Hello… this is Not That Kyd from Radio Cult and you are listening to Radia Emission number 59. Renee Sills sometimes performs under the moniker Miss Matches. She took on the courageous task of creating one full radia lenght piece and it turned out greater than the great Canadian Mountains. The piece goes up and down with ever changing landscape like the jagged mountains do too. For any of you who have never been to Montreal, well this show also look at lot like there.
The samples in Renees mix come from a billion local and not so local artists… Charles Stankievitch, Frieda Abtan, Lateef, Serviceworks, Josh Ivy, some children and way more. Renee’s mashup style is always present both in her audio and video works. She is interested in exploring the possibilities available for sharing within a radio network and this is apparent sonically throught this piece. Again this is Renee Sills. She’s from Colorado, she lives in Montreal, she owns an accordeon and she want to visit Bulgaria.
Show 058: ‘We all live in a small village by Harmon E. Phraisyar
Harmon finally settles the old argument of which is better, life in the big city or small village? All facts were supplied by the second tourism council of Birmingham airport. Essential listening for estate agents and arms manufacturers alike.
Show 057: Lemorona presents (Lemurie) by Ladislav Zelezny
From the Archives of a Lunatic (Radio Lemurie files)
short sample from the workshop files and sound archives managed by the Art project Lemurie TAZ operating in Prague. Melange of sound files was chosen by an imaginary mascot a night creature named Lemorona who browsed through the dusty boxes full of tapes, records and cassettes..
includes: J.S.Bach Goldberg variations 6:09 min, origin unknown, “It is no recital at all”. 12 min a 8 min – fragment from the sound mini workshop at The Fine Art Academy Brno. includes voice and sounds by Filip Nerad and Monika Fricova.
recorded, composed and edited by Ladislav Zelezny. member of the lemurie brotherhood
Show 056: Sofielseelend
Sofielseelend – a farewell-composition based on concrete sound material recorded inside Vienna´s “Sofiensäle”
contributed by ORANGE 94.0, Vienna
“Sofielseelend” is based on a series of field recordings we made earlier this winter inside the ruins of Vienna´s “Sofiensäle” [“Sofie”]. This bourgeois assembly hall was originally built in the 1840s – used as a swimming pool, concert hall, ballroom, recording studio and theatre, as a venue for political congresses and non-political clubbings. “Sofie” burned down in 2001 under still unsolved circumstances. Carelessly neglected since then, her ruins now provide a derelict picture of her past, replacing her historically-charged atmosphere with an environment of silent decay.
Not completely silent, though. Located in Marxergasse, just a few steps away from Vienna´s centre, “Sofie” represents a sonic blankspace, isolated and fenced off – nevertheless, since her walls broke down, her roof collapsed, the borders between the inside and the outside are beginning to blur. “Sofie” involuntarily opened herself to the surrounding city life, street sounds infiltrate the building, swallowed and damped.
On the one hand our field recordings aimed at capturing “Sofie´s” acoustical presence. On the other hand they are also results of us consciously intervening in her surroundings. The recording process can therefore be described as a shifting between pure documentation – leaving sounds as they are – and active intrusion – treating and instrumentalizing found objects, spaces and conditions as musical material.
Much of the recorded sound material derived from an old grand piano we discovered left behind in the former ballroom – an arduously belted setting of rusted chords and broken keys, its body full of rubble and water. In its deserted and half-destroyed state the grand piano perfectly reflected the situation in which it was embedded, unveiling an ensemble of sounds and noises, more than slightly out of tune, where every single expression seemed to comment on its very own historical background, a sonic symbol of blooming decay.
After recording we rearranged and recomposed the field recordings on the computer. “Sofielseelend” was structured more like a film – with different scenes alternating, each of them presenting one sound-family as a protagonist. A couple of texts, spoken in Englisch and German, were supplemented – all oft them referring to “Sofie”, though each from a different perspective.
Text: Lale Rodgarkia-Dara
Narrator: Wolfgang Pratl
Sound recording/editing: Maria Fuchs, Andreas Trobollowitsch, Johannes Tröndle
[jan-april 2006]
Show 055: cancelled
Show 054: Fabrice Cesario by Fabrice Cesario
Here is the fresh and up to date contribution from Grenouille to the RADIA network.
Sorry for the delay but the program maker’s first child being born on 7 April came to disturb the normal development of Art!
The sound material for this program was recorded during 3 impro sessions where program maker Fabrice Cesario (multi-effects, radio, tape, whistling tube and solo analog synthesizer) invited other fellows. At first he played with Olivier Maurel (cello, multi-effects, FM and HF radio). Then joined Andy Bolus (homemade audio switch) and Erik Minkkinen (pitched voice, 80′s electronic drum) – this 4-person band was named ‘Phantom Power’ for this occasion (Andy insisted). The last session was a set by ‘Olga Tüdjnik’: a duet with Eva Jacobi (voice, toys and sound files). The program is a result of an editing of this material (recorded at each time on multi-tracks) with parsimonious addition of Fabrice’s solo performances.
Fabrice Cesario attempts to free music from the word ‘free’ – that has been a label among others which format and level music. He wants to put weight on the other scale of the machine.
About this program, Fabrice says: “My music happens at the very moment I’m making it. What you can perceive in this radio program is not exactly the music I made: it is an ‘écorché’ (a cutaway – litterally ‘skinned’ in French) in the same way you won’t see life on anatomy boards.” So, let’s make it music anew by experiencing its listening!
Download RADIA progam #54 from:
http://grenouille888.org/dyn/article.php3?id_article=643
Show 053: local vs.global and Space Bar Fragments by band klo
program (sound and speech) produced by band klo: dejan, sonja and aleksandar nikov in their studio during their sessions including solo music by aleksandar nikov…
Confronting music as a global way of communication with Macedonian language that is spoken by 2 000 000 people and it’s not understandable for the rest of the world. Speech samples provided by Sonja Klo, Dean Klo and Aleksandar Nikov. Music is made by Aleksandar Nikov.
Show 052: a travellog of the radio sprectrum by Luis Silva
One of the motivations of art is undoubtly an affirmation about human relations. This program is an experiment and a call-out for people to send their messages to the airwaves. You can figure it out to be just a political stance but it is more properly viewed as a demonstration of the use of radio for voicing opinions and points of view. The program is by Luis Silva, one of Radio Zero programmers.
Show 051: by Anton Aeki
More about Anton Aeki at http://aeki.be
Show 050: The adventures of Khaosz Kapitany
The adventures of Khaosz Kapitany
The Adventures of Khaosz Kapitany is the craze of our Sunday nights at Tilos – as it has been for 7 years. The general concept of the show is to gather rare music, sounds, voices and use the characteristics of the studio space – with its gadgets, and Sunday-night hangers around reading auspicious texts to create strange atmospheres.
The present compilation is a mix of music by Nino Rota, Felix Kubin, Sam and the Pharaoes, Alice Coltrain, Albert Einstein Commitee, Ganja Cru, Stock Hausen and Walkman, together with sound fragments picked from old horror videos, radio soap operas and avantgarde poetry with some instrumentral improvisation by Hungarian band leader Dr.Marias. This part is a sample from their special “Menza Brothers – Dadaist Culture Revue” – live instruments, with record manipulation and effects – and two voices reading-yelling found texts – with Khaosz Kapitany at the controls.
Beware… mostly in Hungarian.
OK, basically, it takes you through the purgatory, and …. let’s see what happens at the end.