Show 926: Iolanda mi nant de nòmini (Usmaradio)



IOLANDA MI NANT DE NÒMINI (audio documentary, 31 minutes, written and directed by STUDIOLANDA, co-produced by Radio Papesse)

LINK HERE to subtitled version (sardinian dialect / italian – english)

SYNOPSIS Orlanda Sassu, a Sardinian poet and ecologist (1924-2015), carried on a lifelong practice of audio recording to archive the memory of her country and language that she feared to lose. Her voice transcends time barriers and accompanies us to the pivotal places of her existence: the river, the village, the sea, the hut she built around a centuries-old juniper tree on the sand dunes at Pistis, together with her companion Efisio, himself a poet. Iolanda, thus known to the community, has entrusted the magnetic tapes she used to record on, with the power to make her travel through time, to the future, coming down to us as a living, present voice.

BIOGRAPHY Multidisciplinary duo STUDIOLANDA is based in Sardinia: Giorgia Cadeddu and Vittoria Soddu focus their projects on re-use practices with a specific interest in audiovisual, graphic and textual archives.Coming from design and the visual arts, Giorgia and Vittoria bring different technical skills into play: they imagine narrative forms that exceed the rigidity of recognisable categories, combining apparently distant practices of drawing, translation, self-construction and listening.

BROADCAST/FESTIVALS After the premiere held at Lucia Festival in December 2021, Iolanda mi nant de nòmini was broadcasted on Rai Radio 3 within the programme Zazà – meridione, cultura società in April 2022. It was selected to be included in the International Feature Conference held at BBC Wales in May 2022, at Prix Europa in the documentary competition and at Phonurgia Nova for the section “Archives de la parole”.

Iolanda under her juniper tree, ca. 1980, Italy

Usmaradio – Centro di Ricerca Interdipartimentale per la Radiofonia (CRIR) / Interdepartmental Research Centre for Radio Studies, is a workplace of The School of Radio to develop an innovative radio pedagogy. Workshops, work sessions, meetings, presentations of live performance as sections of the project. Produced by UNIRSM | Università degli Studi della Repubblica di San Marino. usmaradio.org / theschoolofradio.org / unirsm.sm


 

Show 925: À table! by Radio Art Zone (Radio ARA)

This Radia show is a 28 minute excerpt of the 2 hour long live kitchen show “À table”
broadcast on September 19th 2022 from the social restaurant run by the “Stëmm vun der Strooss” (Voice of the Street) in Esch-sur-Alzette (Luxembourg).

François Martig and Sandra Laborier took microphones there for lunch, opened a sonic window into the space of the cantine and talked to people about the reasons they eat there, about poverty, social justice and politics.

This was one of a series of kitchen shows which were part of Radio Art Zone, a 100-day radio art station as part of the European Capital of Culture Esch2022. Conceived by Mobile Radio and jointly produced with Radio ARA, it broadcast in the south of Luxembourg from June 18th – September 25th 2022.

For more information on Radio Art Zone: www.radioart.zone

Show 924: Ritmi Rurali by Joe Sannicandro for Radio Papesse

Radia Show 924 stems out of Radio Papesse’s long lasting kinship and collaboration with Liminaria Festival and curator Leandro Pisano. Last Summer 2022 Liminaria hosted residencies, workshops, sound installations and guests, among which Joe Sannicandro who worked primarly in Colle Sannita and San Martino Valle Caudina, in Campania, in rural southern Italy.

Radia Show 924 is a collage of two sound pieces he produced during his residency: Ritmi Rurali and Dopo il diluvio.


RITMI RURALI (SUONANO ANCORA)
Ritmi Rurali (suonano ancora) is a 15′ sound collage comprised of ambient soundscapes and interviews recorded in the rural village of Colle Sannita, South Italy.

Sannicandro paternal grandfather’s mother grew up in Colle, and her family had deep roots in the area. Knowing this, Leandro Pisano organized a workshop and talk for him in Colle in the framework of the 2022 edition of the Liminaria sound art residency programme. Sannicandro conducted a multi-day workshop, mostly leading soundwalks with young students. He also interviewed townsfolk of all ages, and made all kinds of recordings of the town based on those conversations.

The resulting work is Ritmi Rurali (suonano ancora). He set the length of the piece to 15 minutes, which is also the interval at which the church bells ring (day or night). The artist was a little surprised at how used to the incessant tolling the people of Colle are. We are increasingly numb to background noise and, even if we hear, we often do not listen. For this reason, he relied heavily on the sound of the bells in Ritmi Rurali.

DOPO IL DILUVIO – PART A
Dopo il diluvio is a bilingual guided soundwalk to San Martino Valle Caudina. Whenever it is possible, we recommend you listening with headphones. The entire 4 part soundwalk, the instructions and map are available here.

Joseph Sannicandro is a writer, researcher and cultural organizer dealing with sound and currently based in Montreal. His research interests concern incorrect communication, (non) popular culture and the work of creativity, with particular interest in analogical humanities. Sannicandro is currently a PhD candidate in Cultural Studies and Comparative Literature at the University of Minnesota. He holds an MA from the Department of Art History and Communication Studies at McGill University, a BA from SUNY Purchase in History and Philosophy, and also studied Writing, Political Theory and International Relations at The New School and SFSU. His PhD thesis, currently in progress, explores the nature of community activism through a cultural history perspective of aesthetics and politics in post-1968 Italy.

 

Show 0923: Voices in my Head by Floy Krouchi (radioart106)

Floy Krouchi 

Voices in my head 

(in a no man’s land)

2022 

(electronics, voices, transformed field recordings)

“A dry landscape of rocky mountains, transforming slowly into a pure white desert. No water,

No trees around, one floor’s beduins habitations, campement for the goats, under the strinking sun.

The road belong to the Power but the landscape belongs to the people, to the rocks, to the sand…

We have left the flags in No Man’s Land” 

Floy Krouchi  is a sound artist, composer and bass player from Paris, with mixed origins. She exclusively used her voice as the material for this piece, together with sounds recorded, generated and transformed in the so called “Holy Land” during various stays. The plurality of registers of the same voice, from melody to pure some objects or noises  is used as a metaphor of the complexity of identity.

http://www.floykrouchi.org