Show 045: Playlist: Un résumé de rue from Radio Grenouille

Radia #45 introduced first sounds from Marseille. (First contribution from Radio Grenouille to Radia)

Playlist: Un résumé de rue (summary of a street) by David Bouvard. Angambi dans la communauté (Trouble in the community), an improvisation by Arno Calleja and Laure Maternati. Méditerranée, by Jeanine Denis, street singer. Cut up radio et vie intime sur dictaphone (Radio cut-up and intimate life on dictaphone), by Amy Chauveau. Les cartes, Carmen (Cards, Carmen), an excerpt from On a toujours été séparés (We’ve always been apart), from a conversation between Sarah Kéryna and her grandmother. Recording by Sarah Kéryna, editing and mix by Paule Anders. Cheminement, deuxième partie (Development, 2nd part), by Pôm Bouvier B.

Show 044: Essays on Radio (can I have two minutes of your time?) by Cronica

From RIIST – Future Radio Zero

by Cronica (the folks who did this)

“Essays on Radio” aims to comment on the sound medium, on the technology and the culture of radio.

In the midst of media saturation, radio can easily end by being an overlooked medium, not only due to its lower visibility compared to most mainstream media but mostly because it is an un-visual medium. It is also one of the longer standing and of the oldest electronic media that is still alive, so the novelty factor is not a help.

Radio was the first broadcast medium, as well as the first that was sound-specific and intangible. Historically, radio was the primary responsible for an awareness of sound that went beyond the strict scope of music.

Radio is a saturated live medium, where much happens simultaneously.
Having little or no control about the sources and the interferences during broadcast and reception turns radio into a medium where we can easily and objectively experience noise. Therefore, it was probably through radio that many first heard white noise. It was probably with a radio receiver that many first modulated noise as it was probably through radio that we experienced randomness along with the lack of control and indeterminacy.

This theme was intended to provide the artists with a starting point to approach the work. Unlike we did in the previous compilation, there would be no audio sources provided to the artists beforehand. In this release, what we were looking for were not exercises on composing from shaping any given sound matter but rather on relating the musical pieces to this particular context: Radio.

As a further way to coherently organize the CD, we asked all the artists to produce the pieces with a fixed duration. This symbolic length allowed us to fit work from some of the artists we released so far and a few selected guests and it also served as a strong structure binding all the compositions together. Given the fact that we are closing the 2nd year of Crónica releases, we proposed that all tracks should have the fixed duration of 2 minutes, exactly.

Therefore the sub-title: Can I have two minutes of your time?”

Show 042: International Language Course from Beginner to Master by Antal Vida

International Language Course from Beginner to Master
-useful soundsculpture for natives of foreign civilizations

Artist: Antal Vida / vidatoni
Radio: Radio Tilos/Radio Tordas
Year: 2006
Total Time: 56:16
:: no jingle ::

It is a great challenge for a sound-sculptor usually juggling with words and sentences to produce a mix that is enjoyable for listeners of any mother-tongue. This is why in the first five minutes you are taught some Hungarian, then you get to the advanced level. I promise you get to the level of a native speaker in an hour! Naturally, the information is filled into your brain in brotherly portions, and in every five minutes you are taken for a face wash in the music of the most refreshing European languages.

Vidatoni is a sound artist, doing both talkradio and radioart in Tilos. He is also running his very own small community radio (Radio Tordas) from his livingroom in his home village near Budapest, while his garden houses the only local cinema in the neighbourhood, making it one of the most enviable ones at that. Yes, indeed, he has the kind of rare ability to make people speak the same language.

Show 041: Ressonoria – The Airport – Republic of the sound by tkrst

length: 30 min
language: Bulgaria
Radia jingle: no

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Ressonoria – The Airport – Republic of the sound.
A mockumentary by tkrst
About tkrst:

1974
Graduated in Theatre critics.
No music education.
Seriously involved in music for 15 years through different bands and frequently ceased projects.
Working as tkrst – solo – since 2000.
I investigate the social and political connections that music is burdened to maintain.
Mediocre anarchist soul.

Recent projects include:

http://www.cameraelectronica.redhouse-sofia.org

About Resonoria

res=republic
sonoria=sound

Anti-utopic static story about a country-airport,
The whole political moral is manifested in forcing absurd sound limits, frequency sell, prison for violators.
Anti-utopia aimed at the airport of all sound experimentalists, full of bites- like the name of the airport is called ” frequenz shumen” (shumen is “noisy” in bulgarian). of course the end the naivety smashes the airport and ends the game.

Show 040: Dead by Dawn by Tom Wallace

Radia Season 5 show 1 (Radia 40) from Resonance FM
Dead by Dawn
This radio piece by Tom Wallace deals with clinical reports of people (mainly young drug abusers) who die whilst in hospital. The reading of their unfortunate medical histories is underscored with an electronic music composition made from hospital noises. The piece has been played once on Resonance fm, but was hidden in a larger programme due to the sensitivity of the theme.

Show 039: wien wie es klingt by Gerhard Rühm

“wien wie es klingt” by Gerhard Rühm

the radioplay “wien wie es klingt” places 24 significant listening spots of the austrian capital vienna into the framework of a daily routine – something like an acoustic equivalent to two sets of postcards. it begins in the early morning with the arrival at the railway station. the thematic middle of the piece is marked by the ringing of the bells of st. stephen’s cathedral in the center of the city at noon, and the piece ends in the late evening with the departure from the airport at schwechat. strewn in between is a tourist programme which could hardly be accomplished in one day. a compressed 47 minute sequence was distilled from the 12 hours of recording and arranged roughly chronologically with regard to normal visiting times in the morning, afternoon, and evening but precluding any kind of realistic plot by making geographical leaps all over the city. Produced in 1991/1992 for the series METROPOLIS at the WDR, Köln (Studio for Akustischer Kunst) in co-production with ORF Kunstradio, Wien.

http://www.kunstradio.at/1992A/18_6_92.html

Show 037: greetings from vienna – acoustic postcards

contributed by orange 94.0, vienna

greetings from vienna – acoustic postcards
how does vienna sound? what is typical and what is untypical? are there specific every-day sounds which only exist in vienna? do audible counterparts of sights exist? what does the dignity of sounds consist of? when do they become replaceable?

this radia contribution gathers sound miniatures of 17 artists, each based on an original sound recorded in vienna. artists in order of appearance: astrid schwarz, werner moebius, the zombiemouse aka karl kilian, ilse chlan, raumschiff engelmayr, johannes paul heilig, joerg piringer, lale rodgarkia-dara, arno splinks, barbara kaiser, bernhard gal, ernst reitermaier, arnold haberl aka noid, ulrich troyer, kera nagel, andré aspelmeier aka gradcom

http://raum35.klingt.org/greetings.html