Show 039: wien wie es klingt by Gerhard Rühm

“wien wie es klingt” by Gerhard Rühm

the radioplay “wien wie es klingt” places 24 significant listening spots of the austrian capital vienna into the framework of a daily routine – something like an acoustic equivalent to two sets of postcards. it begins in the early morning with the arrival at the railway station. the thematic middle of the piece is marked by the ringing of the bells of st. stephen’s cathedral in the center of the city at noon, and the piece ends in the late evening with the departure from the airport at schwechat. strewn in between is a tourist programme which could hardly be accomplished in one day. a compressed 47 minute sequence was distilled from the 12 hours of recording and arranged roughly chronologically with regard to normal visiting times in the morning, afternoon, and evening but precluding any kind of realistic plot by making geographical leaps all over the city. Produced in 1991/1992 for the series METROPOLIS at the WDR, Köln (Studio for Akustischer Kunst) in co-production with ORF Kunstradio, Wien.

http://www.kunstradio.at/1992A/18_6_92.html

Show 037: greetings from vienna – acoustic postcards

contributed by orange 94.0, vienna

greetings from vienna – acoustic postcards
how does vienna sound? what is typical and what is untypical? are there specific every-day sounds which only exist in vienna? do audible counterparts of sights exist? what does the dignity of sounds consist of? when do they become replaceable?

this radia contribution gathers sound miniatures of 17 artists, each based on an original sound recorded in vienna. artists in order of appearance: astrid schwarz, werner moebius, the zombiemouse aka karl kilian, ilse chlan, raumschiff engelmayr, johannes paul heilig, joerg piringer, lale rodgarkia-dara, arno splinks, barbara kaiser, bernhard gal, ernst reitermaier, arnold haberl aka noid, ulrich troyer, kera nagel, andré aspelmeier aka gradcom

http://raum35.klingt.org/greetings.html