Sound travel log by sound designer and musician Aernaudt Jacobs, aka TMRX. It contains sounds recorded in a taxi and in the royal palace in Brussels, sounds from China, and sounds from Mexico (Texolo, Zocalo Mexico City, Monte Alban, Zacatecas, Real de Catorce, Naolinco, Xalapa, Cerro de la bufa).
Show 032: cancelled
Show 031: by Not That Kyd
An attempt at radio art, this program purposes to make you shake in your seat. You might get angry you might want to hug someone, you might want to cover your ears or you might just sit back and listen.
Our host, Kyd, thought its partly inappropriate that a foreigner be making a Bulgarian show so she invited a special Bulgarian guest. Donku is a private music teacher who trained at the Bulgarian National Academy for Music. He shared with us his thoughts about the sounds he was listening.
So join us and enjoy your waffles, glitches, creeping ivy and have the funniest 56 minutes ever.
Show 030: framework by patrick mcginley
framework is a show consecrated to field recording, and its use in composition. this edition (constructed specially for the radia network) brings you a one-hour continuous soundscape consisting entirely of untreated field recordings from the host’s collection, and culminates with the premiere of a recent composition (which shares its name with the program), ‘framework 1’.
for more information, see framework’s website at http://www.resonancefm.com/framework.
Show 029: Sound Drifting
I Silenzi Parlano Tra Loro was an interdependent temporary system of 16 international remote sub-projects, which used a wide range of methods and approaches to the generation, processing and presentation of data/sounds/images to form a nine-day long continuous on line – on site – on air sound installation on the occasion of the Ars Electronica festival’99
The publication documents the unusual interdependent, temporary system´. The installation had several very different on site versions in Europe and Australia and was also rendered into an 8 hour radio-installation (Austria and a 5 day non stop radio-sculpture in Weimar, Germany). More than 50 artists were involved in this project.
In the publication two CDs are included. Radia #29 is a very long excerpt of the second CD, which was composed by a generative programme using samples from short examples (approx. 4 min) sent by each node of the SOUND DRIFTING NETWORK after the live event had ended.
The generative programme used was the SOUND DRIFTER designed by Winfried Ritsch (Graz, A).
Show 028: from Kanal 103
We don’t know much about it (except it’s from kanal 103)
Show 027: Alter Biographies by Mela Mikes
Did you ever think about rewriting or re-reading the story of your life? This Radio Essay is asking questions towards the possibilities of thinking of “alternatives” for your own life story or the story of others.
alterbiographies
Show 026: Gegen Die Bridge by Serhat Koksal
Serhat Köksal aka 2/5 BZ, a regular contributor to reboot.fm, performs with samplers, saz, tapes, electronics, darbouka and spoken word.
His style varies between traditional music via experimental electronic sounds to improvisation with elements of popular Turkish cinema. His visual works borrow from zine and poster aesthetics and are collages of 70s and 80s Turkish melodrama and action films, political propaganda and media imageries of social phenomena.
Show 025: by Luis Antero and his project Out Level
here it is, the first out-of-the-house RIST production, bringing a new artist to the sound waves, Luis Antero and his project Out Level. Luis Antero is a self-tought amateur musician working in the experimental music universe. The show is 50 min long, in two sets, using processed electric guitar and samples (TV, spoken word and vinil (these by Aguila). the work is licenced under a creative commons licence.
at the end, has bonus, a production from the second release of a very good netlabel, comfort stand: Twizzle – Soda Fountain
Show 024: Brouillage
This program is based on texts written by the French poet Armand Robin. During the 50ies and 60ies he spent most of his time listening to shortwave radio stations in various languages, comparing the evolution of propagandist reporting. He was then publishing a weekly listening report that he printed and distibuted himself (I think it was 23 copies, made with a stencil printing machine). In this programme, readings of bits of text (it’s in french) are mixed with various sounds, a lot of them sampled from my friends Martiens Go Home.