Show 378: Truus Makes Waves by Truus de Groot

Truus Makes Waves

An Autobiographic opera by Truus de Groot


Johnny Dowd    – presenter
Solex (aka  Elisabeth Esselink) – Instrumentation  on “NY NY”
Kathy Ziegler – Bontempi Organ on “Toilet Dame”
Analog Synthesizers sounds from Worm


Intro by Johnny Dowd
Truus reads from Diary from 1980  (actual recording from 1980)
Truus reads from Diary from 1979
Song:  Done Me wrong Blues (recorded at WORM 2012)
Hoboken Street argument –   (actual recording from 1983)
Song:  Hoboken Runaround –  recorded in Hoboken 1983
Song:  NY NY – written in 1983 (recorded at WORM 2012) instrumentation by Solex
Song:  Seven Rounds  (recorded  at WORM 2012)
Song: Hoboken dirty Kids   – (actual recording from 1983)
Song:  Hector –  (actual recording from 1987)
strange Phone call  – >From Truus’ strange phone call collection
Song: Unlikely Crush – (recorded at WORM 2012)
Song:  Toilet Dame – (recorded at WORM 2012)
Closing words  by Johnny Dowd

Written by Truus de Groot (aka Geertruda De Groot Hrnjak) 2012

Truus Makes waves

An autobiographical opera  by Truus de Groot about her earliest years in the US.  Dealing with the isolation and loneliness through  her ongoing often humorous audio observations that she has collected over the years.

The piece starts out with Truus reading form her Diary in 1980, shortly before her departure to the US.  Just minor observations of a 20 year old, nothing special yet a moment in time.  Not really a clue she would be going to the US mere months later, never to call the Netherlands her home again.

It was an adventure looking back  for her, but at that time these were just impulsive decisions.  Never thinking twice, why am I doing this?  Is there future here??  What will I do?   Her first stop was a connection she made on a whim in Eindhoven, David Linton, who lived in Tribeca, NY.   His roommate was Lee Renaldo, who was at that time painting.     From there her US journey began.

In her isolation she could see the absurd humor of a culture that was so new to her.     The many hours spent just looking at people, their silly habits, crazy public fights, moody encounters, make this opera a time capsule of sorts.   It also conveys her frustrations of being harassed endlessly by the prying eyes of males that feasted their eyes on a beautiful yet naive young immigrant.

However bothersome that might have been, Truus always translated it into humorous  musical reflections.    It is not dark yet perhaps a bit cynical, but full of irony.

It travels  from 1979 to up to around 1990’s

Show 377: Nature Tones For Mental Therapy by Richie Herbst

“Nature Tones For Mental Therapy” is a collage of field recordings of the soundcheck and surroundings of the “Hommage á Sun Ra” open air festival in Nickelsdorf / Austria (june 2012).
In a very harmonic atmosphere, you will listen to the nature; like birds chirping, kids playing and singing, people meet each other, skoaling, … on the other / outer side Marshall Allen, Juini Both, Ddkern and Philipp Quehenberger doing soundcheck, all over the place, for their upcoming (and amazing, btw) gig at night.

Show 376: accumool by Matze Schmidt

Is »accumoolation« just the accu-moola for vintage lean production?

Accumulation seems to find its expression sometimes directly in instruments and media. Loopers boosted one-man bands and street music stars over the last years. They enable to “play with oneself” by an implemented write/read and repeat function that allows to double productivity and voluminousness. They are the incorporated “Single-Labourer-Working-In-Teams-Unit”. How does it sound to batch and batch and batch by means of this mean of production?
Matze Schmidt is an German Artist, using web and radio for mirror-works.

Show 375: DNT GVP by Neven Lochhead (CFRC)

“DNT GVP” is a composition by experimental musician and filmmaker Neven Lochhead, who is based out of Kingston, Ontario. Like much of Neven’s recent work, DNT GVP concerns itself with abstraction and experience of space. Clean guitar tones are played while sounds of Pond Inlet, Nunavut, a small hamlet in the arctic, surface to the ears between rests. A slight echo is applied to the sounds of the town, immediately informing that the sound is an abstraction. A complete and pure representation is always abstracted by the appearance of added audio. The landscape fades in and out of conscious listening. Later in the piece, a recording from an Italian language tape fades in, first appearing as part of the landscape itself – a distant radio playing through someone’s kitchen window. The sound of the tape increases, thickens and engulfs the impossible soundscape.