterdam composers, known and unknown, who have fallen into oblivion. Progressive or conservative. Fairly or unfairly; that will determine history. As you know, there are various points of view regarding whether or not acceptance is there. In general, it can be assumed that the circuit must have the power to handle the work. The other view is a chimera of the one who gives himself a stunning victory before playing time is up.

Composition; Gerarda Evenbeen

Production; Worm Radio/Dr Klangendum in collaboration with Coolhaven

Photo by Ben Aalders, Worm Studio, Rotterdam, 2016

Show 1040: The angel sisters by Anaïs Prévost (Jet.fm)

La sœur de l’Ange par Anaïs Prévost pour Jet fm

Elle ne veut pas voir les ombres qui passent sur un mur blanc.
Elle ne veut pas voir la béance d’une grotte.
Elle ne veut pas voir le vent qui passe par une fenêtre, ni les mots qui se détachent d’une bouche.
Elle ne veut pas voir
Ce qui a osé s’écarter.
Elle veut tendre la main et boucher la serrure.

« Mon rêve est à toi. »

Alors.
Elle laisse l’animal rentrer
Et s’allonge à ses côtés.

The angel’s sister by Anaïs Prévost for Jet fm

No shadows overlooking the white wall.
No hole, no cavern.
No wind passing through the window, nor words fleeting from a lip.
She will not see
What has dared to suggest.
She will open her hand
And choke the lock.

I am dreaming for you

Therefore.
She lets the animal walk in
And lays down to his side.


Anaïs Prévost is a french american video & sound artist living in Nantes (France). Here are their first steps into radio art.